morally reprehensible yet charismatic and seemingly harmless characters are my achilles heel. which is why im a fan of 2002 musical chicago

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morally reprehensible yet charismatic and seemingly harmless characters are my achilles heel. which is why im a fan of 2002 musical chicago

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are you a loki kinnie?
i don't like you implying that there are people who do not instantly relate to being raised in the shadow of the g*d of thunderous hammers as an unequal, being raised in a society which is prejudiced against things you excel in (magic, knives, not baselessly killing), marginalises every other realm and then finding out at age 1070 that you were an adopted frost giant and you’ve spent your whole life trying to prove you could be worthy of positive attention too so then you kill your biological father and then throw yourself off a rainbow bridge in an attempt to kill yourself because even when you’re emotional unstable and having an identity crisis your adoptive father wouldn't express approval because he’s a hypocrite that doesn't approve of you because you’re you :/
would love threads of the first time the hargreeves siblings talk to vanya after her book’s published (or, if they don’t talk to her at all until s1, their first conversation About the book) i think that’d be neat. or just, generally, their reactions to it?
is there something to be said about how yi an keeps calling her hyeongsu-nim? is it better to call her daebi-mama, or does the palace heirarchy not really matter in this case?
was thinking about this since we had the noticable shift to "my nephew" in that one scene with yi an and lord inpyeong... is there something more to how yi an maintains their familial address (sister-in-law) over the (i guess) more formal address (queen mother)?