You're AMAZING!! THANKS FOR YOUR HARDWORK WRITING NEJITEN FICS :')
thank you! thatâs very sweet of you to say c:
we're not kids anymore.


Kiana Khansmith

#extradirty
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Andulka
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Origami Around
sheepfilms
Misplaced Lens Cap

Product Placement
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@tabine-writes
You're AMAZING!! THANKS FOR YOUR HARDWORK WRITING NEJITEN FICS :')
thank you! thatâs very sweet of you to say c:

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[reply]
@delightfulharmonypoetry said: um. um. um. why is this not a full length thing? why stop? why? i just no get it. i just no get it at all. (there might be a weepy tantrum occurring over my keyboard. pay no attention. just expressing my love for this one shot)
â
Iâm sorry for responding to this now, I only just saw it! That being said, well. I hope to have something for this AU completed one day, but, alas. Real life is just way too demanding, Iâm afraid. Even so, Iâm glad you enjoyed it nonetheless! Seeing your reply really made my day. c:
Can you write about Neji helping tenten through a tough pregnancy?
anon i just want to start off by saying that given my propensity for writing Depressing Shit â˘Â this probably no where near what you were hoping for â i canât say i have any regrets for writing it however bc this was legitimately the first thing that came to mind when i saw your request :p
(also in case you were not aware i tend to not really check this blog anymore as i usually just stick to my main blog over at @tabine â additionally iâve moved all my naruto writing over to @shitty-ninja-brats so yeah there you go)
after a great many failed attempts at the task, it is with a low groan of exertion and thinly-veiled fatigue that tenten finally manages to push herself off the couch in order to head to the kitchen for the leftover chinese food she has stored away in her fridge.
neji canât help but smile wryly to himself as he watches her bustle around the tiny space, her navigation of the cramped quarters made even more difficult by the limited mobility of her heavily-pregnant frame.
âyouâre a jerk for putting me in this situation, you know,â she says, then, as if she were reading her thoughts.
then again, sheâs always managed to know what he was thinking at any given point of time â perhaps it is for this reason that neji says nothing, his silence answer enough, and he merely watches tenten, waits patiently for her to return to the living room.
he does not wait long: tenten returns shortly thereafter, a plate of reheated dumplings in one hand, a glass of water in the other. neji pretends not to notice how her eyes are now curiously rimmed in pink, the way her lower lip trembles only the slightest bit.
âyouâre a jerk,â she repeats, voice barely above a whisper as she stares at the small framed photograph of his face in the simple shrine across the room, âand iâm never going to forgive you for it.â
âi know,â neji replies, all-too-aware that she can neither see nor here him. nonetheless he steps closer, wraps his arms around her, ignoring the way she passes through his spectral form on her journey back to the couch. âmy apologies.â
A N G R Y MAKE UP SEX
Life, Tenten has come to learn, works in strange mysterious and barely comprehensible ways. Still, even she could never have fathomed just how the events of their shared past would lead them here, to this little pub somewhere in Suna, and the corner of her mouth quirks in a wry half-smirk for the briefest of moments, at the dark irony of it all.
From his seat across the table, Neji watches her detachedly, without the barest hint of expression. Tenten tells herself she doesnât care, even as her fingers tighten around the tall glass of lager in her hand.
But Neji, keen-eyed and ever observant, catches the movement all the same. His eyes narrow as he watches her bring the glass to her lips, and when she glares at him over the rim, he mimics the action with his own drink in turn. The apple of his throat bobs when he swallows, and the look he sends her is unreadable when he says, âYou look good, Tenten.â
She scoffs, setting her drink down with more force than intended. Some of the beer sloshes onto her fingers, and down the side of the glass, but she pays it little attention. âJust get to the point, Hyuuga,â she tells him. âI find it hard to believe that you tracked me down after three years of no contact just to tell me I look good.â
âWhat, no thank you?â Neji leans toward her, a wry smile tugging at the corner of his pale, thin lips.
âYou donât deserve one.â
Nejiâs smile fades quickly, and he pulls away. âI suppose I do not.â
The absence of his warmth is more disappointing than Tenten wants to admit. She frowns and clenches her teeth, biting out a terse, âTell me what you want, Hyuuga, so I can get back to my life.â
âYou.â His voice is quiet and matter-of-fact. âI want you.â
Read it in full right over here, anon!
Wishlist of a Fanfic Writer
Small, easy things you can do:
Like my post about my story.
Leave kudos on AO3.
Bigger things you can do, but still pretty easy:
Reblog my story link, so that people who arenât following me will see it too. Maybe add a comment or tags about how much you enjoyed it.
Leave a short comment on AO3.
Biggish things you can do that will make an author very happy:
Make your own post reccing my story, and telling people what you enjoyed about it.
Leave a detailed comment on AO3, telling me what you liked about my story, what moved you, what made you laugh, what your favourite part was, and asking any questions you happen to have about it.
Huge, amazing, omg things you can do to make an author love you forever:
Draw art based on my story.
Ask to borrow one of my OCs for a story of your own.
Ask to translate one of my stories into your own language.

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for the fic prompt; ''not dating you sucks''
Above him, Tenten comes with a shudder and a low, breathy moan. Her fingers dig into the flesh just below his collarbones, and she continues to grind against him, nails biting into pale skin hard enough to crescent-shaped welts, sharp and red and angry, stinging in their wake.
But Neji knows that she isnât done â and neither is he, not yet â and finds he doesnât care.
(Read the rest of this fic over here!)
This is so, so important you guys.
another reason why i love fanfiction
So, I posted a fic today, and as I was setting up the AO3 post, I found myself writing in the end notes an impassioned - almost desperate, ngl - plea for comments. For interaction.
And yeah, for validation too. Because you know what? Writing is hard - despite commonly held misconceptions, it takes a shit-ton of effort to take some blank, empty void of a page and fill it with something that lives and breathes and touches the minds and hearts of others.Â
And donât you dare wave that âyou should be writing for yourselfâ bullshit in my face. Itâs been a long, long time since Iâve been able to do that, and honestly Iâm glad managed to recover as much as I have and write as much as I do. Having an audience is an integral part of the writing process.
Let me repeat that.
HAVING AN AUDIENCE IS AN INTEGRAL PART OF THE WRITING PROCESS.
We fanfic authors donât ask for much. As someone who is a published author, who has been published in a Real Physical Book⢠and was paid hundreds of dollars in Honest-to-God cold-hard cash for less work than I put into my fanfic, let me tell you, a few comments will not pay my tuition or buy my groceries or put clothes on my back. Compared to the hours of labor that went into earning the money I was paid with, comments take substantially less time to create.
And yet, to us, they are priceless. Authors will create entire worlds for the sake of making a single person smile. YOU CAN BE THAT PERSON. WE WILL WRITE FOR YOU HAPPILY.
You just have to let us know you care.
And youâd better do it soon. Iâve heard too many authors all too willing to pull their tumblrs and erase or abandon their fics on AO3 because they have grown weary of screaming into the void. That fanfic you love? Gone. That chapter youâre waiting for? Never gonna happen. How many of you have bookmark lists with fics already missing? I bet you wonât even remember which one it is.
You can keep that from happening. Just write âOmg thank you for updating, I really liked _________!â and fill in the blank. Someone worked hard to put that smile on your face. You can make them smile in return.
âAnd donât you dare wave that âyou should be writing for yourselfâ bullshit in my face. â
This so fucking much!! Writers write to be read!
Writers write to be read.
âAuthors will create entire worlds for the sake of making a single person smile.â You know that person who leaves a comment on every chapter of your WIP? That person is a hero. Â Â
send me an idea for a fic or au or setting or anything iâve never written before and iâll write a drabble about it
[reply]
@fruitysmellz said:Â lolololol that ending though :p
â
To be completely honest, the ending was actually one of the very parts of the fic that I finished, and quite literally wrote itself. Not that Iâm complaining, though: itâs pretty great.Â

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[giftfic] on disasters and distractions
On Disasters and Distractions
Disaster is almost certainly a guarantee when you've been given the task of seducing your own boyfriend as a way to distract him from potentially murdering his almost-future-brother-in-law. Almost.
For @nairil-daerisâ â I'm sorry it took me so long to get around to writing this fic, and even though it isn't what you originally wanted, I still hope you enjoy it all the same.
AO3 | FFN
Heads up, kiddos: shameless PWP lies ahead.
It all began when Naruto got it into that thick skull of his head that he was going to propose to Hinata.
Naturally, for all parties involved, the entire thing was a disaster waiting to happen. And, oh, were there many â parties, that is. Not disasters. Then again, whether or not something was a disaster probably depended on who you were asking. Particularly when the conversation involved Naruto's plan on how to propose to Hinata. And if the conversation also happened to involve Tenten and the role she played in the whole thing, well.
You would end up with some very mixed results.
â
On taboo themes in fiction
The whole issue of pornographic legitimacy aside:
One of my huge problems with a blanket condemnation of âpeople who write non-conâ or âpeople who write underage sex,â is the assumption that thereâs only one reason that a sexually explicit scene could possibly exist in a piece of fiction: to arouse the reader and uncomplicatedly celebrate whatever sexual activity is taking place. At best, when this mentality does acknowledge the existence of other types of sex scenes, it assumes that the categories âsex scenes that celebrate and arouseâ and âsex scenes that problematize and dissectâ are mutually exclusive, and that the line between them is clear, easy to draw, and easy to agree upon.Â
Say for a moment, that we as a group are going to prohibit the writing and reading of sexually explicit scenes involving rape or underage sexuality. Does the prohibition extend to writing and reading fiction that depicts rape and underage sexuality in order to condemn them or detail trauma around them? If thatâs allowed, does it apply to writing and reading fiction that deals with those themes in order to explore the complexities of individual responses to them? What if those responses are themselves morally dubious? If thatâs allowed, does the prohibition kick in if any of the characters experiences arousal? If the reader does? Or does it just kick in when the reader perceives that a character is aroused at a point when, according to the reader, they shouldnât be? Or when the reader senses, through a hundred intangible narrative cues, that the writerâs attitude toward the events in the story arenât the same as the readerâs?
If you feel that the location of this line is obvious, are you sure that your boundary is the objectively correct one? Because historically, there is a VERY STRONG PRECEDENT that once censorship/taboos around these issues gain a toehold, people will disagree about the location of that line; that they will in fact challenge and attempt to ban any book which includes the issues in question, regardless of whether it does so to glorify them, condemn them, or something more complicated. If you would take issue with any of the following calls to ban or remove books from libraries, perhaps the line is not so clear-cut as you believed (also, more commentary under the cut):
Keep reading
lol ur acting as if thatâs why the people we complain about write those scenes tho. itâs blatantly obvious when itâs for a good cause, the ones we condemn write that shit bc they think itâs âkinkyâ and âedgy.â
The entire point of this post is that both I and history strongly disagree that itâs âblatantly obviousâ when controversial content is artistically justified. Historically that has been anything but obvious to society at large, which I why I cited all those examples of books that most reasonable people would consider artistically and politically unimpeachable, but which plenty of folks still want to ban. The power of censorship isnât a cat you can put back in its bag once itâs clawed your particular enemy.Â
Also, the metric for critique really should not be authorial intent. Who cares what the author thought when they were writing something, or whether they wrote the thing âfor a good causeâ? Fandom discourse is far too fixated on scrutinizing the traumas and guessing at the intentions of writers in an effort to determine whether theyâre allowed to write a given thing. Forget about the author. The metric should be whether the created object, in its context and totality, reinforces oppression. And it should be a metric for two-way CRITIQUE, not blanket censorship, for heavenâs sake!
From my previous examples: for my money, Ralph Ellisonâs Invisible Man is misogynist in both its treatment of rape and its essentializing of its female characters. This may or may not have been an intentional or socially-minded decision on Ellisonâs part, but regardless, I would argue that it does not serve the narrative as a whole, and that that aspect of the book perpetrates gender-based oppression. Other aspects of the book combat race-based oppression, and do so extremely eloquently and effectively. Itâs also just a corker of an absorbing read. None of these things negates the others. We should neither ban the book, nor remain silent about its misogyny because of its seminal anti-racism work and its powerhouse prose. We should critique the ways in which it fails while also acknowledging the many ways in which it succeeds. We should read it and have a conversation about it!Â
Or, another example: I think Ayn Randâs The Fountainhead is rapey, politically poisonous, and poorly written. It perpetrates gender-based oppression and class-based oppression, and generally inhibits empathy. But its philosophy apparently resonates with a huge group of people. I think we as a society need to take a compassionate and non-shaming look at why that might beâand as a tool in that discussion, we need the book. Banning it would only drive Rand sympathizers underground, inhibit discussion since nobody is supposed to be reading it, make The Fountainhead more desirable for its forbidden status, and frankly accord it more social importance than it deserves.Â
From a 2006 US decision by Justice Sonia Sotomayor, now a Supreme Court justice:
For purposes of evaluating artistic or cultural merit, the term âpornographyâ is notoriously elusive. In that context, determining whether material deserves the label of pornography is a subjective, standardless process, heavily influenced by the individual, social,and cultural experience of the person making the determination.Â
The same holds true for any sub-set of written pornography that might be deemed beyond the pale. The discussion itself can be useful, but not if it deteriorates into two polarized sides screaming threats at each other over the contents of a blanket checklist of fictional no-nos.Â
The metric should be whether the created object, in its context and totality, reinforces oppression. And it should be a metric for two-way CRITIQUE, not blanket censorship.
AMEN.
I will reblog this incredibly eloquent post every time it crosses my dash.
tfw ur trying to write plot but ur brain only provides you with out-of-sequence snippets built on vague ideas and an endless number of potential outcomes that develop and branch out unnaturally over an unspecified timespan
[snippet] legacies
Notes This section was pretty much entirely based on my reaction (and, by extension, my grandmotherâs reaction to it) to seeing my youngest sister in the hospital a few hours after she was born: Iâm the eldest of my siblings, but my middle sister (thereâs only three of us) is almost exactly a year younger than me, so for obvious reasons I have no memories of her being born. I was three-and-a-half, though, when my youngest sister was born, and apparently rather precocious for my age, but at least I was fortunate enough to have levelheaded adults in my life who could rationalize stuff so that an almost-preschooler could understand what they were doing was wrong â I like to think that Tenten would have a similar approach to parenting.
Once again, this is a snippet from the WIP of Tenten being pregnant when Neji died, etc. :D (Iâm really enjoying writing this, if you couldnât tell â Iâve never written young children in any great capacity before, let alone from their point of view, so even though the kid in question here is really just a glorified OC, drawing on my experiences as a toddler teacher and such is proving to be really good material, and a great exercise for writing more things like this in the future.)
â
âHeâs ugly.â
[reply]
@fruitysmellz said:Â First of all, how dare you. Second of all, HOW DARE YOU????!!!! -sniffles-
â
Iâve been writing far too many happy and funny things as of late â I have a reputation of writing sad and bittersweet and heart-wrenching things to protect.
Youâre welcome. :D

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[drabble] assassinâs creed au
Notes I... literally have nothing to say to justify this â I was on my way home after going on an emergency trip to the Indian grocerâs for mango pulp when my brain went, âOkay, but wouldnât Tenten absolutely love having an Assassinâs Hidden Blade?â Which, yes, she would, but it didnât stop there.
âWhat if Neji was an Assassin, too?â And then I got home, and tried getting some coursework done, but after a while the idea wouldnât disappear from my my mind, and I wrote this quickly during my last study break. Which is why it sucks (literally spent most of my time writing this trying to figure out the fucking dress), but, hey. At least I did it.
Not sure if Iâm going to continue this, but. Yeah. Let me know what you think! (I have another spies/assassins AU WIP, too, but that one is still in the works. Heh.)
Nothing is true, everything is permitted.
âYou are aware the advances made in feats of engineering in the modern era have rendered such archaic types of weapons obsolete and unnecessary, I assume.â
[fic] any way you want it (thatâs the way i need it)
one hundred sentences of dirty nejiten things, courtesy of the 100-prompts community on livejournal. part 1/5 â ideas for au settings and kinks/scenarios currently being accepted. read on ao3 or ffn.