Tea for Two

Exploring the nuance that the fandom often overlooks.

The ACOTAR series is told in first-person perspective. Although this allows us insight into the inner workings of certain character's minds, it also means that these accounts can be biased, or lacking nuance. To this day, Tamlin's perspective has not been shared, and I want to attempt to do that.

Please note that although the books were predominately told from Feyre's viewpoint, it doesn't mean that her thoughts and feelings are invalid. I am also not condoning Tamlin's actions (explaining ≠ excusing). These are fictional books; breaking them down and considering different angles is of great merit - even if you don't personally agree.

The story of Tamlin; how it all started.

Tamlin grew up in an extremely violent and abusive household - the extent of which largely remains unknown to the readers. We do know that his parents did not love each other, and that his father and two older brothers were canonically worse than Lucien's (and we know how bad they are).

Tamlin's father was even friends with the King of Hybern and Amarantha; two of the most insidious individuals in Prythian. In fact, Tamlin's father would regularly drag him along to visit them. It was during these visits that Amarantha grew to desire Tamlin, presumably when he was still rather young.

Amarantha then continued to sexually harass Tamlin for centuries. As readers, we do not know exactly what Amarantha did to Tamlin during that time; he is yet to open up about it.

An unlikely ruler.

Tamlin never wanted to rule the Spring Court. He stated that if he did, his brothers would have killed him "before he could reach adolescence." As a result, his only choice was to join the brutality of the army.

Instead, what Tamlin actually wanted was to become a travelling musician, spending his days playing the fiddle.

However, when Tamlin's entire family was (justifiably) murdered by Rhys and his father, he was forced into the role of High Lord of the Spring Court. Unlike Rhys, Tamlin had no friends or Inner Circle to help him, or to offer him support.

Although Tamlin rightfully shares the blame in what happened to Rhys's family, we still never received his version of events. Many have theorised that Tamlin was tortured by his brothers and father for the information about Rhys's family (as at this point, Tamlin and Rhys were best friends); I believe this to be likely.

Whatever the circumstances, one thing was now clear - Tamlin was entirely alone.

A reign ravaged by Amarantha.

Despite the circumstances, Tamlin does his best to rule the Spring Court. Although he is still largely inexperienced, he is vigilant about not following in the footsteps of his abusive father and brothers.

However, his efforts are halted when Amarantha, the woman who has relentlessly sexually and romantically pursued him for years, curses his entire court, and turns his heart to stone. Tamlin is forced to watch all of his companions and court advisors either die, or suffer tremendously, as a result of the curse.

Despite this, Tamlin does what he can for his people - even those outside of his court; offering shelter and employment to countless refugees.

In fact, when one of Tamlin's civilians was killed by Amarantha, he carried the faerie in his arms and into the gardens. He then buried the faerie with his own hands; "a High Lord, digging a grave for a stranger."

Meeting Feyre; the beginning of the end.

By chance or fate, Tamlin met Feyre Archeron. She was the first person he had ever loved in 500 years - the only one to make him feel "less alone."

Tamlin brought Feyre's family out of poverty and healed her father's leg. He rebuilt the art gallery for her. He was the first person to recognise the sacrifices she had made for her family. Most of all, Tamlin fell in love with Feyre in her human form - exactly as she was, with no mating bond to biologically pull her to him.

Prior to the events of Under the Mountain, Tamlin tells Feyre that he is "not her jailor." He tells her that she doesn't need a "keeper," as he kneels before her, and dedicates a song on his fiddle to her.

So, what changed?

Under the Mountain.

Amarantha happened.

Tamlin was forced to witness the woman he loved be brutalised and tortured. Knowing Amarantha was in love with him, Tamlin is powerless to help Feyre; to make his feelings known, means instant death for her. It is why Tamlin gets on his knees and begs Rhys to keep Feyre's identity a secret.

However, Feyre is ultimately killed. She was only brought into this situation because of Tamlin; he is riddled with guilt and despair.

Yet, by some miracle, Feyre is resurrected. Tamlin now has the chance to protect Feyre, to save her, in all the ways he was unable to before.

However, he goes overboard. He becomes possessive and controlling. Despite promising Feyre that he was not her "jailor," he locks her in the manor. He shuts Feyre out. The trauma only festers - for both of them.

Tamlin's behaviour was abusive. Feyre had every right to leave, and she was far better off for it.

Readers react (but, is it fair?)

It is for the above reason that Tamlin is one of the most hated ACOTAR characters. That hatred is justified.

But, where is that same hatred for all other SJM characters who behaved just as badly as Tamlin? Or, those who behaved even worse?

Rhys is still the character who:

Drugged Feyre and made her dance provocatively Under the Mountain (until she threw up). Rhys later admits he did this in part to make Tamlin jealous.

Twisted Feyre's broken arm to enforce consent.

Kept a 24/7 shield around her (the same sort of action Tamlin is criticised for...).

Refused to tell Feyre that her pregnancy would likely be fatal (despite their 'no secrets' promise); stripping her of the autonomy to make decisions over her own body.

Then, threatened to kill Nesta when she revealed this information.

And I hear you - "Rhys was just trying to protect Feyre!" Yet, wasn't that Tamlin's motive too?

This double standard exists for most other SJM characters:

[TOG Spoilers] Rowan, one of the most powerful fae warriors to ever exist, punches Aelin, a 19 year old who is newly discovering her fae abilities, so hard in the face that she hits a wall and bleeds. He then tells her that she should have "died long ago". Tamlin never directly laid his hands on Feyre. Yet, Rowan does, and his behaviour is always excused (and even romanticised). What's more, is that his relationship with Aelin is one of the most highly regarded.

[TOG Spoilers] We then have Manon who committed literal mass genocide for centuries (and delighted in it), even killing her own sister in the process.

There's Azriel who has a twisted affinity for torturing people.

Nesta who was verbally and emotionally abusive towards Feyre throughout their childhood.

Don't get me wrong, I love all of these characters. They are nuanced, morally grey individuals; this complexity is what makes SJM books so great.

Yet, why does this same nuance rarely exist for Tamlin?

Considering the events from Tamlin's perspective.

Readers criticise Tamlin for collaborating with Hybern to 'get Feyre back.' However, from Tamlin's perspective, Rhys was the person who willingly served Amarantha for the past 50 years. Tamlin also believed Rhys's facade that he was the insidious dictator of the infamously cruel Night Court. What's more, Tamlin is also aware of Rhys's mind control powers. So, when he receives a vague letter from Feyre (who as far as he knows, couldn't read and write), of course he is suspicious.

Tamlin truly believes that Rhys has kidnapped Feyre, and that she is in danger. In order to rescue her, Tamlin pretends to work with Hybern. He jeopardises the safety of his civilians, puts his entire court at risk - all to save the woman he loves.

If Rhys sacrificed the Night Court to save Feyre, we would deem it an act of true love. So, why do we condemn Tamlin?

What's more, both readers and characters blame Tamlin for the King of Hybern's actions; that Elain and Nesta went into the Cauldron because of him.

However, as soon as Tamlin realised Hybern's true plans, he blew his cover in an attempt to stop the King. He was the ONLY character who lunged for Hybern in an attempt to save Elain (whilst everyone else stood there in shock).

Shortly after, Tamlin realises that Feyre left him willingly. That she is with Rhys, and they are mates. Then, Lucien, Tamlin's only friend, leaves for the Night Court too.

To top it all off, in an act of revenge, Feyre orchestrates for the downfall of the Spring Court - an action that risks the lives of countless innocent civilians. As a result, Tamlin now has no one. No court.

Tamlin has nothing left.

Tamlin's choice.

If we are all being honest with ourselves, most people in Tamlin's position would feel immense resentment. Many would resort to revenge, just as Feyre did. However, Tamlin never takes this path - he never gives in to the hatred and bitterness that could so easily consume him. He chooses otherwise.

Not only did he turn the tide in the war, saving Feyre and Elain's life;

Not only did he resurrect Rhys - the man who took so much from him;

But above all else, he wished for Feyre to "be happy."

Yet, despite all of this, although most other characters got their happily ever after, Tamlin now roams around the decimated Spring Court. He stays in his beast form, as if he doesn't even feel worthy of being fae - of his humanity. Tamlin is depressed, and very alone. He has always been alone.

To me, his character can be summarised by this quote;

"I sat with my anger long enough, until he told me his real name was grief."

Tamlin's redemption.

Some believe that Tamlin deserves no redemption. That instead, he is better off dead. However, I think that sends a rather grim message to the myriad of people who suffer in the same way that Tamlin does.

To those who externalise their pain, rather than internalise it. To those who were never shown love as a child, and therefore struggle to display it as an adult. To those who were hurt by the people they trusted most, so they hurt others in return. To those who still hold onto guilt over their past. To those who try to be a better person, but still feel like a failure deep down.

That doesn't mean that Tamlin's past actions should be excused, or even forgiven, But, just like every other character, it does mean he should have the chance to heal.

In her most recent interview, SJM says it herself; that no character is doomed to be an "asshole" forever, and that any day you could choose to wake up and be a better person - to live a better life.

A fairytale ending.

Ultimately, ACOTAR was inspired by Beauty and the Beast, and Tamlin is the perfect personification of the Beast. Not just for his shapeshifting form, as we came to believe in the first book. But rather, just as the Beast in the fairytale was a man haunted by his past mistakes, so too is Tamlin.

Yet, as the tale goes, the Beast's once hardened exterior begins to melt away, and he is able to look towards the world with kindness. To love again. To love himself. When this happened, the enchanted rose came back to life.

I believe this foreshadows what will occur with Tamlin in future books. As he begins to heal, to find his place in the world, he will blossom.

And, so too will the Spring Court gardens around him - vibrant again, once more.

Danika Fendyr is the 7th Asteri, and quite literally, lives on inside of Bryce's heart.

SPOILERS FOR CC AND ACOTAR!

---

I have long since believed that when a character in the SJM universe dies, they are reincarnated into the next world.

The most solid proof of this is the Bone Carver. When he first meets Feyre, he asks her multiple questions about her death; whether she saw a "portal" into a new world, and if she was given a new "body."

Then in HOSAB, the concept of going somewhere else when you die is brought up several times.

For example, Bryce questions it:

And even the River Queen suggests that there is a new world after death:

This quote cements it further; the way for one's soul to travel in and out of the world, is through birth and death.

And, let's not forget Cassian's famous quote about finding Nesta in the "next world," and the "next life."

Yet most importantly of all, in the ACOTAR world, we witness Starfall. It is said to be souls migrating.

This is further backed up by CC2, when we learn that the Asteri have been stealing 'secondlight' (a term for people's souls), which aligns with Rhys's observations that the stars in Starfall have been dwindling in number's each year.

But, for the purpose of this theory, the most important point is this; everyone's soul is literally a STAR.

It's for this reason, that I believe everyone possesses a star in their chest; it is their SOUL.

So, what is Bryce's power then?

We are lead to believe that Bryce's power - the Starborn power - is a star in her chest. That's true, but I don't think it's the full picture.

If our souls are stars, then I believe that Bryce's power is simply being able to wield the light of her own soul. Essentially, Bryce can pull her soul out of her own chest.

As further proof of this, recall that the very first time we see Bryce use her Starborn power, it was said that a "lock" clicked open in Bryce's HEART and SOUL.

And I mean, look at Bryce's chest on the cover of HOEAB:

Queen Theia.

With this in mind, and knowing that reincarnation is highly likely; Aidas mentioning that Bryce and Theia's light is the same "hue," and that "Bryce's light is Theia's light" - is very interesting.

Again, if souls are indeed stars, and the star that Bryce wields is the same as Theia's - this suggests that their souls are one and the same. That Bryce literally possesses Theia's soul; she is her reincarnation.

There's a bunch of evidence to point to this being correct, but the most pointed is the HOSAB scene in the gym; Bryce has a feeling that she is falling through "time and space;" but that she wanted to stay in "this body," and "this place."

But, as insane as this sounds - I don't believe that Theia is the only soul inside of Bryce's chest. I think someone else is there too...

Danika Fendyr.

I have always suspected that Danika was also someone powerful, reborn again. This suspicion grew stronger when I realised that the "ancient alphabet" that Danika used to tattoo Bryce, was actually wyrdmarks.

However, it was this parallel that cemented it for me;

At the end of HOEAB, Bryce looks towards the Bone Quarter and can see the 6 members of the Pack of Devils. However, the 7th member, Danika, is now gone.

What does this sound like...?

The Asteri. 6 remaining, the 7th gone.

The 7th Asteri.

I believe that Danika was a reincarnation of the 7th Asteri - Sirius.

In real life, Sirius was often known as the "Morning Star."

What does the name "Danika" mean...?

Morning Star.

Further, recall that Bryce and Danika each traded their own souls to the Under King to save each other. I truly believe that when Danika died, her soul, or a part of it, *literally* lives on within Bryce's chest/heart.

And... this is HOW THEY DID THE DROP.

In HOEAB, it is stated that the Drop is the act of plummeting into your own soul;

Who does Bryce find when she does the Drop, right into her own chest (despite it being... impossible?)

DANIKA!

And, right before Bryce ascends back up, Danika says "even if you can't see me, I will always be with you."

Bryce then says, "she had never been alone, she never would be - NOT WITH DANIKA WITHIN HER HEART" !!

Although you may argue that this was merely just a figure of speech - I don't think it is.

Because, recall that when the Prime of the Wolves witnessed Bryce racing around to defeat the demons at the end of HOEAB, he said that "one wolf remained" in the Old Square. Sabine assumes that he must be mistaken; that he is instead registering Danika's sword that Bryce is holding. But, the Prime of the Wolves looks at Bryce, and then points to his HEART AND CHEST, and then calls Bryce a "TRUE WOLF."

And again, in the next book, the Prime once again calls Bryce a wolf, whilst pointing to his chest/heart.

But he's not referring to Bryce,

HE'S REFERRING TO DANIKA!

And, who was Sirius the Asteri known as?

THE WOLF STAR.

This explains why, after the Drop, Bryce seemingly inherited the *identical* power of the Asteri overnight (something I had already made a theory about - the resemblance was just uncanny).

It's because of DANIKA'S SOUL! (And likely also the Horn and the Synth; but, both were orchestrated by, you guessed it, DANIKA!)

This is why Jesiba told Bryce that she won't find any traces of Danika in the Bone Quarter; because her soul is literally within Bryce.

And, if you still don't believe it, then recall when Bryce found out that Baxian was Danika's mate. To present proof, Baxian revealed the tattoo Danika gave him; again, of the infamous words "through love, all is possible."

Bryce then says this - and the wording here is very important - the tattoo was "one last clue from Danika, to LOOK WHERE SHE'D STAMPED THE PHRASE."

Where had Danika put the tattoo?

ON HIS HEART!

"Through love, all is possible."

Through LOVE - through BRYCE'S HEART - the impossible has been made possible.

I think it was a literal clue; the heart and soul - where love resides - is where Danika has always been.

Interestingly, Baxian also tells us that Danika was trying to find a way into a "new world."

And where has Bryce just recently landed? Prythian. A new world.

The impossible, made possible.

Sirius and Orion.

I also believe that Hunt is the reincarnation, or possesses the soul of Thurr; who was a powerful God (that's for another theory post...). It's why Bryce says, countless times, that Hunt and Thurr look *identical.*

I am inclined to think that in some way, Thurr and Sirius, or Thurr and the wolves were connected; perhaps the wolves protected Thurr, or were his loyal servants.

Because that's exactly how the mythology around the Orion and Sirius constellations goes; Sirius was immortalised in the sky to keep watch, and guard Orion.

This theory contains TOG, ACOTAR and (slight) CC SPOILERS!

Many, many thousands of years ago, Amren recalled that a huge "rip in the sky" appeared in her home world. Out of curiosity, Amren flew through this rip, and landed in Prythian.

This perfectly aligns with Aelin ripping a hole in the sky of the God's realm. This is the most concrete piece of evidence that Throne of Glass took place in the past (something I have already theorised about).

However, and most interestingly, it is suggested that Amren entered Prythian when it was being made - when the world itself was beginning to form.

If Aelin indeed created the "rip" in the sky that Amren went into - the timing suggests that Aelin's actions led to the creation of Prythian.

And, although subtle, we actually have proof of this.

Recall that Wyrd was described as the thing that "keeps the realms apart:"

But, when Aelin shut the gates between worlds at the end of Kingdom of Ash, we have this VERY important (and often overlooked) clue:

Aelin caused for all worlds to overlap.

I believe this is how Prythian was born.

The Cauldron.

According to the mural that Feyre observes, Prythian was created by a female with "glowing, slender hands," who tipped a fluid with "strange symbols" (wyrdmarks), from the Cauldron, onto the land.

I believe this was Aelin - perhaps not literally, but metaphorically.

But this begs the question; what exactly is the Cauldron?

For starters, we know that the Cauldron has 3 "legs". These legs provide most of its power (and this is an important clue!)

This is very similar to the 3 wyrdkeys in TOG; the very 3 wyrdkeys that Aelin embedded into her arm (and subsequently her blood) when she sealed the gates.

Aelin then gave over the 3 wyrdkeys, and all of her fire power to forge the new lock. It is this very power that is the essence of the Cauldron. 

As evidence of this, when we see the Cauldron's power in ACOWAR, it presents as Aelin's own power; "raw fire power," capable of burning an entire army to ash within seconds.

The Dread Trove.

The Cauldron also created the Dread Trove - and this is another very important clue.

The Crown.

The Crown can control and influence people - just like the wyrdkeys (and subsequent wyrdcollars and rings controlled people in TOG).

The Mask.

The Mask can control the dead - just like the wyrdkeys could create armies of dead people; a power Erawan desperately wanted.

The Harp.

The Harp can open portals to different locations, and potentially different worlds and realms. This is one of the key features of the wyrdkeys.

In fact, it was said the 3 wyrdkeys were needed to create a wyrdgate.

The Cauldron has 3 legs (that I believe are the 3 wyrdkeys Aelin yielded to seal the lock).

Thus, the Cauldron *IS* a wyrdgate.

Cauldron = Wyrdgate.

As further proof of this, to "nullify" the Cauldron, Amren had to:

give up her current body,

forget about those she loved,

and unleash her power of "light and flame."

Which is just like Mala Fire-Bringer; who also had to:

give up her current body,

forget about those she loved, (in fact, both her and Amren both warned that they will no longer "remember" their loved ones),

and unleash her power of "light and flame", in order to forge the lock, and shut the wyrdgate.

But, recall that when Mala's plan didn't work, Aelin (and Dorian) had to give all of their power to reforge a new lock, in order to seal and shut the wyrdgate once more.

This is just like Rhys in ACOWAR; in order to re-seal the Cauldron, he had to give over every inch of his power.

In fact, when Aelin and Dorian's power were used together, and in combination with the wyrdkeys, it was described as "creation and destruction," and the "beginning and the ending."

These are the exact same terms used to describe the Cauldron - and I'd argue the exact same *power* of the Cauldron (but more on that later).

And, as a side note - at one point, the Cauldron's power was even described as "fire and ice"... (ring any bells?)

The Lock.

Further, when Aelin and Dorian were sealing the wyrdgate shut, they had to make a "lock."

The lock they made was the Eye of Elena. This is perhaps the most important clue in this theory; that this very symbol and mechanism allowed for the creation of the Cauldron.

However, we learn in later TOG books that this symbol isn't just known as the Eye of Elena, but also as the "Eye of the Goddess." This is because it was first a sacred witch symbol, created by Rhiannon Crochan.

Crochan means Cauldron.

Additionally, the Eye of the Goddess was named as such, as it is said to represent the Three Faced Goddess (that the witches worshipped), and her three counterparts;

The Maiden

The Mother

The Crone.

It's for this reason that I believe the Cauldron was created from the Eye of Elena, or the Eye of the Goddess lock, as it too follows the principles of Maiden, Mother, and Crone.

We see clear evidence of this when Elain, Nesta and Briallyn were thrown into the Cauldron.

Elain was made into the Maiden.

The Maiden often symbolises innocence, beauty and blossoming.

In TOG, the Maiden was represented by the Blueblood witches, who were the "oracles, mystics, and zealots."

Elain was made into a Seer.

The Bluebloods also required more iron (as it was said that they were the most powerful), and it is rather interesting that Elain (presumably) wears an iron ring.

Nesta was made into the Mother.

The Mother often symbolises maturity, responsibility, and power.

In TOG, the Mother was represented by the Blackbeak witches, who were the warriors - known for their "obedience, discipline, and brutality."

Considering the multiple references to Nesta making a fine General in an army, as well as the parallels between Manon's thirteen, and Nesta's Valkyries - it makes perfect sense.

Briallyn was made into the Crone.

She was, quite literally, turned into an old woman by the Cauldron.

Creation and Destruction.

Knowing that that the Cauldron was made from the Eye of Elena/Eye of the Goddess, as well as the 3 wyrdkeys, as well as Aelin's own power that she donated to forge the lock, and seal the gate - this can explain Nesta's own power.

Nesta's power manifested as "cold" flame, one that seemingly burned without a trace.

We have already seen this before;

Aelin's moon-fire,

and Kaltain's shadow-fire.

The commonality between these two? Both women were in possession of the wyrdkeys.

The same wyrdkeys that the Cauldron now possess; the same power that Nesta stole.

And, all in all, this makes perfect sense. The Cauldron is a wyrdgate. Wyrd is the "language of the universe," it is the power of both creation and destruction, life and death.

Nesta's power symbolises one half - Death.

And, it's for this reason that I believe that Elain's powers (that are yet to be revealed), will symbolise the other half - Life. Creation. (And, I also have an inkling that she will be the one to rebuild the Dusk Court with this very power).

We also know that the Cauldron loved Elain. If the Cauldron was indeed created by Aelin - that she is it's Mother - then perhaps it's no coincidence that "Elain" is an anagram for "Aelin"....?

A portal too?

If the Cauldron is indeed a wyrdgate - then recall that Feyre threw the Book of Breathings into it.

Now, Jesiba Roga possesses that exact book.

Does this tell us that the Cauldron is in fact a wyrdgate to Lunathion, and the Crescent City world...?

Knowing all the connections between the Cauldron and the witches - and Jesiba being a witch herself, it makes sense...

It was destroyed by the Asteri to create Midgard.

[Spoilers for Throne of Glass, ACOTAR, and Crescent City]

Many thousands of years ago, and prior to the Asteri's invasion of Midgard, there existed another civilisation. Part of this civilisation lived in a place called Parthos.

More specifically, when asked what the Crescent City world was before the Asteri's reign, Tharion noted that "ancient humans and their gods dwelled here."

An exact description of the Throne of Glass world.

Interestingly, despite the Crescent City books mentioning other continents (such as Pangera), readers are only given a map of Lunathion.

This is particularly strange, as all other SJM books have provided a full world map.

So, why would this be hidden for Crescent City...?

As such, I theorise that Midgard is actually the Throne of Glass world; hence why a full map has not yet been revealed.

Thus, I believe that following the events of Kingdom of Ash, some years later, the Asteri showed up and destroyed their world. The result of this was the creation of Midgard, and subsequently Lunathion - the world Bryce inhabits today.

The Timeline.

Evidently, this theory suggests that the timeline between the ACOTAR, CC and TOG worlds are not simultaneous, but rather that Throne of Glass occurred in the past - many thousands of years ago.

When considering this possibility, some rebut that this cannot be possible, as Aelin fell through worlds - right past Velaris and Lunathion. However, there is nothing to suggest that Aelin didn't also fall through time.

In fact, there are a multitude of hints throughout the various SJM books to suggest that time travel, or time manipulation, is indeed possible:

When the Asteri lured people into Midgard, it is said they offered a hand through "space and time."

The Harp, when used, can transport people through "space and eons." In fact, the 26th string is time itself - but what happens when a full melody is played?

Merrill straight up suggests that all of the worlds overlap - sharing the same space, but are separated by time. Almost as if it suggests that ACOTAR, CC and TOG are in the same 'world,' but manifestations of differing time periods; the past (TOG), the present (ACOTAR), and the future (CC).

Most importantly, when Bryce lands in Prythian, she starts to wonder if she had travelled in time; or, if this new world occupies a different time period (the exact concept that Merrill just suggested...)

Further, in her most recent interview, SJM was asked whether time travel would play a part in future books. SJM mysteriously replied, "no spoilers."

Thus, if this theory is correct, and Throne of Glass is indeed set in the past, then it is perhaps no coincidence that "Midgard" is the Norse name for "Earth."

And that "Terrasen" means "Old Earth."

Parthos.

As previously mentioned, a portion of the civilisation that used to inhabit Midgard (and as this theory suggests, the TOG characters) resided in an ancient city called Parthos.

As readers, we are first offered a glimpse of Parthos when Apollion takes Bryce to a "dream world" - a landscape in which the Great Library of Parthos used to be.

When in this dream world, Bryce notes that what remains of Parthos is a "DUSTY plain."

Interestingly, in the ACOTAR world, the Bone Carver mentioned that the world he (and his siblings) came from is now nothing more than "DUST drifting across a plain."

As the Bone Carver mentions this, Feyre notes that he draws three interlocking circles into the ground.

This is the exact symbol of Bryce's Archesian necklace - which is also the symbol of Parthos.

If this theory is correct, then the Bone Carver originated from Parthos - from the Throne of Glass world.

Considering the similarities between the Bone Carver and the Sin Eater (the absent God-like being in the TOG world who quite literally carved bones, and was known as the 'God of Truth')... it makes perfect sense.

However, the most telling clue of all, that connects everything together, is this;

Knowing that Parthos is referred to as a "dusty" plain, consider Rowan's words to Aelin:

"I love you. There is no limit to what I can give to you, no time I need. Even when this world is a FORGOTTEN WHISPER OF DUST between the stars, I will love you."

Why would the world Aelin and Rowan inhabit ever turn into a "forgotten whisper of dust"? Just like Parthos?

Because IT IS Parthos.

It is the world the Asteri destroyed to create Midgard.

Asteri Archives.

As even further proof, recall that when Bryce entered the Asteri's archive rooms at the end of CC2, she found notes on how Midgard came to be.

These notes stated that the "indigenous life was not sustainable" for the Asteri.

If this theory is correct, this suggests that the "indigenous" lives were the Throne of Glass humans, and that they did not possess enough magic (or first-light) to feed the Asteri.

We already know this is true, as it was a similar problem that the Valg previously faced.

Additionally, on the exact same page of the notes that detail the Asteri's invasion of Midgard, there is a sketch of both a wolf shifter, and a mer.

The wolf shifters and the mer are the two species confirmed to be the Throne of Glass fae.

So, it begs the question; why were the Throne of Glass fae explicitly mentioned on the Asteri's Midgard (pre-colonisation) notes...?

The Southern Continent.

If Midgard is built on the ruins of the Throne of Glass world, then I believe that Lunathion is situated on the Southern Continent (the setting of the TOG book, Tower of Dawn).

More specifically, as Lunathion is said to be modelled after an "ancient city," I believe it is modelled after the famed Southern Continent City - Antica.

In Tower of Dawn, Antica is described as a city surrounded by a wall, lined with "olive groves" and "wheat farms" bordering the city.

Lunathion is described in the exact same way:

Further, both Lunathion and Antica have "arid" climates:

Lunathion:

Antica:

And, most notably, both are surrounded by deserts; a unique geographical feature that is not prominently featured in other SJM settings.

As such, this suggests that the lost library of Parthos, is the Torre Cesme.

Perhaps the most sacred building in the entirety of the Throne of Glass world, the Torre Cesme is home to a huge library - one that is said to be the oldest.

In the present day, Jesiba Roga guards the remaining books that were once held in the library of Parthos (or, in the Torre Cesme library).

Prior to the end of CC1, Jesiba kept these books locked away in her store, Griffin Antiquities. Interestingly, a set of "glaring owl eyes" had been placed on the store to Jesiba's shop.

Owl's are the symbol of Silba, and the healers of the Torre Cesme.

Further, considering that Yrene's healing abilities are the exact same as Bryce's Starborn powers - could this explain why Jesiba looked like she had "seen a ghost" when she first beheld Bryce's Starborn light?

Such a notion makes even more sense when you consider that Hypaxia's tutor was brought back to life using necromancy, and was originally an inhabitant of Parthos.

Hypaxia states that this tutor specifically trained her in healing magic; just like the healers of the Torre Cesme.

In fact, the scene of Hypaxia removing the Kristallos venom is near identical to Yrene removing the Valg parasite from Chaol:

Lidia Cervos.

Speaking of necromancy, knowing that Hypaxia's family dabbles in such magic calls into question the identify of Lidia, Hypaxia's half-sister.

Is she Aelin Galathynius, brought back to life?

Or, perhaps she is a child of Aelin and Rowan, brought back to life?

Not only do Lidia and Aelin look near identical,

Not only is Lidia represented by flame (Aelin's power),

But her shifted form is that of a deer; that sacred animal of Terrasen. Even her last name "Cervos" is a type of female deer.

Lidia is also seen wearing a "gold ring, crowned with a square, clean-cut ruby." This is the exact description of the ring Aelin have to Rowan when they married.

Further, Ruhn also suggests that Lidia must be an Asteri, or as old as one, given the way she uses language. However, as Lidia is only 47, this makes no sense.

However, it makes perfect sense if Ruhn is actually talking to Aelin, or Aelin's child; someone who, according to this theory, existed many thousands of years ago.

(And, as a side note - given that Lidia looks like the "spitting image" of Luna, and that Luna's sacred animal is the Stag... could it be that Luna is Aelin? And that Lunathion was named after her?)

Connections.

Is it then perhaps no coincidence that one of the houses of Lunathion is the "House of Flame and Shadow." Aelin was known as the "Queen of Flame and Shadow."

In fact, Throne of Glass being the past world of Crescent City explains a plethora of connections:

The "Stag King" of Avallen.

Ruhn being named after the Ruhnn mountains.

Why so many CC places sound like TOG places (Morrah = Morath, Korinth = Orynth).

The witches worshipping the same "three-faced goddess."

Why wyrdmarks can be found everywhere (especially underwater, where some of the ruins of the "ancient civilisation" are said to lie).

It also explains the "World of Throne of Glass" book, which to this day, mysteriously remains unpublished.

According to SJM, the World of Throne of Glass is an "encyclopedia" that documents the full history of the Throne of Glass world. Written by a "grumpy librarian," SJM stated that it will "feel like a book you can pull off the shelves of an ancient library."

It's almost as if the World of Throne of Glass is a Parthos book in itself...

Is that why it remains unreleased?

Future books.

If this theory is correct, some may wonder how SJM could possibly include TOG characters if they are indeed dead.

I believe there are two viable options:

The "rewrite history" route:

In a future multiverse book series, the main characters of CC and ACOTAR would team up, and using the Harp/Horn (or perhaps the full power of the Dread Trove), they would go back in time. In doing so, they would join forces with the TOG characters, and stop the Asteri from ever overthrowing their world.

If successful, it would mean that the Dusk Court was never destroyed. At present, Bryce is hinted to be the ruler of this court... but it doesn't exist (and there isn't a lot of time to rebuild an entire city). However, if time manipulation was used... no rebuilding would be necessary.

It would also explain why the Oracle told Ruhn that the "royal bloodline will end" with him - as Midgard would never be created, the same applies for the Autumn King's reign.

The "escape" route:

Alternatively, perhaps when the Asteri arrived in the TOG world, some of the main characters were able to escape into other worlds - such as Prythian.

This would explain why so many of the characters in the ACOTAR and TOG worlds share many similarities (for example, Tamlin as the ancestor of Aedion and Lysandra...)

This would also explain why so many of the ACOTAR character's last names have been hidden from the reader.

Some characters may have escaped elsewhere too, such as Hel...

(^ This is more of a crack theory, but there's only two characters in the SJM universe who have "freakishly" blue eyes, can shape shift into any form they choose, and have powers that manifest as cold...)

However, no matter the method of saving the world, or storyline adopted, Aelin said it best herself:

"This world will be saved and remade by the dreamers."

Many people have posted images of the bonus chapters from Sarah J. Maas's books, and I thank you for giving us access to content we would have missed out on otherwise. However, no one has posted all of them, so I figure that I can collate the links in one place.

There are minor spoilers below the cut in the chapter descriptions, so be wary of looking too far ahead, if you have not read all the books.

A model of duty, honor and faith. May she rest in peace.

“But my favorite memory of the whole thing, absolutely, was the scenes that I got to shoot in the first season with Caitriona Balfe who plays Claire. I didn’t know Caitriona at all before we worked together in Outlander. She was just a joy to behold. She’s such a wonderful, intelligent – like, super intelligent – woman. She is so friendly, so kind and also works her ass off on that set. She’s, you know, no. 1 on that call sheet. She’s just holding that show up at all times and she does it with such spirit, with such grace and generosity. She made me feel included in that show coming in.“