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The Morrígan Artwork by Shelly Mooney

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Spirit Work Book Recommendations
Someone asked me for resources, here they are, but while I don’t completely agree with everything a book, or online resources have for information to offer, I do recommend these books and websites for a read through so that one can become more familiar with spirit work and how it might help you along the way of your own pathworking and journey.
Books
Spirit Conjuring for Witches: Magical Evocation Simplified by Frater Barrabbas
The Witch's Book of Spirits by Devin Hunter
The Witch's Guide to the Paranormal: How to Investigate, Communicate, and Clear Spirits by J. Allen Cross
Dedicant, Devotee, Priest: A Pagan Guide to Divine Relationships by Stephanie Woodfield
Spirit Boards for Beginners: The History & Mystery of Talking to the Other Side by Alexandra Chauran
Medium: A Step-by-Step Guide to Communicating with the Spirit World by Konstanza Morning Star
Consorting with Spirits: Your Guide to Working with Invisible Allies by Jason G. Miller
A Spirit Work Primer: A Beginner's Guide to Streamlined Spirit Work by Naag Loki Shivanath
Online Guides
How To Communicate With Spirits & Ghosts, According To A Witch (nylon.com)
How to begin spirit work | Hart & Horn (hartandhornstore.com)
Spirit Work (crowsbone)
Deity Work: Everything you need to know to begin working with the spirits | by Angel Alexander (Kali Moon)
Hello From the Other Side: A Spiritual Medium Reveals How To Communicate With Spirits and Ghosts | Well+Good
Self Adoration and Beautifying the Spirit
A short while ago, I was part of a little online community that was run by a witch out on the East Coast who founded a Heritage Witchcraft school. It was just a forum for discussion, really, that attempted the bring the faery arts back into witchcraft. I became a little disillusioned by it, but at the time I needed it to be around. I learned much of the faery while I was part of the forum, and dove deep into the connections between myth and witchcraft. I made connections that the head did not necessarily want me to connect. He was high neo-platonic, which I think is what made me walk away. That, and I learned that he wasn’t a very good witch, to be honest. Alas.
In this forum, we talked a lot about the familiar spirit. What is the familiar spirit? Where did it come from? How can I obtain it? I’ve answered many of these questions on this blog, and as I have progressed in my studies, I have gleaned more information about the familiar spirits.
One of the first things I learned was that we must beautify the spirit. In the forum, this was explained as spirit shaping: shaping the spirit, the self into our ideal form in order to attract the familiar spirit-lover. This is not incorrect, but it was explained in a way that I think is unhealthy. We were told to model this ideal form after the magician card: beautiful, powerful, alive with magic, touching heaven and earth. This is all well and good, but it raises a lot of questions. What is beauty? Whose beauty are we discussing? Society’s? Our own? Is our own concept of beauty marred by society?
I began to realise, that, yes, this concept of beauty is flawed by our own complexes. I talked a lot with the Urban Shaman about these ideas. They told me that in shamanism, the shaman accepts themselves for who they are, and becomes whole in themselves. This sounded harder to work on. I wanted to be big and strong and sexy, not thin and wiry and pale. I realised that I was imprinting a concept of beauty of myself that was not -me-. And, to be honest, it attracted the wrong spirits.
I began to feel such doubt in myself. I wasn’t alive with my own power anymore. I wasn’t -me-. I was becoming someone else.
I began to look hard at the myths about facing the shadow, and battling with demons in the night battles. Of reconciling our differences within ourselves to create something more beautiful. To reach our Other. The faery lover is attracted to us in our WHOLENESS, not in our augmenting ourselves to fit a standard. I realised that I wasn’t facing my demons, I was covering them up, sweeping them under the rug.
That is what work with the fetch is. When the fetch and the self are wed, then the Other appears. They burst out of the top of us like a bird to flight, chased by the serpent below. It is long, hard work. It is frightening. It is really looking at yourself. Beautifying the spirit is becoming whole in spirit. It is Self Power. Not power over others, but power of the Self. It is assurance of the Self. Confidence. Nothing is sexier than confidence.
I’ve been ignoring my Fetch too much. I think that is why I have been having so many night terrors. I’m not giving in to my primal needs. Fetch wants to be fed. With sex, and food, and dancing, and feeling. With the Red.
Rare white Aurora Borealis seen over Tromso, Norway
I think the biggest difference between traditional Wicca and traditional witchcraft is the magical goals of the members.
Traditional Wicca, to my experience, is a very Venusian cult with a focus on bringing women to a place of spiritual authority, deep devotional ecstatic joy, and an abiding relation with cyclical nature. Whereas traditional witchcraft, in my experience, is Saturnine with a focus on personal sorcery, spirit relationships, and a mystical/spectral experience of the Sabbat rather than a physical one of traditional Wicca. These are not the only differences, of course, but these are the differences that have stuck out to me since I have a practice in both streams.
I often ponder what it would look like to combine the two streams into one greater river.

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伏見/梅雨の濠川 Fushimi/The River in Rainy Season
“It is a mistake to consider any belief more liberated than another. It is the possibility of change which is important. Every new form of liberation is destined to eventually become another form of enslavement for most of its adherents. There is no freedom from duality on this plane of existence, but one may at least aspire to choice of duality.”
— Peter J. Carroll (via yamadonna) BOOM
Delphic remnants. The Oracle of Delphi was active for almost 2000 years, its Sanctuary was one of the richest of the ancient world, a small state of intricate structures and innumerable art treasures (coming from every corner of the ancient greek world) that were mostly looted during Roman and Christian times. Home of the worship of the Sun God Apollo and his mantic properties, Delphi was initially a place dedicated to Mother Earth Gaia and her holy female snake. Apollo claimed the Oracle by killing the sacred Pytho(n), a sacrilege…so he got exiled for seven years as punishment for his crime before he could come back as the ruler of Delphi, this was the only way he could become purified again after his terrible act. Even gods need purification and repentance from time to time as it seems. Herakles later on unsuccessfully demanded the Oracle for himself by trying to steal the Delphic tripod from Apollo, Herakles was a prevalent figure of ancient greek religion and not just the big muscular guy our modern times and popular culture believe. Time distorts so many things after all… The order of the photos follows the actual path of the archaelogical site. Mount Parnassus, a symbol and an actuality, is breathtaking as well as the view from the Stadium. Photos: Vera Bousiou
Do you see a portal or a town?
WIP of « Auren-du-lac, La Dorée » Expanding on the world I’ve started building with the Désastre series, Fynaven. Hoping to continue unveiling it as it comes
Digital painting made with Procreate
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beehive covering a statue’s head

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We find the gods in the external world because we have placed them there. By doing so, we are telling them, "I want to find a home for you in my life." Even if we accept the existence of all gods, we deliberately choose to animate the world with the ones who resonate most closely with us. We could choose to see Geb in the earth instead of Gaia, for example, or Inanna in the expression of love instead of Aphrodite. It's completely up to us, and our unique perspectives allow us to form deeper bonds with the deities we worship. By instantiating them into the world, the gods come alive through us.
—Excerpt from a public essay on Patreon: "The Gods Within Us"
Art and symbols from the Greek Magical Papyri
Whenever great Orion (Sȝḥ) sails across the sky, he reaches (sȝḥ) heaven and earth in happiness, every day. He whose rays shine as a knife, whose heart is powerful, and who strikes down his enemies. He who is in the sky, his Ba following after him, his excellent sister as his guardian, as Sothis, Mistress of the decan-stars. The working-stars, for their part, sail after him, the living-stars follow him, daily. O he who sets in the Duat, in the form of the Morning star, may you live!
Esna 408 from The Temple of Esna. An Evolving Translation: Esna IV translated by David Klotz
Old Growth by Mitch Epstein (2021–2023)
by Kyle Bonallo (ig: @kylebonallo)

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Intimacy by Thomas Blackshear
Circe, the terrible goddess who speaks in the tongues of men.
Based off a votive figure from Karphi in what appears to be a horned headdress, dated to approximately 11th-13th c. BCE. Currently in the Archaeological Museum of Heraklion.