2025 Skate Canada Challenge (Calgary, AB November 29-30, 2025 Sheri Moir, Alma Moir for IAMO)
Bashynska/Perron 8th place (7th RD, 9th FD)
Lauriault/LeGac 1st place🥇(1st RD, 1st FD)
Robinson/Portz 3rd place 🥉 (5th RD, 3rd FD)
Hensen/Lickers 2nd place 🥈 (2nd RD, 2nd FD)
Anderson/Dawson 2nd place jr 🥈 (2nd RD, 2nd FD)
Corneil/Emery 9th place jr (7th RD, 10th FD)
Junior Grand Prix Final (Nagoya, Japan December 4-7, 2025)
Veillon/Brandys 5th place (6th RD, 3rd FD)
Campeonato de Espana de Patinaje 25-26 (Jaca, Spain December 11-14, 2025 Adrian Diaz for IAMO)
Roberts/Alis 4th place (4th RD, 4th FD)
Campionati Italiani Assoluti Figure Skating (Bergamo, Italy December 17-20, 2025)
Dozzi/Papetti 5th place (5th RD, 5th FD)
2026 Canadian National Skating Championships (Gatineau, QC January 5-11, 2026)
Veillon/Brandys 1st place jr🥇(1st RD, 1st FD)
Anderson/Dawson 3rd place jr 🥉(3rd RD, 4th FD)
Corneil/Emery 8th place jr (7th RD, 8th FD)
Hensen/Lickers 6th place (8th RD, 5th FD)
Robinson/Portz 5th place (5th RD, 6th FD)
Bashynska/Perron 10th place (10th RD, 10th FD)
Lauriault/LeGac 3rd place🥉(3rd RD, 3rd FD)
2026 Prevagen US Figure Skating Championships (St. Louis, MO Jan 6-11, 2026)
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i hope JLB's choreographing for himself and Marjorie, or at least sharing choreo duties. he has range - from Caroline and Michael's contemporary dance FDs to the champagne fizzy delightful Artist FD for Cincon-Debout/Celestino. we might get to see Marjorie as we've never seen her before. i hope we'll see different sides to them from who they were with Kaitlin and Zak
i haven't been able to find the entire event, but the CBC broadcast with Carol Lane and Kurt Browning shows a dozen of the top teams (of 30) and these NBC videos have groups 2/3 and 5/6 with Ben Agosto and Tracy Wilson commentating. the CBC video has bonus VM from after they announced their comeback
i know it's not the golden, but i wanted to watch a waltz event that's closer in time to now before i watch 2010 Worlds. and oh, waltzes on ice are so beautiful - very excited to get a season of a real dance after the watered down dance parties of the last 3
so in 2016, there's lots of Marina, Igor and early Gadbois --
Sinitsina/Katsalapov - they were in their 2nd season as a team and in the short window training with Marina before she kicked him out allegedly for being an abusive pos. a vintage Marina Swan Lake program with some lovely balletic details. his twizzles were always flaily and messy i guess, but this was back when he still had some ease and flexibility. he's more the engine of the team here, often moving them around
Muramoto/Reed - Kana partnered by an experienced ice dancer looks very different than with Daisuke. they're less charismatic and striking as a team but smoother and more balanced
Lorenz/Polizoakis - he was brand new to ice dance but looks quite natural - they were at Novi this season but moved to Marina in 2017, who then gave them that sweet Pride and Prejudice Olympic FD for Pyeongchang
Coomes/Buckland - skating Viennese to Die Fledermaus in their first season with Igor. something about how they skate emphasizes each push and makes their skating feel accented, almost like they're kicking some strokes. some might read that as high energy, but Hubbell/Donohue skate right after them, and it's a big contrast in power with smoothness and flow. nevertheless, Coomes/B are an appealing team who feel connected. you can see their influence on Bekker/Hernandez
Hubbell/Donohue - their Hallelujah SD - this one makes me cry every time i see it. they go from waltz to march more successfully than P/C will later. there are little hitches in this (she had to pull back in the pattern to keep from hitting the wall, they got slightly out of sync on the twizzles), but it's powerful and expressive. they didn't always make the best choices in material, but they feel chronically underrated and underscored when they did pick well
Mansour/Ceska - a Czech team training with Igor and Greg Zuerlein. they're a nice young team with a classic program. with the less advanced teams, there can be a noticeable push-push-push in the stroking for the waltz, while the top teams tend to be more seamless. he's wearing a tuxedo shirt with suspenders, and the way this shirt moves and wrinkles made me realize Scott's DALD costume wasn't made from anything resembling regular dress shirt fabric and was expertly tailored
Stepanova Bukin - the shoot the duck twizzles always stand out and are impressively low. they're charismatic but stiffer than many teams in the knees
Guignard/Fabbri - the skating skills are there, but are they hearing the music for more than timing, i'm not sure. i rarely feel like their choreo is musical either. they do a version of VM's Farrucas lift but with little musical impact. 10 years have passed, but G/F's strengths and issues are the same
Gilles/Poirier - Beatles - this is fun, they look unified and natural waltzing - more structured in hold than many teams while keeping flow and extension, and they found clever ways to embody the march tempo, too. the many cutesy touches are hit or miss but fit the music. i'm puzzled that there was recent SOI bts of Piper dancing with a lot of flexibility and softness in her arms, yet you don't see that when she skates. they cracked 70 for the first time and beat their PB by almost 5 points -- love a happy kiss & cry -
Shibutanis - it's hard to watch them without wondering if he was yelling at her then, too. and to compare how neat and precisely trained and polished they were back then compared to the comeback this past season
Capellini/Lanotte - they're very charming and easy to watch but noticeably slow looking relative to others. Ben talks about their skating skills being inferior to the other top teams
Weapo - i rarely can connect to them or their programs. she loves skating, you can see it. he's a good skater and partner. but i just don't feel a thing
Chock/Bates - kind of a generic Bocelli/Il Divo program by Igor, and this packaging is surprising from them - they had a huge glow up when they moved to Montreal, i guess. the neck beard, the Chaplin jacket, the bunchiness of this dress - idk. though the color looks great on the ice and on her
P/C - waltz suits their flow like no other SD/RD style. but as soon as the music switches to a march rhythm, it's like they don't know what to do except punch an accent on the beat here and there. after watching FB/C all season, it's interesting how much softer Gabi is, and how much my eye gets drawn to her. he's aloof and haughty by comparison, with a lack of generosity and warmth. this waltz (from W.E.) is so beautiful, i wonder if anyone will use it this season
overall this was a lovely event, more substantial than dance parties with choreo sequences. i'm excited for this season ☺️🥳
one of the original IAMO teams and one of 3 non-Canadian teams who were there from the first year, Leia Dozzi and Pietro Papetti started competing internationally in the 2022-23 season but were training in Komoka the year before - Scott went with them to Italian Nationals in December 2021 back in the exhausting season when he was doing nearly all the international travel with his teams
Leia is Canadian but with family roots in Italy, i believe, and had competed for Hungary with a previous partner before teaming with Pietro. he was a junior national ice dance champion in Italy, had trained with Matteo Zanni and moved to Canada to partner with Leia
they competed in Lake Placid in 2022 at Madi and Adrian's first competition as coaches:
and Leia wore Tessa's Hip Hip Chin Chin dress for their Latin RD. their FD was Adios Nonino, and they weren't yet as in sync as they would be later, but you could see from the start that they were musical, and this FD was memorable, i liked them right away. they competed at 3 Challengers and the University Games and ended the season with silver at Egna Dance Trophy
their 2023/4 season had their Nessun Dorma FD, maybe my favorite program of theirs, it ends with a dramatic choreo slide - they won bronze at Italian Nationals and competed at Europeans
they gravitated towards moodier FD's, a little different in their sensibility than most teams - in the 2024/25 season they skated to Asaf Avidan, had a playful RD and won another bronze at Nationals. they were expressive and well matched, he has a big wingspan and open carriage, they made many pretty pictures together. i like a team who make you feel they're responding in the moment to the music, and they always did
this past season seemed like a challenging one - they changed FDs - the music for the first one had a voice counting numbers which was distracting - but the 2nd one was to Ennio Morricone's lush La Califfa soundtrack. their RD had one of my favorite walk around 3s into the PSt of the field. they ended their season at Italian Nationals and then Pietro announced the end of their partnership in January 2026. no word on Leia's plans, but Pietro just announced a new partnership and that he's training with Barbara Fusar-Poli
they might be the first team i got to follow for the entirety of their competitive career in real time - sad to see them move on. hope we get some news of what she's doing, and glad we can see him this season
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I’m always fascinated by how coaches manage different teams, especially top level teams, at the same time. For all the criticism IAM gets (and sometimes rightfully so), I do sense they try to find programs that cater to their teams’ needs and female athletes seem to get more attention in development.
More importantly, how you manage junior teams requires tact. I came across this Igor interview from 8 years ago (from David Lease) that I found very pertinent to nowadays:
https://youtu.be/sehESel9Z-A?t=1h21m09s
He always talks from the lense of the male athlete - Charlie, Scott, Vadym… The female athletes come as an afterthought (even a prodigy like Tessa).
And in 2018, he was training CPom, fresh off a silver medal at Junior Worlds (after bronze in the previous year), and he only mentioned how very excited he was about this new team of his - Nguyen/Kolesnik. How do teenagers, who had already proven themselves internationally, react to their coach blatant favoritism? It can create insecurity, resentment, overtraining, or a feeling that the coach’s affection is conditional on being “the chosen project.”
All schools have “top teams”, but being tactful in how you create an environment that encourages the growth of your teams (specially young teams) is, to me, the mark of great coaches. And one of the reasons why I’m on the fence about Igor.
any team training full time with a coach is trusting them with their physical well being and careers - tact is the bare minimum. considering the big picture and being supportive and caring in public and private is the job and their responsibility, especially to younger teams
so yeah, some of Igor's statements haven't met this expectation. for someone who must be politically savvy, he doesn't seem to hear how his words come across sometimes. but maybe it's better that he doesn't hide his favoritism - his other teams can see where they stand and act accordingly, like CPom did
i remember that Dave Lease interview and how Igor singled out Charlie and Scott for individual praise and had nothing specific to say about Meryl and Tessa, but i'd forgotten he laid out clearly how he sees ice dance:
"It's equal, it's always a team - I'm not putting one ahead of the other. I started talking about boys because to me, male initiates things. Male not initiate the move, not initiate skating, nothing's gonna come from girl. so I want to give the credit to the boys. but I mean obviously the girl not responding, if the girl's not connected, then that would be hard to do. Because you can be the greatest skaters in the world [but] if you don't have this connection as a team, every little simple turn would suffer if you don't understand the partnering. And we credit to both of those girls that were amazing in the way how they feel [their] partner, how they respond to the partner, and Meryl and Tessa were the best examples of how the partner in the partnership should work. There was immediate response to both of those girls"
so he very much believes the man leads, the woman follows. i'm not sure if seeing what Madi and Scott did for Christina has changed Igor's mind at all, because Emilea has been only effusively complimentary publicly about him, but Christina was languishing and had disordered eating when she was at Novi. Madi Chock, too, is a stronger skater and performer in her IAM era than Novi. Igor's pov seemed to keep him from seeing the female partner as someone with equal agency and autonomy as a person and artist, and that was a huge problem
this attitude that the male partner is more important, is the initiator, that the woman is the follower isn't just an ice dance issue and is insidious in the way it creeps into how we're treated. we heard from Gabi how detrimentally it impacted her that from childhood she was told to follow Gui and not question. it stemmed originally from a difficult family dynamic, but she felt invalidated by that being continued in some of their training environments
i agree with you that though IAM has (major) failings, they have been pretty successful at least in public at balancing the competing interests of their teams. it helps that their top teams have creative control over their own material, and it's a strength of the school that their students tend to improve but develop/keep their own identities. and i can't recall Marie-France and Patrice speaking about the teams in a way that would indicate favoritism or lack of consideration (Romain, on the other hand, has sometimes made remarks that might not be well received by the team, like when he said Chock/Bates's weakness was their skating skills - not untrue, but also not tactful or wise, coming from their own coach right before the Beijing games)
IAMO does an excellent job of giving their teams the appropriate level of support -- the programs teams get reflect the goals for the season and feel carefully considered and calibrated for them. and while CPom is the top team by far, Lauriault/Le Gac, Lily and Nathan, Layla and Alex and more - they all got excellent programs that had a lot of thought and care and ambition behind them
balance at a school isn't about treating all teams the same, since teams are at different stages of growth with different needs, it's more whether a coach can meet every team where they're at, and make each student feel strongly supported and guided and believed in. and in those stories you mention, Igor's words don't reflect that level of care, maybe
"[if there's] anything skating has taught me, it's taught me resilience, it's taught me sportsmanship, it's taught me how to get back up after you fall - that's something that some people have asked me - when you fall in competition how do you get back up?
i'm like, i don't really have a choice - part of me wants to get off the ice immediately, but i can't really do that - [have to] finish what you started
there's a few that have really helped me over the last few years especially, one of them being if you uplift the people around you in your everyday, that also lifts you up
because for so many years, especially in women's figure skating, we were all climbing over each other to get to the top, and it didn't matter who you stepped on or what you did, it only mattered that you succeeded. and then people would eventually get there, and it was so lonely. it would be miserable - it's like, oh i have this success, who do i share it with now - the people that i hurt? no. so leading wtih kindness is so much - you're so much more fulfilled that way, and in life things can get really intense, and the want to succeed can get so *harsh* that sometimes we forget that, and we need to show others and ourselves that kindness"
love her - one person can make a difference to an entire culture and change things for the better a bit at a time. and there are more and more like minded people in skating
this is her and Gracie Gold coming off the ice at the end of a practice at Skate America 2022 - Gracie didn't come up in this kind of camaraderie and environment. but she and Amber were friendly and relaxed with each other. even back then, when i didn't know much of the context and was at my first big competition, this felt special and a little different from interactions i'd seen between skaters at other high pressure events
watching an old RD event from this quad, and there's so much pointing 😫- it feels a little lazy choreo-wise - there have to be other ways to punctuate the music or for a finish pose - you! 👉(my partner) you! 👇(the audience) you! 👈 (the judges) - pls use sparingly 🙃
wait, so we get to see Marjo golden waltzing with Jean-Luc, who started competing internationally in juniors in 2012 back when they had to learn close holds?
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the only downside is we're losing JLB's practice commentary. but a world where Marjo found a partner who's a gorgeous and musical skater like her? this bumpy off season smoothing out just a littttle bit
there wasn't much if anything that was new, but the team has a good energy together - they've definitely bonded, between Milan and SOI. Vadym loving Costco is practically part of their brand now. i'd forgotten that Christina was born with dislocated hips, and that they weren't sure she would be able to walk, let alone skate. Anthony says he felt a lot of pressure and expectations when he was young, even before he stepped onto the ice, about his OGM parents - but that around 4 years ago, he took ownership of his identity, that he's building his own path - it feels poignant since it coincides with his surgery and is close in time to the coaching change
Madi Chock says her dress got a big rip at Olympic practice day of a performance - she says "we" stepped on the skirt, but Evan owns it was him
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