fatima aamer bilal, excerpt from moony moonless sky's
‘i am your mould, but the shape of you is true absence, leaving me purposeless.’
trying on a metaphor
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Love Begins

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@sunnysaras
fatima aamer bilal, excerpt from moony moonless sky's
‘i am your mould, but the shape of you is true absence, leaving me purposeless.’

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These are not kisses,
but constellations scattered across
the boundless sky of your body,
drawn by my unrestrained lips.
The chalice of my throat brims with nectar,
your eyes-shy, overflowing-wander without sound,
without melody.
Before Brahma himself began his design,
I traced upon your back
the glistening line of the Swati star,
and youth was drenched in its rain.
Before the mirror, as you comb your hair,
each fleeting change of expression
fashions a secret language of love.
I do not know you
not more than I know your mysteries;
is what binds me to you
proof of your being,
or the poet’s fragile imagining?
All arts, all knowledge
hard-won till now,
slip into oblivion
what remains is only
your name.
The lantern’s flame grows dim,
the temple doors are bolted shut.
This is the hour of rapture,
the time of love.
— Saras

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I never said I was a saint…
You just put me on a pedestal.
"Toilet" by Y.G. Srimati, a 20th-century Indian artist from Mysore, depicts a woman in a traditional South Indian setting, likely preparing herself, reflecting Srimati’s focus on everyday subjects with a devotional and naturalistic style.
Srimati, trained in Indian classical music, dance, and painting, often infused her work with cultural and spiritual elements, blending the heroic and the human—her 1947-48 painting of the goddess Saraswati, for instance, was originally part of her family’s altar, showcasing her deep ties to tradition.
The term "Toilet" in the painting’s title refers to the historical meaning of personal grooming or dressing, not a restroom, aligning with the image of the woman using a mirror, a common theme in Indian art to symbolize beauty and self-reflection, as seen in similar works like Narayanan Namboothiri’s "Woman with Mirror."
Your Body Whispers Signs of Love
so tender,
that a mere touch
might bruise
your delicate skin.
I am afraid—
how can I love,
when even a simple embrace
holds such yearning
it keeps my heart beating—
else breath
would have long left my throat.
This map of lines and curves,
cover it, O Goddess—
I fear it may fall
into a plunderer’s hands.
You are priceless.
Let not your mysteries
be scattered
here and there.
Within your form
lies the horoscope
of every poet's longing—
here awakens
the sacred night of desire,
here the lamp of day
burns out.
To meet you
is like reaching
the gates of salvation.
Among the awakened words of verse,
I remain
the unawakened one.
~ Saras
She gives pearls and flowers
She gives songs and dreams
Edith Södergran
— v, excerpts from a book i’ll never write #2 (via letsbelonelytogetherr)

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Emily Dickinson, from a letter to C.H. Clark written c. May 1883
This is the veil of youth
Beyond it, desires are born and die—
Desires that melt the body with their burning heat.
You are the embodiment of coolness,
To turn fire into ice
Is the art held in your hands.
The illusion of an embrace—
He who never understood it all his life
Is your eternal slave.
You are his museum of wonders.
- Saras
― Anaïs Nin, The early diary of Anaïs Nin
Thank you @mikasumi and everyone who got me to 5 reblogs!

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i'm all the people i've ever loved
loseness lines over time by olivia de recat, @i-wrotethisforme, Kaveh Akbar, Olivie Blake