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oozey mess

@theartofmadeline
let's talk about Bridgerton tea, my ask is open
Jules of Nature
Monterey Bay Aquarium
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Origami Around

★
Sweet Seals For You, Always

ellievsbear
I'd rather be in outer space 🛸
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KIROKAZE
h

❣ Chile in a Photography ❣

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@sumquiasum
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(◡‿◡✿)
(ʘ‿ʘ✿) “what you say ‘bout me”
(ʘ‿ʘ)ノ✿ “hold my flower”
✿\(。-_-。) “Kick his ass, baby. I got yo flower.”
thanks for ruining my post jackass
( ̄^ ̄メ)\✿ "Fine, I'ma keep ya damn flower.“
lestat's struggles with notions of good vs. evil and violence and anger is so interesting and i'm baffled these quandaries are getting paid dust in a season that is meant to excavate why lestat is the way he is. like "are you a good boy lestat" and "i imagined i was slaughtering my brothers while i was killing the wolves" as literal throwaway lines is crazy when you consider that lestat's proximity to violence and decay and his formative experience of seeing women burned at the stake for what is posited as an intrinsic truth, a nefarious core, and his most effusively and frequently felt emotion being anger, and his transformative experience killing the wolves, which he says "hardened" something in him, culminating in his forceful turning into the folklore figure that terrorized europe in the 1700s, all of this informs and has bearing upon his identity. and if the show decides to sand this down to lestat being pure of heart until he was corrupted by a black woman vampire's innately evil blood as opposed to spinning this claim into a very specific misconception on lestat's part, rooted in the backwards and patriarchal structure that shaped him, well.
The Depth of the Mirror by Chie Yoshii
We used to have gay sex. On our TV screens.

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i think we need copyright reform. currently most works are protected by copyright for the life of the author plus 70 years. here are my two proposals.
18 years. this is enough time for the work to grow to adulthood and begin to care for itself
life of the author + zero years. i like this one because it encourages you to kill people
"antique store, portland" (2006), lovely librarians
affirmations:
- it’s fun to be awake & in an upright position
- consciousness is a gift
- i CAN do this anymore

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I am so confused as to why the train scene keeps being brought up as if it wasn't just a little moment in a long line of moments that destroyed the relationship between Lestat and his family
Hi, i'd love to hear your thoughts on this if you're okay with me asking: what if the racist comment from daniel wasn't actively daniel and rather lestat's imagination of what daniel might have said? lestat did say during louis and daniel's meeting he wouldn't know what was said since he wasn't there in person, so could this not also apply to everything else happening this season as it's all told by lestat (who already minimized or didn't understand racially charged remarks during s1) and the audience is "listening" to his retelling on the vinyls even if other characters speak
It's complicated because on the one hand I can absolutely see Lestat's version of Daniel being a kind of dialed up version of reality, making him extra rude, extra loud mouthed, and also tacking on him being loudly racist and homophobic too. But if that was the case I think they should have made that more overt in Lestat and Daniel's dynamic, even if it was just a throwaway line from Lestat implying that Daniel is probably a racist or something, just something to lay a trail of breadcrumbs to that. It's annoying because I don't want this show to have to hold my hand and explain it's intentions, but they've kind of dug their own grave with this one.
The problem I have is that the show has kind of lost any grace I might have been willing to give it by being so loud and insistent about this season being something entirely new and trying to separate it from the previous two seasons. If this was Interview With The Vampire Season 3, I might have been a lot more willing to let my trust in the writers from their racial storytelling and sensitivity carry forward into this season, but instead they've axed their Black creatives and hailed this as a separate project, something that can be watched without the first two seasons (I do not agree AT ALL that that is the case either), something that an audience who didn't enjoy the first two seasons can love. And I just have to question who exactly this new audience that they're trying to reach is, because unfortunately the more the season goes on the more it looks like they're trying to bring back a white audience who were alienated by a show which centered around a Black man and his racial identity.
I said this when I was talking about the pronouns joke in episode 1 too but I just don't think a room of cis, predominantly white writers should be dropping "jokes" like these because even if there is intention behind it, even if it's going to be examined and called out for what it is later down the line, I don't think casual transphobia and anti-blackness are things that an audience of people who are directly affected by these things should have to just sit with. Gothic horror is all about sowing discomfort in your audience and letting them sit with that discomfort, but it's not the white audience who are having to sit with that discomfort, it's not the cis audience who are having to sit with that discomfort, it's minorities who were already living with that discomfort.
“Gothic horror is all about sowing discomfort in your audience and letting them sit with that discomfort, but it's not the white audience who are having to sit with that discomfort, it's not the cis audience who are having to sit with that discomfort, it's minorities who were already living with that discomfort.”
"I asked ChatGPT" well I asked Rupert Giles and he sighed and took off his glasses and started cleaning them
There are some points of tvl criticism I'm willing to debate and where I can very much see both sides (or even think the #haters are stretching it a little) but like. You cannot really deny that this season has shown a pattern of prioritizing white characters and their emotional journey over characters of color. On top of that, so many of the jokes are "punching down", starting with the pronoun joke in ep 1 followed by a continuous barrage of throw-away comments. And then, six episodes into a season with a non-Black writers room, we have Claudia say "there's something etched in your ribs that says you're a slave". There's no reckoning with how horrifically racist this statement is, neither in the text nor the paratext. It's just sitting there, poisoning what otherwise could have been an incredible scene. Poisoning a season that felt like it was actually slowly finding its footing. It's white privilege to watch that scene and not feel, on some level, attacked by those racist words put in a Black actor's mouth by white writers. To not be haunted by the racist implications of "my bleak, black life." Before, a lot of the writing choices registered as thoughtless; at this point, it's hard to see them as anything but malicious.
"He's my maker, we're not even blood" doesn't work when we have seen their bond which was also forged through their shared black vampiric identity but what do u expect from a season that uses race as nothing but a punchline

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Himalayan Monal (Lophophorus impejanus), male, family Phasianidae, order Galliformes, northern India
Photograph by Jayeeta Chowdhury
Also idk bringing up the opera where Louis had to pretend to be Lestat's valet to sit with him and then Claudia calls him a slave multiple times?? Like what are we even saying here.