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‘Saxoléine’ (1893). Poster design by Jules Chéret (French, 1836-1932).

Printed by Imprimerie Chaix.

Image and text information courtesy Art Institute Chicago.

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Giuseppe Badiali (1798-1859)

A Gothic Forehall at Night (detail)Watercolor on Canvas

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The Three Fates by Alexander Rothaug, c. 1910

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fernand khnopff : distrust (1893)

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Hamlet, 1899 Alphonse Mucha

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Gustav Klimt

Tragödie, 1897

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Garden of Armida Wallpaper - Édouard Muller (called Rosenmuller) - c.1854 - via Philadelphia Museum of Art

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Sergius Hruby

escapismsworld

Gothic Church Ruin by Carl Blechen

detailedart

Details (#4) of The Birth of Venus (ca. 1485), by Botticelli

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Draped Figure on a Wind-Swept-Sea-Shore 1906 by Marianne H. Robilliard is reminiscent of Warehouse’s 1903 Boreas.

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Diane by Emmanuel Villanis, c. 1900

clawmarks

Nouveaux documents décoratifs en couleurs - Jules Auguste Habert-Dys - before 1930 - via Internet Archive

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Lachrymae (c. 1894) by Frederic Leighton.

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Jiří Kolář (1914-2002), History of Nothing, 1962.

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laudanumat33

Madame Tussaud’s oldest surviving creation, a recreation of Louis XV’s mistress Madame du Barry. It was sculpted in 1763.

Doesn’t it look like a real person for a second? I’ve heard it also has a mechanism in its chest to make it look like it’s breathing.

womblegrinch

Alphonse Maria Mucha (1860-1939) - La Dame aux Camélias

Vintage poster. Printed in 1896 by F. Champenois, Paris.

81.4 x 29.5 inches, 206.7 x 74.8 cm. Estimate: US$17,000-20,000.

Sold Poster Auctions Intl, New York, 14 Nov 2021 for US$50,400 incl B.P.

La Dame aux Camélias first premiered in 1852. The poster was produced to promote the appearance of Sarah Bernhardt in Alexandre Dumas jr’s play at the Théatre de la Renaissance in Paris in 1896. A two-sheet poster.

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