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izzy's playlists!
art blog(derogatory)
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Keni

★
noise dept.
will byers stan first human second
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let's talk about Bridgerton tea, my ask is open

Discoholic 🪩
sheepfilms
I'd rather be in outer space 🛸
Jules of Nature
h

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Sweet Seals For You, Always
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@stop-him
If you know, you know

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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You're a promo for a gacha game character, you know, your soundtrack doesn't have to go THAT hard
I bought a few issues of this back in the day. It was kind of an odd read.
We have on this cover Uncle Sam, the Ray, and the Black Condor, and issues I read also featured Phantom Lady, the Human Bomb and Doll Man.
The thing was, while these were old Golden Age characters from the '40s, they weren't DC's characters until much later. These were all originally published by "Quality Comics" back in the day. Well, that company eventually went defunct, and somewhere along the line DC bought up the rights to all of Quality's characters. But in terms of 1970s comics continuity, they weren't an established part of the universe that contained Superman, Batman, and Wonder Woman.
But DC did have their multiverse going strong at this point. Golden Age versions of the Flash and Green Lantern had been relegated to "Earth-2", while their modern Silver Age counterparts lived on "Earth-1". The Fawcett characters (including Captain Marvel, who goes by "Shazam" these days) lived on their own separate world, Earth-S.
So when DC brought in these old Quality characters, they created yet another Earth, "Earth-X", an alternate timeline where the Nazis won WWII, and the Freedom Fighters were the last super-powered resistance fighters left on their world. Through some shenanigans, they wound up transported to Earth-1. That in itself was an odd undercurrent, that these heroes came from Nazi Hell Land and were walking around "our" relatively Nazi-free universe.
Some of the issues I read featured a weird "crossover" with the Marvel universe. Marvel had its own 40s characters - Captain America, the Sub-Mariner, and the original Human Torch all predated their successes in the 60s with Spider-Man, the Fantastic Four, and the rest. In the 70s, they told stories of this trio and a few newly-created characters as the team "The Invaders", as Cap and company ran around Europe during WWII fighting the Nazis. Someone noted the parallels and both companies, at about the same time, featured stories where their own team of patriotic fighters faced off against a team of characters that were obvious knock-offs of the other company's heroes. This was unofficial, but obviously deliberate - both imitation teams were called "The Crusaders". And so the Freedom Fighters faced off against a team led not by Captain America, but "Americommando", and the Invaders met up with "The Spirit of '76".
I kind of miss the days where comics was small and weird enough that you could just kinda do things like that without invoking dense corporate structures and legal entanglements.
July, 2007! That's nineteen years ago!
I love hot pants, pixie boots Kara!

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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god forbid someone make a flawed work of independent art, i see ppl talking about gooseworx like she shot somebody lmfao
truthfully the disposability of fandom culture makes me a little sick to my stomach sometimes. like the way that things burn so bright and fast, people obsess over it for months or years only to retroactively hate it once they’re tired of hearing about it. no room for the art, flaws and all, to sit in the thoughts and minds of an individual for longer than its initial shelf life; only a clean break and direct moral opposition is appropriate. deadass this is why i don’t usually participate in trendy fandoms because there is no guarantee the love and time you pour into it will be worth it when its all said and done
this lens in which we view artists as geniuses capable of no wrong until that illusion is shattered does nothing but make the art itself meaningless. to make art is to inherently have bias and i find it so, so weird that at every turn a smallish indie studio was trying to break new ground, creating an successful model for other independent artists to follow, and all people can do is find reasons to be upset. i’m not saying there isn’t discussion worth being had but the amount venom towards individual human beings previously celebrated is both upsetting and disorienting. truly fearing the day i make something cool that gets a little too big and people start to take every single thing i say/do in the worst possible faith lol
In a weird little bit of synchronicity, I saw the phrase "gooseworx like she shot somebody" at nearly the same time YouTube recommended this to me:
this dress >>>>>>>>>>>
"The spectacle of grown adults insisting that we simply cannot judge college students for outsourcing their thinking to machines is one of those little moral evasions that contemporary culture specializes in: tender, quasi-therapeutic, progressive-sounding, and ultimately a form of abandonment. Of course we can judge them! It is our duty to judge them. There is no such thing as schooling without judgment; no matter what the Cool Professors say, assessment has always been part of education, always always always, and all assessing is a form of judging. That we are judging ethically and morally when we tell students that it’s wrong to cheat does not make it any less core to the educational mission. And the idea that cheating with an LLM is somehow beyond moral evaluation because the technology is new, or because capitalism is bad, or because everybody is anxious, or because life is haaaaaard…. These feelings are not expressions of compassion but condescension dressed up as sophistication. Students are not, in fact, incredibly fragile creatures, and to the degree that they are it’s because we’ve told them to be. Students are moral agents. They make decisions. They know when they’re cheating! And when we refuse to say so, when we wrap every act of dishonesty in therapeutic fog, we’re not liberating them from shame or coercion; we’re telling them that their choices don’t matter, that their integrity isn’t worth defending, and that the university itself has no purpose beyond the smooth processing of tuition payments into credentials."
fear of "old man yells at cloud" has become a culture-devouring virus
youtube with ublock origin experience of the 20 second gap between every video on a playlist where youtube desperately throws itself against the impervious ever-evolving uncaring face of the adblocker's wall screaming and clawing and calling PLEASE! PLEASE, OUR AD REVENUE!! DON'T YOU WANT TO SUPPORT THIS CREATOR? DO YOU NOT CARE ABOUT OUR WALLETS? AND THEIRS? into the vast and empty sky before the adblocker gently raises one of its many iron-banded arms and flicks youtube away into the void just to hear its wails fade slowly into nothing
It's funny when I get the "You seem to be experiencing interruptions. Find out why" popup as if two unskippable 30-second ads wouldn't feel way more intrusive and annoying than a slight delay for a video to start.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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A small, incomplete collection of “The Sal Buscema Punch.”
Sal Buscema: 1936-2026
hell yeah especially the backhand
In this episode I talk about how making a living in music has become more and more difficult for anyone who doesn't come from a wealthy, con
By Jean Valjean
1905 Lacloche Frères Pig Bag
Discover the quirky and whimsical allure of this pig-shaped evening bag, a dazzling 1905 creation by Lacloche Frères. With ruby eyes and diamond details, this signed, numbered, and hallmarked piece from Sotheby's Collection is a true objet d'art.
And now you can have a place in which to carry your brother's oats.

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I've watched a few excerpts from this trial and it's amazing how righteous Afroman was in testimony and also how utterly dumb some of the cops came off. The attorney is walking them through steps, holding their figurative hands like leading a toddler, as you do, and - much like a toddler - some cop will take the testimonial tack of "oh, I'm going to break away and walk over here now and say this thing that does not help at all and actually makes things worse."
I'll admit to being fairly ambivalent about tumblr's update, as well as its apparent rolling back, because boy howdy does none of it really affect me, here in my fortress of solitude. So very little of what I post "breaks containment", so to speak, that the flatline that shows next to the "activity" marker might as well be from the new system or the old system for all the difference it makes.
You know what the most engagement I've ever gotten on this site has been? Not too long ago I reblogged a video of a vegetable being pulled underground and noted how it was like old cartoons used to show critters attacking farmers' crops. THAT has been giving me periodic little bursts of likes and reblogs ever since. Everytime I see an activity spike, it's usually that.
What do you do with that? A throwaway line beats out everything thoughtful or creative you do. It would be easy to despair, or to desperately reblog tons of nonsense to see if something else "sticks". Or just shrug and go "that's life for ya", I guess. But it does make me less concerned about how tumblr tallies its comments, you know.