i would tell you to fuck off in every lifetime
Cosmic Funnies

Origami Around

Product Placement
One Nice Bug Per Day
Fieri Frames

if i look back, i am lost

Love Begins
ojovivo
Monterey Bay Aquarium

Jar Jar Binks Fan Club
Cookie Run:Kingdom Official!
EXPECTATIONS
todays bird
Color Me Curious

The Bright Sessions

shark vs the universe
Claire Keane

@theartofmadeline
Aqua Utopia|海の底で記憶を紡ぐ

seen from Germany
seen from France
seen from China
seen from Albania

seen from Malaysia
seen from Iraq

seen from United Kingdom
seen from Bangladesh

seen from United Kingdom

seen from Türkiye

seen from Mexico
seen from Türkiye

seen from Singapore
seen from United States

seen from Bangladesh
seen from Türkiye
seen from United States

seen from Malaysia

seen from Malaysia
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@stokerbramwell
i would tell you to fuck off in every lifetime

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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hey did you know that uhh
i. the monster's body is a cultural body
ii. the monster always escapes
iii. the monster is the harbinger of category crisis
iv. the monster dwells at the gates of difference
v. the monster polices the borders of the possible
vi. fear of the monster is really a kind of desire
vii. the monster stands at the threshold… of becoming
oh shit i didn't expect this to actually get notes lmao
these are all direct quotes from jeffrey jerome cohen's "monster culture (seven theses)" (full pdf linked) i highly encourage you to read it yourself!
that said, while i think cohen's writing is evocative, it can be a little dense, so while i'm here, here's my capsule summary (you can also hear me talk about this in the first episode of my podcast) (listen to @ghostswerepeopletoo)
i. the monster's body is a cultural body - The monster is a work of fiction to be analyzed through tools of literary and sociological theory.
ii. the monster always escapes - As long as the cultural fear from which the monster stems persists, the monster will reappear in retellings, reimaginings, and sequels.
iii. the monster is the harbinger of category crisis - Monsters defy binaries and challenge easy comprehension or categorization.
iv. the monster dwells at the gates of difference - The monster represents the Other.
v. the monster polices the borders of the possible - Tales of the monster exist to discourage unacceptable or taboo behaviors.
vi. fear of the monster is really a kind of desire - Subjects can vicariously participate in the disruption of the social order through the monster.
vii. the monster stands at the threshold… of becoming - Within the monster we find information about the self.
i no longer respect the hustle i want universal basic income and dignity for everyone
Yoshiro Kimura's new game Stray Children is a spiritual successor to Moon: Remix RPG, but it has more than a little in common with Undertale
If you’re enjoying Moon: Remix RPG Adventure’s newly released Switch port, you probably have Undertale creator Toby Fox to thank. In a recen
There is no 'Undertale' without 'moon,' the so-called "anti-RPG" that took the many tropes of the JRPG and turned them on their head.
Putting all these interviews here to emphasize the importance of Moon Remix RPG Adventure's in inspiring Toby Fox, and how Undertale in turn inspired one of its devs, Yoshiro Kimura, to take a chance and make a game like Moon again
i just think thats beautiful to find out that a little known game you made when you were in your 20s inspired a kid (who was like probably fucking 7 years old when it came out) who grew up to make one of the most beloved games ever made

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proud of anyone putting effort into becoming a better version of themselves
healthcare should be freeeee what the hell are we doing dumbass government what are we paying you for
A small house in mountains and no one knows where i am.
Because I am of the belief that Adulthood is just Childhood 2: Electric Boogaloo and also because nobody can stop me, I have a large and varied number of eccentric hobbies which includes cleaning and restoring old wigs, which is why today I opened a box left on my doorstep to find the unholy inbred child of both ugly step-sisters ratted out all to hell and fossilized into a rock-solid mat of tangles and glue, to which I had no choice but to let a single glimmering tear to roll cinematically down my cheek as I gently ran my fingers about half a millimeter into the Teflon-reinforced hell nest and whispered, "who did this to you"
This thing is like a mouse drawn by someone who hasnt ever seen a mouse

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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reblog if it's okay for your mutuals to message you and create an actual friendship, not just interactions
Advertising really is just throwing random noodles, cooked and uncooked alike, against the wall in hopes that at least one of them sticks
"Ah yes, we shall place this advertisement on Tumblr, a site famous for having a large number of patriotic American pontoon boat owners"
Advertising really is just throwing random noodles, cooked and uncooked alike, against the wall in hopes that at least one of them sticks
"Ah yes, we shall place this advertisement on Tumblr, a site famous for having a large number of patriotic American pontoon boat owners"
*comes up and actively inserts a tragic event to a character's background that i entirely, totally control* oh that's so sad life's so unfair who did this to you that's crazy :(
You tell em, yard boy

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I just mowed my 88 year old papas lawn and when i came back inside he lifted my arm to reveal a bug that was attempting to hitchhike into the house. At which point he said "you will NEVER escape my garden." And flicked it back into the grass
Garden of Eden Good Ending AU