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@stellyrieslingbhs

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Drop your digital gadget and grab onto the balloons with both hands so you’ll have enough strength to hold on as they carry you to far and wide places of tremendous beauty and wonder.you’ll have enough strength to hold on as they carry you to far and wide places of tremendous beauty and wonder.
Hold onto your gadget for dear life more than the balloons that keep you afloat. Let the weight of it (depicted in this image as very heavy) cause your hand to start slipping from the ribbons while growing weaker by the second. Without the support of the other hand holding the gadget, there is no chance you will hang on long enough to get to the destination of your dreams. The videos, images, and selfies you managed to take along the way, the continuous updates of this magical journey, on a minute by minute basis — you’re more preoccupied with those things than seeing and enjoying the spectacular sights around you in all their real life glory with your own two eyes instead of through a screen. If we don’t let go of our precious technology, of the belief that we can’t exist or have no purpose without it, our soul will never reach the elevation it craves, the freedom from eternal return — unbearable lightness of being.
But that’s not good enough for you to give it up, no way! Fuck these evil balloons for just snatching you up and taking you away from your cozy little comfy zone… your beloved little world of chasing sweet little pleasures that act as fireflies, or sometimes, like scattered marbles over a frozen lake. And so down you fall… down…down… into a cold, wet abyss. Ah, the ocean. Home sweet home. Some sharks picked up your scent and are swimming around you now. Yay for the perfect lastie! That’s not exactly what this work is about, just my own interpretation of it today… Stelly Riesling, 2015 NYC
homage to Paul Jaisini by Stelly Riesling by gleitzeit INVISIBLE
Piece Keeper by Stelly Riesling Self Portrait 2014Â with gif effectsÂ

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curating invisible futurism gleitzeit Paul Jaisini Manifesto
Don’t blame me. This is automated. August 26, 2018 at 03:33PM Owner of this account: pepes-fantasies.tumblr.com
tv segment on art
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5 by Stelly Richie

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GIG POP ART: Moonlight night Series Gif Homage to Paul Jaisini ...
GIG POP ART: Moonlight night Series Gif Homage to Paul Jaisini …
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artporn1 by R_Y_A_N_K
Art image and its internet adventures Broken by Stelly Riesling posted in 2015 on Imgur and Flickr with further editions when the art photo was pimped with gif effectsÂ
 Paul Jaisini once said to his friends that the Internet is a very visual place, ruled by images and if the artist wants to be noticed — try to create a lot of visual images, for example GIFs and load them to the hosting platforms…With random addition of tacky clipart suddenly the artwork was getting a lot more traffic as seen on the enclosed here screenshot from photo hosting site flickr. Stelly Riesling had created her artwork and didn’t go any further , as making the various gifs on the base of her pic. However , the viewers were more receptive of the gif version. Not to say that it has something to do with bad taste, but the boredom with the familiar. To be continued…

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Homage to Lucio Fontana   Lucio Fontana From 1949 on he started the so-called Spatial Concept or slash series, consisting in holes or slashes on the surface of monochrome paintings, drawing a sign of what he named "an art for the Space Age". He devised the generic title Concetto spaziale ('spatial concept') for these works and used it for almost all his later paintings. These can be divided into broad categories: the Buchi ('holes), beginning in 1949, and the Tagli ('slashes'), which he instituted in the mid-1950s. Shortly in 1969 before his death he was present at the "Destruction Art, Destroy to Create" demonstration at the Finch College Museum of New York.