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How do you do maintenance on a fusion reactor? I assume the simplest way is to turn it off and open it up. But how dangerous are the dangerous parts when it's running? Could you send a drone inside?
(Disclaimer: all the information and images in this post are from open-access articles and press releases, and I am not speaking on behalf of any research group or company)
Depends. Are we talking about modern experimental devices, or future power plants? In the former case the answer is "send a human or robot in there," in the latter it's either "send in a robot" or "take the thing apart (with robots)."
Either way, you can't send anything inside while it's running. Everything needs to happen during downtime, every year or so during scheduled maintenance.
Experimental devices:
After long periods of operation, many experimental fusion devices end up somewhat radioactive, from nuclear transmutation of the vessel itself and small amounts of trapped tritium in graphite heat shield tiles. Usually this means they send people in wearing dosimeters to keep careful track of exposure, good PPE, and set a limited amount of time that any one individual can spend inside every year Here's a technician upgrading equipment inside DIII-D, a tokamak in San Diego:
Source: DIII-D National Fusion Program Completes Facility Upgrade
Don't touch the graphite with your bare hands, leave the vessel after you've reached a pre-approved radiation dose (usually something roughly equivalent to a medical x-ray), and you'll be quite safe.
There's an exception though. Most devices (like DIII-D above) use ordinary hydrogen or pure deuterium (hydrogen-2) as fuel, which is useful for experiments but is not intended to produce significant amounts of power. However, some now-decommissioned experiments – specifically, JET in the UK and TFTR at Princeton – used a 50/50 deuterium-tritium (hydrogen-3) fuel, which is prototypical of an actual power plant.
This produces several orders of magnitude higher neutron flux than deuterium alone (which leads to higher rates of nuclear transmutation in the metal structure) and leaves significant tritium contamination in the walls, to the point where it is unsafe for humans to enter the vessel at all.
So you send in remote handling robots!
At JET, they replaced thousands of tiles with robotic arms controlled by a guy. This works for an experiment, but is costly, time consuming, and requires extensive training.
Future power plants:
Many future power plant concepts envision a combination of internal robotic maintenance, like JET, and some method to remotely split apart the reactor to send in something larger than a couple of robotic arms (cranes, forklifts, etc). You still can't send a human in there, but having the whole thing opened up makes access a lot easier.
Proxima Fusion has some nice figures in an open access paper on their Stellaris power plant concept: Stellaris: A high-field quasi-isodynamic stellarator for a prototypical fusion power plant. Their idea is to divide the stellarator into four sectors that can be slid out:
Commonwealth Fusion Systems intends a similar maintenance scheme for ARC, as published in their latest physics basis article: Overview of the physics basis for the ARC fusion power plant. There's no figure, but they describe splitting the reactor in half in a similar way to replace much of the structure all at once. (The original paper back in 2015 involved splitting it at the equator and lifting the top half, but they state here that their new concept is to split it on a pole-to-pole plane).
I usually don't like to comment on private fusion companies beyond citing publications and press releases in a neutral manner, but I will make one exception right now: Proxima and CFS did kind of fumble the SEO for their reactor concepts lol
One of my favourite bits of media history trivia is that back in the Elizabethan period, people used to publish unauthorised copies of plays by sending someone who was good with shorthand to discretely write down all of the play's dialogue while they watched it, then reconstructing the play by combining those notes with audience interviews to recover the stage directions; in some cases, these unauthorised copies are the only record of a given play that survives to the present day. It's one of my favourites for two reasons:
It demonstrates that piracy has always lay at the heart of media preservation; and
Imagine being the 1603 equivalent of the guy with the cell phone camera in the movie theatre, furtively scribbling down notes in a little book and hoping Shakespeare himself doesn't catch you.
Thou wouldst not downloadeth a car
actually the sanitization of lesbian media is because of transmisogyny. every backslide you've percieved in acceptance and equality is because of the rise of transmisogyny. free the nipple. marriage rights. clothing options. bathrooms. its all because of this big bioessentialist conservative puritan push to try to erase trans women from society and specifically lesbianism. you cannot leave us behind and expect a better world.
and if you want a world without us, you're going to wake up to one where the patriarchy is emboldened even further to decide who they think deserves womanhood, and exploit those who they believe undeserving. That's the cost of a trannyless world, whether or not terfs have ever actually stopped to think about it.
the reason you, a white american, believe that white americans don't have culture is the same reason fish don't believe in water
yes i know you think it's an antiracist statement, that you're saying it's a bad thing white americans don't have culture. but what you're actually saying is that the way white americans live is simply the normal way to live and that "culture" refers only to deviations from that norm
there's real holidays and then there's, you know, cultural holidays. there's regular foods and there's ethnic foods
this is not (just) about "cultural christianity," an idea that gestures at a real thing but the way tumblr talks about it is mostly not useful, i'm talking about stuff much broader than that.
making yourself a ham sandwich with mayo on white bread is a cultural practice just as much as making jollof rice is a cultural practice.
if you feel some kind of yearning as a white american to connect with your Ancestral Culture you can get really into wearing lederhosen or playing bagpipes or whatever. but you could also just learn to understand the way you are living right now as a culture and not some kind of neutral default absence of culture

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systems of oppression absolutely replicate themselves down through queer communities, but if you acknowledge this you're destroying the community, because you don't unquestioningly see it as a bastion of perfect progressivism
With how much people defend transmisogynistic bullshit with "its a part of queer history" appeals to tradition, a large amount of queers aren't even progressive. That kind of rhetoric is definitionally conservative, it's just conserving a different standard than what we usually associate with the word.
pretty girls are trying to get me to play warframe and i might just let them

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gooseworx has been banned but neil gaiman is still up. i would say i'm baffled if i didn't know exactly why this is the case.
Glad to know we finally got an edition of "Famous (alleged) male abusers who still haven't been canceled as much as a woman who hasn't smiled enough" on Tumblr.
i find it very very telling that people immediately started going kiwifarms on gooseworx right after the final episode of tadc dropped on yt and the reveal that fan favorite character Jax has been a closeted trans woman this whole time, radically recontextualizing everything about her and her actions. everyone in the fandom has been completely fine with other queer representation in the show, even Zooble who is also trans representation, but i guess a complicated and flawed transfem is just a bridge too far.
i don't care about old social media posts that have coincidentally and mysteriously "resurfaced" following the outrage of transmisogynist fans. you clearly missed the part of this where Jax is reflective of Goose's past behavior of using edgy and harmful humor to play the bad guy and push people away in order to cover up the fact that she is a trans woman. you missed the part where Gooseworx has explicitly grown past that kind of behavior and Jax is an exercise in extending empathy to a past version of herself who was trying everything in her power to be uworthy of love and care. you fundamentally do not understand the art you are a fan of.
Gooseworx's ban by @staff is transparently due to harassment by transmisogynists attempting to turn her into a "controversial figure" for "ruining" their favorite edgy jokey rabbit "man" by revealing she's been an edgy jokey rabbit woman this whole time. i will block anyone attempting to justify this ban. i do not want those who would enable such an obvious transmisogynistic witch hunt to interact with me or my content. fuck off.
okay, for those interested, here is a full timeline of how we got to Count Binface:
1977: Star Wars is released, featuring, of course, Darth Vader
(Pictured: Darth Vader)
1984: Director Todd Durham releases his Star Wars parody movie, Hyperspace, featuring Darth Vader inspired villain Lord Buckethead.
(Pictured: Hyperspace poster featuring two Jawa-esque aliens flying through space in a shopping trolley.)
1987: Hyperspace is released on video in the UK, under the new title Gremloids.
(Pictured: Gremloids cover in the style of the original Star Wars poster, featuring Lord Buckethead.)
To promote the film, Mike Lee, the owner of the distributing company, ran for parliament as Lord Buckethead. He ran in Margaret Thatcher's constituency, Finchley, in order to get on TV. Lord Buckethead was representing the Gremloids party.
(Pictured: Lord Buckethead on TV with Margaret Thatcher.)
1992: Gremloids is re-released. Lord Buckethead rides again, this time against prime minister John Major in Huntingdon. (Here's a fun fact about Huntingdon: I was born there! :D) 87/92 Buckethead seems to have leaned pretty hard into the space supervillain thing, with campaign promises including 'demolish Birmingham to build a spaceport'.
(Pictured: Lord Buckethead on TV with John Major. Other notable candidates include Screaming Lord Sutch of the Monster Raving Loony Party.)
2017: comedian Jon Harvey, having recently watched Gremloids and learned of Lord Buckethead's candidacy for parliament, decides it's a great bit. He runs against Theresa May in Maidenhead. 2017 Buckethead seems to have a wackier and also more political approach, with campaign promises ranging from nonsense like 'nationalise Adele' to gesturing at actually sensible policies with stuff like 'lower the voting age to 16 and restrict voting after age 80'.
He also made an appearance on Last Week Tonight with John Oliver. As with his previous incarnation, he was a member of the Gremloids party.
(Pictured: Lord Buckethead dabbing on stage with Theresa May.)
2018: Director Todd Durham asserts his legal ownership of Lord Buckethead. Jon Harvey opted not to go to court over Buckethead and handed over the reins. Todd Durham extended an invitation to anyone who wanted to be the 'authorised' Lord Buckethead.
(Pictured: the new Lord Buckethead.)
2019: Lord Buckethead, now played by journalist David Hughes, stood against Boris Johnson in Uxbridge and South Ruislip. He ran for the Monster Raving Loony Party, the UK's pre-existing gag candidate party. He ran with a similarly silly manifesto as the 2017 incarnation, but with a bit less of a political edge. His promises included 'All doorways to be increased by 1 foot (30 cm) in height' and 'Nigel Farage to be sold for parts'.
(Pictured: Lord Buckethead and Count Binface square up.)
Meanwhile, Jon Harvey in his new persona Count Binface, also ran against Boris Johnson. Buckethead and Binface face off! Binface ran as an independent with a manifesto once again blending silly and semi-serious promises such as 'nationalising model railways' and 'giving £1 trillion a week to the NHS'. This was also I believe the debut of his promise to 'move the hand dryer in the men's toilet at Uxbridge's Crown and Treaty pub to a more sensible position'.
(Pictured: Count Binface presenting the offending hand dryer, inconveniently close to both the sink and the urinals.)
He has a point.
2021: Count Binface runs for the position of Mayor of London for the first time, with promises such as 'London to join the European Union'. He notably finished ahead of far right party UKIP.
2023: Count Binface runs in the Uxbridge and South Ruislip by-election following Boris Johnson's resignation. He once again gets more votes than UKIP.
May 2024: Count Binface once again runs to be Mayor of London, debuting his now iconic 'build at least one affordable house' promise. Notably, he finished ahead of far right party Britain First.
(Pictured: Count Binface with Rishi Sunak. Also pictured: Monster Raving Loony Party candidate Sir Archibald Stanton with a ventriloquist's dummy.)
July 2024: Count Binface stands in the general election, running in Richmond and Northallerton against prime minister Rishi Sunak. He debuts his promise to cap the price of 99p flakes at 99p. This is his most successful election to date with 308 votes.
(Pictured: Count Binface with Andy Burnham. Also pictured: independent candidate Robert Pownell, dressed as a fox for his own reasons.)
June 2026: Count Binface stands in the Makerfield by-election against Andy Burnham, (recently) former Mayor of Manchester running for parliament with the intention of standing in the Labour Party leadership contest.
(Pictured: Count Binface on BBC's Newsnight.)
July 2026 (this week): Count Binface announces his intention to run against Nigel Farage in the upcoming Clacton by-election. He is briefly the only other candidate in the race and by the time other candidates announce themselves the narrative of 'Nigel Farage vs Count Binface' has already bedded in. And then it was now, and then I don't know what happened.
For clarity's sake, Robert Pownall is dressed as a fox because he's an anti-fox hunting campaigner, and also he will be standing in the Farage Vs Binface election. So that's fun
This what I mean when I say science writing is terrible and you need to actually go back to the academic publications themselves to get what’s going on
Frequent enough issue that there's a greeting card about it...
more than anything i want a world where a trans girl realizing she is a trans girl faces zero fear from that realization and subsequent coming out. Where she can say "Oh sweet, I can just be a girl? Sign me up!", no worrying if shes girl enough, no worrying if society will accept her, no worrying if she'll be an attractive girl as she transitions, no worrying at all in any way shape or form.

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We really went from "free the nipple" to "um the public didn't consent to you wearing a choker"