Beyblade: Fractured Reflections is a WIP non-chronological collection of ficlets and art looking into an AU where the Bladebreakers get brainwashed by zennx-23's OC, Blake. We're kind of filling in bits and pieces as we go to tell a story, and also to flesh out concepts.
ALL CHAPTERS
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Groundhog Day is a trope where a character (usually only one character) is caught in a time loop, doomed to repeat a period of time (often exactly one day) over and over, until something is corrected. The trope is named for the film Groundhog Day, which established the trope in popular culture.
Hiromi's been diligently been keeping count of how many cycles she's gone through.
It starts with the announcement of Justice five, and it generally ends when Zeus's attack swallows the world into darkness. And Takao and Seiryuu lose.
ALL CHAPTERS
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BEYBLADE X POKEMON
A series of non-chrono posts regarding my take on the Bladebreakers as a team travelling in the pokemon world. Mostly focusing on Hiromi as MC, and snapshots of her adventures while the rest of the team is more focused on the main story.
Main Illustration!
Illustration of Hiromi's pokemons
Charizards Backstory, Johnny, and Hiromi
Sun and Moon with Max, Zeo and Hiromi
Aftermath of Sun and Moon
Team Fight!
Aftermath of Team Fight!
New Companions?
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STREET BLADER AU
META POST 1
META POST 2
The premise of my fan series for beyblade follows a beyblade OC called called Luka, who gets introduced to street blading by his friends.
Takes place in AU Bakuten shoot where Hiromi is a beyblader, but more specifically a street beyblader.
A compilation of character studies and art? Not sure yet. Will update sporadically.
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Aren't we putting to much pressure on Deku for saving Shigaraki. They real issue isn't that he failed in doing, so because ofcoure he did he was 15/16. We can't really expect thess children to save these traumtised individuals. I think his inability to think past his ideals or what he has been brainwashed to believe since a child is very fitting for a teenager. People paint him to be horrible, but he was one of the few to see that villains are still human. Ig Uraraka did it way better. Let me say it like this he was one of the consider them as human a big majority of the class simlply didn't. The change is bigger with him that as he grows up he might be able to actually start realising they messed up system their society runs on and perhaps do something about it, then the rest of the classmates who simply don’t see villains as people. The real issue remains their system. But allot of people treat Deku as if he is evil because he didn’t save Shigaraki, whilst most of his classmates would chose to kill him off too and they wouldn't even care to understand him. As if Deku also isn't traumatised kid as well that is brainwashed like everyone else to think the villains are not humman. I think it makes sense he failed, the child shouldn't have been in the front lines of the war in the first place
Okay, so here’s the thing, anon: no, we aren’t putting too much pressure on Deku to save Shigaraki because Deku is not a real teenager. Deku is the main character in an ultimately-intended-to-be-uplifting fantasy action story about the nature of heroism, not a dystopian tragedy about the consequences of training children to partake in unthinking, politically reactionary law enforcement. (I mean, it is that, but that’s not what it’s trying to be.)
The promise of the very first chapter of the series is that we are reading a story about how our narrator became “the greatest Hero.” Unless you are telling me that Narrator!Deku was flat-out lying to us about that, then I have to assume that he believes we are reading a story about how he fulfilled his dreams of becoming saikou no hiiro. Nobody reading the first chapter—or, indeed, any part of the series all the way through the aftermath of the first war, in which Deku stoutly defends One For All as a power intended to save, not to kill, clearly drawing a line between the two actions—would have a reason to think that the series would wind up allowing “saving” to include “(only) their heart, anyway”[1] or that it would end up so badly conflating Heroism with stoic endurance.
1: There were, of course, plenty of people who thought Deku would/should kill Shigaraki, but I don’t think I saw even the most hardcore of those types describe that as “saving”; the assumption was rather that Deku would realize that some people were beyond saving, not that saving would get hastily redefined so that killing Shigaraki would qualify.
That being the case, I and every other Deku criticizer are perfectly within our rights to look at BNHA and say, “That’s what you think qualifies? Are you serious? This is awful, your heroism is awful, and you have failed to live up to what you told us this story was going to be about.”
(Hit the jump for more.)
Regarding Deku and his classmates’ presence on the battlefield, one of the things I’ve talked about in the past is “spotting a series its premise.” That is, if you’re going to get anywhere in a story, you have to allow it its basic scenario or you might as well not bother with it at all. In BNHA, that basic scenario is “Hero Academy.” The idea of a school for heroes is presented as something cool and positive, and if you can’t deal with that at all without starting to talk about child soldiers and police states, then BNHA was never going to be the series for you.
BNHA plays its premise of a school for Heroes with fantastical optimism, so it suddenly diving for a “realistic” ending, one grounded in a deeply pessimistic view about redemption and rehabilitation, is an active betrayal of its own tone and themes because its author lacks the courage to follow through on what his main character wants to believe. By “wants” here, I don’t mean that Deku has some kind of independent life and desires to believe something his creator won’t let him act on. Rather, I mean that Deku’s in-universe characterization and actions should be harmonious with Deku as a narrative device and embodiment of the story’s overall message.
Based on Deku’s presentation through the first war arc, he should have stuck to his guns about saving Shigaraki! He should have been willing to defend Shigaraki against All For One and Hero Society and Shigaraki’s own fatalism! Instead, though, he cowered in the face of all of them. He didn’t just fail to save Shigaraki; he actively killed Shigaraki. The tension (which had always existed in Deku) between his admiration of the Hero System and his innate, overwhelming drive to save should have resolved in favor of saving, not in favor of upholding a status quo he knows to be riddled with problems!
And that being the case, of course he should have been on the front lines. He’s the main character and it was the last battle! Where else should the main character have been? The trouble with Deku being the focal point in the final battle isn’t that it turns him into a child soldier; he was always that because it’s inherent to the premise of BNHA and the structure of young adult adventure stories more broadly. The trouble is that the story fails to convincingly justify his presence under its own previously established standards.
Like, if you look at how U.A. is stated to normally approach its classes, it’s obvious that the situation with Class 1-A is the result of unprecedented challenges! I’m totally willing to roll with that as part of spotting the series its premise! It’s when the series stops being able to justify 1-A’s role in events that my acceptance of the scenario starts breaking down.
Let me go over that in some more detail:
Internships: Per the story, internships are heavily chaperoned and focused on light work, really just dipping a student’s toes into what a normal day in the life of a Hero looks like, including all the non-combat procedural stuff and the social angles of endorsement deals and the like. Even a hardass like Gran Torino states that his intention is to take Deku to someplace where “minor crimes” are common, not to plunge him right into the deep end. Indeed, a fight breaks out, he firmly orders Deku to stay on the train. When Deku pursues, the first Hero who notices him tells him to follow police instructions and get to safety. It’s obvious that the focus is on a safe first-time experience—it’s even observed later on that the internships basically treated the kids as “guests,” and they weren’t allowed to do anything dangerous.
Work Studies: These aren’t even supposed to be offered to first-years. The only reason they are is that Class 1-A has been repeatedly targeted and thus, amidst a very divided staff opinion, U.A. made the choice to offer them to the first-years to better prepare them for the increasing danger and uncertainty that is both targeting them personally and becoming more prominent in a post-All Might world. U.A. personally vetted agencies offering work studies before approving them. These are more dangerous, but still strictly overseen, carried out with as much caution as can be managed for a job that inherently carries with it life-or-death risk.
So far so spotting-the-series-its-premise. The problem starts kicking in harder once the war arc rolls around. There are hundreds and hundreds of active Heroes in the country; I simply do not believe that the planners of the raid on the PLF needed e.g. Juzo’s earth-molding when they could have tapped Pixie-Bob for hers, or Tokoyami’s darkness-boosted strength when they could have just used Midnight to flood the staircase Re-Destro was using with sleeping gas.
However, there’s still a bit of an acceptable handwave in that we have started to see the corruption and desperation of the HPSC—a number of the adult characters comment on it being kind of Weird and Sus that the HPSC is ramping up combat training for high schoolers, especially first-year high schoolers. The anime adaptation goes out of its way to note that the students’ involvement in the war was hidden from the media, further emphasizing that the HPSC’s actions are intended to be read as over-the-line and suspicious in ways that the internships and work studies were not.
But that all goes completely off the rails for the second war. The story wants us to believe that all the HPSC’s corruption was neatly dealt with by Clone!Re-Destro murdering the President (as if she wasn’t succeeded first by a man who also took part in the child assassin program and later by one of the actual child assassins). Suddenly the kids of 1-A are cornerstones of the battle plans, with the only feeble handwaves given being that the first war reduced the number of Heroes drastically (but somehow didn’t impact any of the Heroes we’re actually supposed to care about beyond Midnight) and that the kids have extended experience with fighting the League (equally absurd; if it was just the experience, they should have tapped the kids for their knowledge during the planning stage, not the actual battle).
It’s obvious by this point that the only reason the endgame is rotating around the main characters is because they are the main characters, not because the admirable adult Heroes the story tells us we’re supposed to be rooting for have actual justification to put those kids in that position.
Now, I talked earlier about treating Deku as a character because he is one, so what’s the problem with accepting his presence because of his role rather than trying to examine the realism of the situation? Well, the problem is still the same: the story is trying to sell us one thing (realistic explanations for the kids’ presence that respect the prior worldbuilding and don’t undermine the good guy chops of their whole side) while providing us with something else (transparent contrivance that shrinks the scope of the world while doing nothing but undermining their good guy chops).
If the story had Deku stick to his principles on saving Shigaraki, to the point that he was willing to depart from the entire professional structure that was telling him he couldn’t, then it would be perfectly reasonable for him to have to fight Shigaraki one-on-one! Indeed, he have had to, and worse, he might have had to fight off his own erstwhile allies too. Conversely, if he’d stood up to the planners of the war and convinced them to believe in his intentions regarding Shigaraki, the same way he did the prior bearers of OFA,[2] then it would also make sense for him to be the central point of the battleplan.
2: Give or take the shamelessly easy out Horikoshi took by having Yoichi convince Kudou and Bruce rather than making Deku find a way to do it.
But Deku doesn’t do any of that. He passively lets himself be steered into a confrontation with a guy he wants to help but refuses to defend against others’ violence or to engage with honestly. The battle arena for Shigaraki is literally called, in-universe, the Flying Coffin; all the planners wanted to do at that point was kill Shigaraki. Deku never even whispered a protest, never so much as asked for a chance to talk to Shigaraki before firing up the electrical field. So not only do I not believe the Heroes' justification for putting Deku here, I don't believe Deku as-established by the story should have let himself be put here. The only Watsonian explanation is that Deku is a much lesser Hero than I thought he would be, and yet the story is still trying to convince me that he's this amazing Hero whose “mad” “drive to save” “eclipses all common understanding.”
You, anon, can’t tell me I have to credit Deku for doing the bare minimum when the story is telling me he changed the world. You can't tell me I have to see him as someone who might start realizing his society is fucked up and perhaps will start trying to do something about it when to the bitter end all he could talk about was about how he planned to Bring It All Back, with all talk about doing things better falling to characters as minor as Mirio or Jirou. You can't tell me it makes sense that he failed when the story is frantically trying to spin his failure into a feel-good success.
Deku being sad about killing Shigaraki for approximately a day and a half does not negate the story depicting Deku's defeat of Shigaraki as him literally punching the sunshine back into a stormy sky.
Deku told me that this was the story of how he became a great Hero, he told me that for him being a Hero meant saving people, and then he failed to save the person his whole arc was leading him to save. And then he had the gall to tell me that the point of the story wasn’t about him becoming a great Hero after all, it was actually about “reaching out to help,” regardless of whether that reaching out is actually successful or not!
I can and I will blame Deku for failing to save Shigaraki, not because I’m arguing about whether it’s realistic for a traumatized and brainwashed child soldier to be able to save a traumatized and brainwashed young terrorist, but because Deku lied to me about the kind of story I was reading.
So I have stumbled on your mha rants. And I find your one of the few that really goes in depth with analysis/criticism wich I like reading. I have seen your criticism on Deku and see what you mean, but I link them beinf a result from him being a victim as well (bullying) and him not properly processing it. I feel that he himself is the depiction of a 'perfect victim" and pushes his perfect victim ideals to other victims if it makes sense what I'm saying. Him linking being forgiving with goodness, makes sense how he operates with Bakugou. Essentially what I'm saying he has deep issues and I think it's a result from his background (bullying/quirklessness) I wondered if you see it like that too.
I could see it, certainly. A while back, I got an ask about what I thought the Watsonian reason (that is, the in-character reason rather than the Doylist/meta-textual one) was for why Deku never really tried to talk to Shigaraki in the endgame. It’s very difficult for me to think about Deku in Watsonian terms, but after rambling about it for a while, my answer boiled down to this:
[He has] an inherent desire to help people that has been hamstrung by a learned dehumanization of Villains, a repeated emphasis on swift, unthinking action as a Heroic virtue, a culture that regards sympathy for those involved in a crime as a zero sum game, and, last but not least, a psychological complex about the basic nature of Heroism rooted in his fraught childhood.
You can see that touches on his past as a bullying victim, but it wasn’t something I talked about a lot in the post. Because I’d talked about it in other posts before, I only vaguely alluded to how his history as a “crying child” leads him to base his whole concept of heroism around what heroes do/mean for crying children, and how that conceptual identity influences who he is or isn’t able to perceive as a victim. So while that’s not exactly the same thing as your read of Deku as having hang-ups about “perfect victimhood,” I think it’s definitely compatible with it.
The trouble I have with committing to this read—both yours and my own!—is that it is so very Watsonian, and so many of my problems with Deku and his actions are so very Doylist. Like, it’s all well and good for us to outline how Deku struggles to see people like Shigaraki or Dabi or whoever as legitimate victims because of his personal views on how victims are supposed to behave, but a lot of those views strike me as not merely personal but cultural. Views very similar to Deku’s are espoused by any number of characters throughout the comic, both characters who do have similarly abuse-riddled backstories as Deku (Shouto, Shoji) and characters who don’t (Ochaco, Best Jeanist, the Flamin’ Sidekickers, that one Hero Toga murked, etc).
Think of everyone who ever tells a Villain, “I’m sure you’ve suffered, but when you [take X action Heroes don’t approve of], you’ve gone too far!” These characters never have real solutions to offer, only rebuke. They all have a “perfect victim” problem, bullying or no bullying, and that’s exactly what makes me think that the problem lies chiefly in Horikoshi’s views, not those of any given character.
This is particularly clear in that post-series anecdote we got from his editor about how much Horikoshi struggled to decide on Toga’s fate. He had ideas about her surviving but being in prison; for a while he was writing towards an ending where she just vanished, showing up to take things Ochaco left for her like an elusive faerie. But he couldn’t make himself write that ending because he thought Toga had to “take responsibility” for her crimes. You would think the way for her to do that would be to submit to the justice system and serve her time in prison, but he obviously viewed her being in prison as too much of a punishment—as well he might, since his setting’s incarceration conditions are cartoonishly inhumane.
Of course, the obvious solution seems to me that someone should try to make the prison conditions less outrageously awful, but that seems to never have crossed his mind. It’s certainly a common enough irl view: prison conditions are bad because they’re a punishment; if you don’t want to be punished, don’t break the law. This kind of simplistic, moralistic view has no room for nuance, for discussions of kind or degree. The stark absence of anyone in BNHA advocating for better prison conditions says quite clearly to me that Horikoshi agrees with that heavily punitive view.[1]
1: And that’s not even getting into the story’s glaring absence of any recognition of irl legal defenses—capacity, responsibility, necessity, duress, insanity—that should logically figure into the sentencing of any number of BNHA’s Villains, League or otherwise. Is Mr. Broken Home, Raised In A Cult, Very Possibly A Minor, Preemptively Arrested Geten going to spend the rest of his life in prison? Who knows! His backstory’s apparently not sympathetic enough for Horikoshi to care about. But I guess it at least means Geten survives, which is better than Toga can claim.
But that left him with the issue of how to treat Toga—if his setting’s prisons were too harsh but complete freedom[2] was too lenient, what was the middle ground? And apparently the only thing he could come up with, the only thing that seemed feasible and workable given the systems and characterizations he’d already established, was for Toga to willingly sacrifice herself, gaining freedom but taking responsibility through the act of taking her own life.
2: Insomuch as being a fugitive for the rest of her life with none of the friends she made in the League would constitute any kind of freedom for Toga at all.
Horikoshi was obviously tremendously sympathetic to Toga—indeed, he had a lot of sympathy for all of the League characters else he wouldn’t have written them as such sympathetic figures to begin with, nor would he have written such sympathy into Ochaco, Deku, Shouto, Shouji, etc. But he still had his own views on the consequences for “going too far,” and I can’t ignore the way those views pervade the story at large. So sure, maybe Deku does have a “perfect victim” mentality, but I don’t think that mentality is unique to him, and it not being unique to him makes it difficult for me to chalk it up as a unique consequence of his having been bullied.
That said, I thank you for your kind words on my rantings and ramblings, and thank you too for the ask!
What is your opinion on Bakugou? As a hero he also doesn't actually see the villains as humans, but I think with him it's more like a video game were you defeat stronger villains to upgrade.
As he is at the end of the series, I care for Bakugou basically not at all. I think he had a lot more promise and was a lot more interesting when he was getting teamwork plots, had a lingering connection to Shigaraki, and was allowed to present meaningful personal challenges to Deku and All Might in their capacity as bearers of One For All.
Basically, to me, Bakugou was at his best when he was taking All Might to task for being so secretive, taking Deku to task for trying to go it alone, and could feasibly offer some insight on Shigaraki (and also take him to task about taking his rehabilitation seriously post-series!).
It’s suggestive of potential plotlines we could have had that the three good guys Shigaraki tried to talk about his views with were All Might (USJ), Deku (the mall), and Bakugou (the kidnapping)—the exact same three who’d later be having so many private conversations about Deku’s role as the new bearer of OFA. Also too, both All Might and Deku’s first impulse to getting a glimpse of Shigaraki as a child in need (All Might’s being AFO’s bombshell reveal at Kamino, Deku’s his brush with Shigaraki’s psyche at Jakku) is to want to save him; while Bakugou didn’t and I think wouldn’t have that impulse, he could still weigh in on it via sharing his angle on Shigaraki’s motivations in gathering other Villains and also that tidbit about Shigaraki calling the hand on his face “Father.”
Bakugou would also have been uniquely well-situated to relate to a hypothetical post-series Shigaraki trying to atone for his crimes. I talked about this in an ask reply forever ago, but Shigaraki and Bakugou have a common personality trait in that they’re fairly black and white thinkers, unsparing with themselves and others. Bakugou would therefore be able to relate to Shigaraki as someone who’d done very bad things in the past while also not cutting him any slack about doing better going forward, which I think Shigaraki would respond to better than cloying sympathy or absolute forgiveness.
Putting Bakugou up against All For One does absolutely none of that, while simultaneously removing him as a challenge to All Might and Deku’s worst instincts and pissing all over the themes about teamwork and relying on others Bakugou had been growing into throughout the series, most prominently in Kamino, the Joint Training arc, and the Edgy Deku arc.
It’s a damn waste, is what it is.
Incidentally, what I said about Bakugou being unsparing also applies to how he views Villains, at least it could have. He doesn’t approach them with any sympathy because he thinks people have to be responsible for their actions, and Villains, in acting the way they do, are just running away from responsibility. It’s a form of weakness, and he’s got no time or patience for weakness.[1] That’s how I tend to read him, rather than him not seeing Villains as people. While he does use language like that here and there, especially at the beginning, once he starts growing past that “Get out of my way, extras!” stage, I’m a lot more inclined to treat his language as bluster and boisterousness. (Compare it to All For One’s use of the same kind of language, for example—AFO is dead serious about not seeing other people as people because his endgame writing dissolves into pure solipsistic caricature.)
1: He relaxes that militancy a few times in the story—see e.g. the way he softens a little on Shouto after finding out about the whole abusive father+dead brother thing, and how light a touch he is with Aoyama post-traitor reveal, but those are both him being gentle compared to his usual approach, not objectively kind and patient!
And those are my broad thoughts on Bakugou. I realize they’re heavily slanted towards how he relates to Villains rather than e.g. talking about his relationship to Deku or taking sides in the eternal Bakugou Defense versus Anti Bakugou wars, but like, making everything about the Villains is my brand here, so. XD
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we have to thank our brave soldiers in fandom who write gen fics. we have to thank our brave soldiers in fandom who write character studies and stories with no focus on romance or sex. we have to get on our knees and thank the brave soldiers in fandom who write about minor characters and friendship and family with no focus on romance or sex. i know it’s hard to care about characters in a world that seems to only revolve around ships but i see you. and i love you
I tend to use Hiromi's Japanese name a lot, because a lot of meaning is tucked in Japanese names. I feel like the writers base a lot of intention behind it. I generally don't understand it too well, but it's interesting.
It kind of opened up possibilities on how to write her character in different aus.
ヒロミ(Hiromi)
According to google, it doesn't seem to have any meaning, so I went for Hiromi with different kanji.
Hiro is generally supposed to be "generous", "Abundant." She seems like a generous person with how much she wanted to help Takao and the Team.
Also "Open minded" because she was open minded towards beyblading.
Mi is often at the end of a lot of Japanese girl's names, so Mi can be read as beautiful, pretty.
Max calls her cute. Kyoujyu calls her cute. So that tracked.
So uh 裕美?
立花 (Tachibana) or can be read as standing flower.
But it can also be written as "wild orange or mandarin orange"
I suppose that explains why G-Revs had her clothing outfits orange a lot.
Standing Flower is interesting though. It feels like she's stubborn no matter what you throw at her.
the aftermath of brooklyn and takao goes wrong and parts of the world are lost in a dream like dimensions called voids
hiromi, ming ming and raul and few other bladers lost loved ones in that fight. It has been 8 years since.
they and are still searching these dimensions for them as void hunters in a world where governments control bitbeasts and they are treated as “heroes” to save the world.
I was reading your episode notes and can I just say extremely goated to see a agase hakase mention. I didn't realise you were a conan fan, all your fanart is so cute!! (I had seen it before, but only noticed you were the same person just now XD)
i have the craziest love hate relationship with conan but its one of my fav series lol
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There is this one Horikoshi sketch of Aizawa handing out red cards to his whole class. I imagine that — and being dragged into the announcer booth with Mic — is the full extent of his sporting spirit.
Text of tweet under the cut because it is loooong.
But... Stochastic Parrots.
Timnit Gebru was fired from Google in December 2020 for refusing to retract a research paper, and every single warning that paper made about large language models has now happened at a scale the industry spent 4 years trying to make people forget about.
Her name is Timnit Gebru.
She co-led the Ethical AI team at Google. She co-wrote a paper called "On the Dangers of Stochastic Parrots" with Emily Bender at the University of Washington and two other researchers. The paper was 14 pages long. It was submitted to a top AI ethics conference. And it was the reason Google decided that one of the most senior Black women in AI research could no longer work there.
The story Google told publicly was that she resigned. The story she told, confirmed by 2,695 of her colleagues in an open letter, was that she was fired by email while on vacation because she refused to either retract the paper or remove her name from it.
The paper had not even been published yet.
Here is what she actually wrote, and why every prediction inside it has now come true.
The first warning was about scale itself. Bender and Gebru argued that training ever-larger models on ever-larger scrapes of the internet would produce systems that appeared fluent but had no actual understanding of language. They called these systems stochastic parrots because they would repeat patterns from training data with statistical confidence and zero comprehension. The paper predicted that this apparent intelligence would fool both users and developers into trusting outputs that were structurally incapable of being reliable.
This was 2020. GPT-3 had just come out. The paper predicted the hallucination problem before anyone had a word for it.
The second warning was about bias amplification. The paper documented in detail that internet-scale training data contains systematic overrepresentation of dominant viewpoints and underrepresentation of marginalized ones. The models would not just absorb this bias. They would amplify it, because the optimization process rewards confident outputs, and confidence in language patterns tracks frequency in the training set.
The prediction was that hiring tools built on these models would discriminate against women. That healthcare triage tools would underperform on Black patients. That loan approval systems would entrench inequality while presenting their decisions as neutral algorithmic judgment.
Every one of those things has now been documented in deployment.
Amazon's hiring algorithm penalized resumes that contained the word "women" in any context. Healthcare risk scoring algorithms used by major US hospitals were found to systematically underestimate the medical needs of Black patients. Apple Card's credit algorithm gave wives credit lines 10x lower than their husbands for the same financial profile.
The third warning was about environmental cost. The paper calculated that training a single large language model produced emissions equivalent to the lifetime output of 5 cars. The prediction was that the race to scale would create an environmental footprint that would eventually rival entire industries.
In 2024, Google's emissions were up 48% from 2019, and the company explicitly blamed AI infrastructure. Microsoft's were up 29%, same reason. Both companies have now quietly abandoned the climate commitments they were publicly celebrating the year Gebru was fired.
The fourth warning was about documentation. The paper argued that the training datasets being assembled were too large for anyone to actually audit. Nobody at Google, OpenAI, Meta, or any other lab could tell you with confidence what was in the data their models were trained on. This was not a temporary problem to be solved later. It was a permanent feature of the approach.
In 2023, researchers discovered that the LAION-5B dataset, used to train Stable Diffusion and other major image models, contained thousands of images of child sexual abuse material. The companies that had trained on the dataset had no way of knowing. The paper predicted that category of failure 3 years before it was found.
The fifth warning was the one Google cared about most.
Bender and Gebru argued that the deployment of these systems would centralize linguistic and cultural power in the hands of the small number of companies that could afford to train them. The internet would become a place where the dominant voice was a statistical average of dominant voices, presented as a neutral assistant. Languages underrepresented in the training data would degrade over time as more web content was generated by these systems and fed back into the next training run.
This is now happening in real time. A 2024 study found that 57% of new web content in English is AI-generated or AI-assisted. Researchers studying low-resource languages have documented active degradation in translation quality, because the synthetic content fed back into training is itself worse in those languages.
The paper Google fired her for predicted the model collapse problem before model collapse had a name.
The mechanism behind why this all happened is the part of her work that nobody quotes.
Gebru's argument was not that AI is dangerous in some abstract sci-fi sense. Her argument was that AI is dangerous in a very specific structural sense. The technology was being built by a small group of researchers who shared similar backgrounds, worked at similar companies, and were rewarded for shipping products faster than competitors. The incentive structure made it impossible for safety, ethics, and bias concerns to slow anything down. Anyone inside the system who raised those concerns was either ignored, sidelined, or removed.
She was making that argument from inside Google.
Then Google proved her right by removing her.
The team Google had built to make sure their AI was safe was dismantled in 90 days because they did the job they had been hired to do. Margaret Mitchell, the other co-lead of the Ethical AI team, was fired two months after Gebru for searching through her own emails for evidence of how Gebru had been treated.
Gebru did not stop. She founded DAIR, the Distributed AI Research Institute, in 2021. The mission is to do AI research outside the control of the companies that have a financial interest in not hearing the answers.
Every prediction in the Stochastic Parrots paper has now been validated by deployment. Hallucinations are an industry-wide problem the largest labs cannot solve. Bias amplification has been documented in hiring, healthcare, lending, and criminal justice. Environmental costs are larger than entire small countries. Training data audits remain impossible. Model collapse is an active research crisis at every major lab.
The question worth sitting with is the one almost no one in the industry will say out loud.
Every researcher with the technical credibility to call out these problems watched what happened to her in December 2020 and made a calculation about their own career. The number of people willing to speak publicly about safety and ethics issues inside the major AI labs collapsed after that firing and has not recovered.
The researcher Google fired for warning about exactly what is now happening was right.
The company that fired her is now the second-largest deployer of the technology she warned about.
And the people inside that company who agree with her are not allowed to say so.
Sasuke and Sakura are probably the most mischaracterised in the entirety of Naruto. Sasuke getting portrayed as a cold and heartless dickhead who didn’t give two shits about Team 7 when he was a genin, and Sakura portrayed as “abusive” towards Naruto and not giving a fuck about him…
I hate the way people talk about Team 7, just say you don’t get them and go
Oh man, I barely am in Sakura spaces lately, but you really cannot understand Sakura without having basic empathy and understanding that Naruto's universe is essentially a harsh and cruel and frightening world.
And it's Team 7 trying to stay together as family in that world against everyone.
And if you just like watching Naruto for the fights, you don't understand the point of her character or why she and Naruto are obsessed with helping Sasuke. Because they were shifted into a radical position against the shinobi system during Gato's arc. And it snowballed for the rest of the series and went wonky here and there, writing wise, but it is still their position that keeps them together as a team.
I'm trying to get back into writing Trial by Ice (haven't touched it in months due to my hyperfocus on learning art) and thought working on a new reference sheet for Ivor and Kiv would help me trigger that spark.
I can't put into words how proud I am of this! 🥹 Took me more than 30 hours but I learned some really cool tricks!
As always I can't decide my OCs' outfits so I will just follow @niziye's advice and draw them in a new outfit every time 😂💅
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Ten minutes to an important investor meeting, and your former crush/former teammate/CEO/Boss is more concerned about the redness of your eyes that you tried to cover up (from crying too much over a ex)... rather than his face paint and his fish ties.
I don't know if I'll ever get to draw out the full AU, but Hiromi is a young talented elf warrior from 200 years ago, who was the mage who sealed herslef with Zeus who plagued the land, and she tragically cut short her life.
And fast forward 200 years later, a young precocious elf Brooklyn grew up around her memorial as a child, and he unsealed Zeus by accident over the years and awoke her. And he tethered Zeus to himself.
So the two of them are on the run from powerful enemies (the rest of the bakuten shoot world), who wish to take him down. While they try to understand each other based on their respective cultures which are two hundred years apart!
Meanwhile, Brooklyn sort of admires her, and Hiromi doesn't realize it until he gives her some fire-flowers, an old tradition to symbolize loyalty.