Springue land

A commission work.

I got this commission when Mystic Messenger 1st anniversary was coming. I was really really happy when I saw the commissioner’s order. Sadly, due to final exam, I did not manage to finish this piece in time to celebrate the anniversary ọ w ọ

Yoosung has always been my most favorite character in MM. Thank you so much for supporting me and giving me the chance to draw my bae again ọ w ọ

I noticed you like Ditto and Mystic Messenger, @dragonpigeons.

Oh, oops. I mean…

Bad End…?… (some panels aren’t animated)

Based off this glitch I’m currently experiencing (I’m stuck on Yoosung’s Day 11 because every time V tries to introduce him to the party, it ends there ;__; Cheritz fix this please) Also featuring: Yandere!Yoosung  ❤

Hello, MC.

This is Cheritz.

With all your love and support, Mystic Messenger is celebrating its 1-year Anniversary on July 9th, 2017!

How was your year with the RFA members?

We hope your 365 days with Mystic Messenger were filled with happiness, and we prepared a surprise event as a sign of gratitude and love for our MCs.

[1 Year Anniversary Event]

<Date : July 8th~ 10th>

*One-time limited offer on the first login

- 100 Hourglasses

- 365 Hearts

- 24 hours of Free Max Speed

Also during this period of the event, every time you enter the game, one of the RFA members will greet you Happy Anniversary in a special chatroom.

Which character will be waiting for you?

Check out more in the game!

Thank you for spending a year with Mystic Messenger.

Cheritz Games will do our best to become your happiest memories.

Thank you always!

PAYPAL IS TRYING TO SLIP THE RUG UNDER US. Or they may have said this and just no one read about it or noticed/knew.

OKAY SO BEFORE YOU SEND ANY MONEY FOR THAT AWESOME COMMISSION YOU WANT TO BUY FROM THAT AWESOME ARTIST. PLEASE STOP AND READ THIS.

Paypal changed the look of how you will fill out information and send money. Thus, you need to be super careful. Don’t go all willy nilly through and be like “Yeah yeah yeah send” you need to stop when you see this screen right away.

Before you proceed, you will first notice one major thing: your address is showing. What you need to do if you are ordering a DIGITAL WORK (aka, it is being sent to you via the interwebz) is you need to click on your address and there around be a drop down menu of 3 (or more) options:

No address needed

Your Current Address

+ Add a new shipping address

Be sure to select “No address needed”, it is very important that you do. If you leave your address in there, Paypal will assume that you are to receive a physical package. A physical package which needs proof that exists physically. Paypal will want the artist to provide shipping labels and tracking info on said package. This is bad, very, very bad. Artists can get in trouble if they cannot provide these things.

Please, if an artist asks to send you back your money so that you can send it again correctly, do not be offended. You are paying them to do your commission, how can they do your commission with no money?

Then go to order status and set to “Processed/Service Rendered.”

This will let paypal know that the order was a digital good, and no shipping was required.

Hello! This is Cheritz.

Cheritz has made donations with the profit from Mystic Messenger.

https://goo.gl/QOXBcY

We’ve decided to reveal this donation because we want you to know that you have helped to save lives with us. Without all of the global MC’s support, this would have never been possible.

Thank you for being with Mystic Messenger! Please remember you have helped a good cause :)

And… Happy New Year everyone!

SHORT STORY/ONE-SHOT/ONE CHAPTER/COMICS 101 CRASH COURSE RAPIDPUNCHES’ STYLE

I’m NOT an expert but I have some working experience I can share. You need experience to become great. Here is my set of instructions, tips, and notes towards making a 12-page comic.

My method is to work backwards. Personally I work “backwards” because the end is the only wholly necessary page or set of panels in the story. Everything in between is open to editing and hacking as the most important moments are emphasized and chosen.

I even plan/draw the end page first. The end is the last page a reader sees- so spend your freshest energies on making it as epic, memorable, poignant, and beautiful as #$%^&.

If you draw the pages from 1 to 12 sequentially you run the risk of fresh to burnt out- an uneven distribution of drawing skill. (treat the first page and the 2-page splash as you would the last).

Roughly… the steps to making your comic is

WRITE

PLAN THUMBNAILS

DRAW

…BEGIN THE WRITING (DO NOT SKIP NO MATTER WHAT) like this, in this order:

How does it end?

Does the protag succeed or fail?

What is the turning point of their story?

What the protag do that led them there?

Where does it start?

Who is this protag?

EXAMPLE:

Guy gets mauled by a bear.

This is a fail on the guy’s half.

The bear must eat something or he’ll starve to death.

It’s the guy’s fault the bear can’t find other food. He caused the avalanche that buried all the cabins.

The guy is yodeling in an avalanche zone.

The guy is some guy.

CREATING “THE BEAT SHEET” Take the above stuff and reorder it to make sense.

This guy yodels.

Echoes roll.

Snow slides down.

Avalanche buries the mountain.

Cabins are engulfed.

This bear has no access to cabin food and garbage.

Bear eats this guy.

Expand. Blow up important beats for emphasis. Keep less important beats brief.

This guy is hiking in the snowy mountains.

He comes across an avalanche warning sign.

There is nobody around but him.

A dumb expression forms over his face and he yodels.

Echoes roll but nothing nearby is moved.

At the top of the mountain the snow drifts twitch.

Guy, satisfied, hikes away from there still yodeling.

Frozen snow cracks.

Snow puffs billow and great slabs of ice crash down the mountain side.

Guy sees this and hightails it to safer ground.

Animals, people, are all panicking and getting pushed over by the rushing snow.

Cabins are destroyed.

The guy takes cover by an outcropping of rocks, fastens himself securely to the rock face, and waits for the avalanche to die down.

Avalanche dies down.

A lone bear shambles over from the other side of the mountain.

The bear goes to where a cabin used to be (only roof tiles are left). Bear sniffs a dish satellite.

Bear forlornly eats a food wrapper.

Bear tries to dig.

Guy comes down from the rocks he as climbing and sees bear.

Bear stops digging and sees him.

Guy runs.

Bear chases him down.

Bear eats the guy.

BEAT SHEET COMPLETED!!!

After the beat sheet, write up all the sound effects and speech bubbles and conversation/dialogue you want to be in your comic.

Since comics are a visual medium, highest priority is given to the beats. If a story can’t be told with the art without the dialogue– you messed up and it’s time to rethink your life choices.

Try to keep all your text chunks as short as a tweet. Professionally you don’t want more than 25 words per speech bubble and no more than 250 words per page.

Next is translating the beats to pages…

STRUCTURE OVERVIEW:

[1] point of entry, in media res, hero intro

[2][3] conflict. establish conflict, setting, and mood by the third page. [4][5] rising action/false resolution to conflict/investigation

[6][7] turning point/plot twist/epiphany (this one epic image, to page spread is pivotal, spend a lot of effort into creating this)

[8][9] aftermath/“darkness before dawn”/struggle [10][11] recovery/“rise and conquer”/“fall”

[12] resolution/final end/cliffhanger

[front cover][interior] [interior][back cover]

——————–

My maximum per page is nine panels but I’ve seen pages that have way more. I like to have about 3 to 4 panels per row or less but I’ve seen the “rules” broken before. Advanced comic book artists manipulate time with the number of panels and the size of each panel.

remember, DIAGONALS!!! open up an issue of batman, superman, spider man, deadpool or whatever youre reading theyre everywhere.

———-

…DRAW IN THIS ORDER:

Page 12,

Page 6 and 7 (this is typically one large image that takes up the space of two pages),

Page 1,

and then the rest.

ONLY “DEVIATION” ALLOWED:

Page 12 and 1*

Page 6 and 7,

and then the rest.

*Draw the first and last page as a spread in situations where the beginning of the story mirrors the end of the story.

Cover is dead last.

———-

(If at the very end you find out you need more pages and it’s absolutely unavoidable and totally necessary you have to add them in fours. Try to stick to 12 pages for this crash course.)

——————–

FURTHER NOTES:

Plan and draw the pages in spreads (the twos) since this is how it will appear in print and when you submit them to an editor for review guess what, the pages with an exception to the first and last will be reviewed as spreads.

You at most only need one establishing panel of the setting and environment (scene) per page.

Forget “true to life” perspective outside of the establishing panel). Practice diagonal composition of objects and subjects within panels. For dynamism.

You don’t have to present the text all in one go (one paragraph or bubble). You can and should break up paragraphs, sentences, and if you need to single out words– to make smaller, more easily managed bubbles to scatter through the panel.

Less important moments have smaller panels and or lesser detail. More details (or more word bubbles) slow down time. More drawn detail also creates a concentration of values (it’s darker and sometimes combines together as one shape or mass)

Know your light sources. Control the blacks. Control the values.

TIPS | COFFEE? :3 | dA | IG |  ♡ |  ❤ |  ⋆