Hair Drawings by Hong Chun Zhang
noise dept.
PUT YOUR BEARD IN MY MOUTH
d e v o n

Kiana Khansmith
will byers stan first human second
i don't do bad sauce passes
Mike Driver

"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
DEAR READER

oozey mess
Aqua Utopia|海の底で記憶を紡ぐ
NASA

blake kathryn
styofa doing anything
Claire Keane

@theartofmadeline
seen from Canada

seen from Türkiye

seen from Netherlands

seen from Türkiye

seen from Japan
seen from Türkiye

seen from Canada
seen from Australia

seen from Peru
seen from United States

seen from Canada

seen from United States
seen from Italy
seen from United States

seen from United States

seen from Türkiye

seen from United States
seen from Singapore

seen from Malaysia
seen from United States
@spotting-one
Hair Drawings by Hong Chun Zhang

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1907 Christie 20-litre V4 Racer
who does it to you?
Who do you think?
Joan Miro
Blue Triptych, 1961
(Blue I, top; Blue II, middle; Blue III, bottom)
Oil on Canvas
Each Panel 106 ¼ x 139 3/4″
Collection Centre Pompidou
Citroën DS artwork

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George Valmier, Collection Decors et Couleurs, 1930. Editions Albert Levy, Paris. Source
Japanese Book Cover: Avant-Garde Graphics in Russia. Reiko Harajo. 2015
“Fireworks” by Takehisa Yumeji, 1924.
Herbert Bayer. Biology of C.S.C. 1943.
Lucid dreams, Andrew Hem

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Louis C. Kalff, poster for Duplo automotive lamps, 1925. Philips. Netherlands. Source
Martin Lamm, cover illustration for Sir Arthur Conan Doyle - The Hound of the Baskervilles, 1971. Sweden. Via Flickr
BMW Isetta, pages from the 250/300 brochures, 1956. Germany. Via codex99
Isetta
Katty Huertas kattyhuertas
WHAT ARE YOU SEEING?

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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Paintings by Stella Cade
“Cade uses a tactile and sensuous colour palette to explore the human figure and the often-complex relationship between sex and identity. The subjects of her large portraits actively confront viewers through their steely, confident, outward stares; her works are often revealing self-portraits that comment on our highly sexualized culture.”