tw: blood, nausea references, death.
It's the kind of winter that eats you from the inside. The thought comes to Phila unannounced as she stares down her target, her deer. Unawares, it nuzzles a few blades of grass, gaunt and shivering. She can't help it, she hesitates, stares. Almost drops the arrow.
This was a disembowling sort of weather, one that makes it hard to distinguish the inside from the out. All equally frozen. All equally dead, blanketed in the sort of quiet that only accompanies corpses. And here, amongst the corpse-silence, Phila hunts.
Her breath curls out from her lips, and she almost wants to close her eyes, turn away. She still can't quite accept such blatent evidence of her survival. But, as always, her body plays traitor; the next breath always comes.
She draws back the arrow. The feeling of a string taunt against her fingers like a vein, like a harp string, is beginning to grow familiar. The thought makes her swallow thickly, push down on-coming nausea.
Was it such a surprise? These were experienced hands. They used to play for her Grace, on friendlier cold nights. They'd sit indoors, and the Exalt would hum along sometimes, in and amongst the harp. Now, knee-deep in snow, she turns her practiced fingers to their destructive, inevitable end.
Such mockery, to suppose the hands of a solider could ever do more than bring pain. Bows, for all the sympathies they share with the tools of cellists and violins, can only produce symphonies of pain.
She was certain that beforeโฆ her return, she hadn't been quite so introspective. Death was all about hindsight, she supposed. Still, this was a poor example to set. Familiar lines of disapproval deepen between her brows, albeit, self-directed. Soft-hearted Phila, too caught up in her own misery to care for her students.
This was a winter that eats you from the inside. But blood, blood is always warm.
'Gods!' The curse flies alongside the arrow, which goes wide. Her fingers shake. She pretends the trembling is the cold.
Inevitably, the arrow's point still finds flesh and she is well aware of the rest, so she tries to turn away, but the deer, startled, turns and leaps towards the monastery, desperate. She watches it leave.
There's something about the snow that seems to invite blood, and it embraces the stream that erupts from the deers flank like a mother, unfurling a stream of red across the white as if it was the newest market fabric. Haphazard, unavoidable.
She turns and trudges back, her body heavy with the weight of its own, utterly bewildering humanity. Funny how the painful stuff is the most grounding, the most undeniably alive. She knew she was living the second she felt that familiar tightening in her head. Welcome back, Phila, here's a headache. Gods, her back aches. She's so tired.
As she turns into the monastery, seeking someone to aid the search for her unfortunate prey, she almost walks into someone. 'Ah, apologiesโฆ' Her eyes, red like the centre of a flame, meet rusted, cooled embers. Charcoal, practically, mere whispers of a life.
Before her, a man of ice and snow, exiled straight from the winter itself. The biting winter wind could flay the powder-snow flesh from his bones, and leave nothing but cool jagged points, icicles in its wake, if it pleased.
Gods, she had grown far too fantastical in death. This was ridiculous, she was being ridiculous. 'I don't suppose you noticed a deer around here?' She is Phila, captain of the Pegasus Knights. She does not slouch, she is not tired, and she doesn't feel a wave of sickness every time she uses a bow.