May we all know decadence such as this
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Xuebing Du
2025 on Tumblr: Trends That Defined the Year

Andulka

roma★

Origami Around
Cosimo Galluzzi


Game Changer & Make Some Noise
macklin celebrini has autism
I'd rather be in outer space 🛸
Jules of Nature
One Nice Bug Per Day

ellievsbear
he wasn't even looking at me and he found me
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"I'm Dorothy Gale from Kansas"
Mike Driver
YOU ARE THE REASON

shark vs the universe
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@spireisadragon
May we all know decadence such as this

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ehh heck it have some fish
The pills meme but it's things i wish i had
#Happy Labor Day to Shrek I guess
So, this scene is specifically a fuck off to famously anti-union Disney. But it goes beyond the dialogue. Look at Puss on Shrek's shoulders. Puss's movement is counter balancing Shrek's so that he stays up there. It's a lot of movement, a lot of animation, for a character who isn't talking. Every time they have to animate that feather in his hat, that's extra work, extra care, extra money, and that's just one element of the work, there. The animators could have chosen to put Puss on Donkey- look at Donkey's relatively small amount of movement compared to Shrek or Puss. But they didn't, they put him on Shrek's shoulders and they animated him. Why might they do this as a fuck-you to Disney? Well. Disney is not only anti-union, they are cheap as fuck. There's a lot of recycled rotoscoping in Disney movies in the 1970s because they were cheaping out on the process so they didn't have to pay rotoscopers. There are probably other examples, but, they recycle their own work a lot, and I assume most Tumblrinas have probably seen that video of the scenes from Robin Hood and Jungle Book and 101 Dalmations directly compared with scenes from Snow White and several animated cartoons that the rotoscoping was taken from. The reason that Don Bluth left Disney to start his own company (not Dreamworks, but, this is the example that I have) was because on The Rescuers, there were a lot of examples of the whites of eyes not being painted in- you can see it a LOT with Bernard, especially in action sequences. Don was told that the reason for this was that it was too expensive. He thought it looked like what it is, unprofessional and unfinished for a company that's allegedly got Disney money and Disney quality, so he went off and did the math and was like, "It doesn't cost shit." And Disney told him to shut up and stop colouring in the whites of the eyes. So he left. And you can see the kind of "needless" art he did in movies like The Land Before Time and The Secret of NIMH where there's a LOT of attention to detail in the art and in the animation.
We're seeing the same thing here with Shrek and Puss. While talking about union protections for union workers, in a nod intended to stick it to Disney, they are showing animators, "Look. We didn't need to animate this scene like this, you know this. But we did. We spent the money. We're pro union and we didn't cheap out."

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i wonder what they're gossiping about
had to draw them
God gives his hardest battles to his strongest soldiers and I'm dodging the draft
hang on I gotta look something up.
DW I know that one from heart if you need an explanation
Thanks tumblr user i-suggest-vore. I can always count on your for theological literacy wait is there a different reason you like this story
ADHD affects how I experience time, not how I experience attachment. I love you. I miss you. I just don't realize how long it’s been since I last said that, let alone messaged.
I understand that most normal functioning brains need regular engagement to maintain a bond. Absence doesn’t diminish my affection. My silence isn’t neglect or disinterest. It’s time blindness and object impermanence. The contact gap is purely neurological, not emotional. Thank you for being patient with my inconsistency and holding a seat in your heart for me.
On the road to hell there was a railroad car...

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If you are interested in disability and theater or creative accomodations in general, I urge you to watch the Hadestown proshot
Not only is it perhaps the best proshot ever made, constructed with the visual language of a concert film in a way that perfectly suits the material, it was filmed while Patrick Page was recovering from an injury that necessitated putting him in a walking boot.
What they've done with it is so perfect for the character that, if you hadn't been told that it was a medical device, it would look like the costume had always had this sick-ass mech boot. I'm not familiar with the exact kind of boot, because it's not shaped like the ones that I've had to use before (having seriously injured the same leg three separate times). Whatever it is forces his heel not to contact the floor, and they've compensated somewhat with a very high heeled dress boot on the other leg.
As you can imagine, because knees exist, it forces him forward, making him move in almost a goat-like way, and it is sheer perfection. The boot is done up with a bunch of sparkly tubes and bullshit that absolutely nail the aesthetic, and it gives him a weird spindly kind of movement that is so incredibly on point for the character. It only underlines his alienation from everyone else, and were it not for the documented history of actors injuring themselves by portraying a disability, looking at you Dear Evan Hansen and basically every production of Richard III, I would say that we should put every Hades in a sick-ass mech boot
This is not the first time that Hadestown West End had injured or disabled cast members, and the way they handled it here it was masterful and really underlines that you can make accommodations and enhance the work
And also goddamn Patrick Page is a hoss, do you know how heavy those motherfuckers are, because I fucking do
I see a lot of people online saying that Orpheus (Hadestown specifically) looks back because he loves Eurydice so much, that there isn't a world in which he doesn't look back, because the kind of man who wouldn't look back is not the kind of man who would go after her in the first place, etc. It's inevitable because of the strength of his love. But I don't see that as being the whole picture. Textually, it is explicitly his doubt in himself, and in the narrative of his life, that makes him look back: "Doubt Comes In", and he wonders, who is he that Hades would let him win? Who is he that Eurydice would follow him through the dark? Orpheus used to have a very simple, naive view of the world and his place in it. He was single-minded. At the beginning he tells Eurydice he's the man who is going to marry her because...well, that's how the story should go, and he is a poet first and foremost. Then, when he meets Hades, he is confronted by what Eurydice did and what the world is really like. He is shattered by the realisation that Eurydice wasn't just a simple, "pure" victim, but that she signed her life away. He is beaten down and loses faith, he goes into "Is this how it is?" after he's literally already done the impossible by reaching Hadestown on foot. He should have proven his abilities to himself by this point, but things aren't going the way they are supposed to and he doesn't know who he is anymore. He isn't just a boy in love with a girl who sings a song to bring back spring: he's a boy who didn't look back when he should have the first time when she called his name; she's a girl who chose her immediate needs over his grand ideals. His faith in a world where they make it back together is broken. He looks back because he doesn't trust himself or the narrative that he's found himself in. It's even more heartbreaking to me, because the Orpheus he was at the beginning of the musical might not have looked back, but that version of Orpheus doesn't make it out of the Underworld.
And to top it all off, the version of Eurydice from the beginning of the musical, before love softened her hard edges and made her trust him, probably wouldn't have followed Orpheus out of Hadestown. Eurydice really does trust him to get her out, because she's looking for the Orpheus she used to know and she's seen the power of his song and worldview.
Am I rambling into the void or does this make sense to anyone else?
The new Odyssey adaptation has inevitably gotten people talking about a Muppet version of it, and they’re frequently suggesting Kermit as Odysseus, Miss Piggy as Penelope.
I’m sorry but that’s thinking way too small, hear me out:
We need to have Miss Piggy as Odysseus, and Kermit as Penelope.
Think about it… who’s the more fickle, prideful, warlike one in that relationship? Who is absolutely ready to go ham, at a moment’s notice?
It ain’t Kermit
Miss Piggy tied to the mast while Statler and Waldorf heckle her from the sea
But who is the single human cast member in this tale? Who gets to put in an Oscar-worthy performance alongside the Muppets and what role are they to play?
There’s no single human, everyone is a Muppet except for one scene. Circe, played by Janice, turns Odysseus’s crew into humans who still behave animalistic and are all played by Academy Award winning actors.
HOLY MOTHERFUCKING SHIT
HADESTOWN NATION WE STAY WINNING
my eeveelution as wild cat series !!
vaporeon - tiger
jolteon - cheetah
flareon - lion
espeon - eurasian lynx
umbreon - melanated jaguar (black panther)
leafeon - clouded leopard
glaceon - snow leopard
sylveon - serval
eevee - house cat (maine coon)

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my eeveelution as wild cat series !!
vaporeon - tiger
jolteon - cheetah
flareon - lion
espeon - eurasian lynx
umbreon - melanated jaguar (black panther)
leafeon - clouded leopard
glaceon - snow leopard
sylveon - serval
eevee - house cat (maine coon)