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it really is kind of interesting how attached people are to the idea of the improvised line and the genuine reaction in film. nearly every single famous moment or line has some sort of claim floating around that it wasn't in the script and was either made up on the spot by an actor or was sprung as a surprise on the actors to get their 'real' reaction. you know, sometimes people do come up with good lines in advance and write them down, and sometimes people can pretend to be have a convincing emotional response on screen
and EVEN WHEN things were more muted/neutral, the neutrality was OFFSET by ACCENT COLORS and HIGH CONTRAST between the wood tones and everything ELSE
ALSO AMERICAN COLONIAL INTERIORS POPPED OFF, Y'ALL (IN TERMS OF COLOR/COZINESS)
PEOPLE USED WHITEWASH AND COLORFUL TRIM OR EVEN JUST COLORFUL FURNITURE IF THEY COULD AFFORD TO DO SO
AND DON'T GET ME STARTED ON FRENCH AND BRITISH AND AMERICAN WALLPAPERS
"ELIZABETH" YOU CRY, "WHY ARE YOU BEING SO EXTRA THIS MORNING?! IT'S MONDAY"
Because, my friend, my war on GREIGE will NEVER end.
Historic interiors were filled with LIFE and LIGHT and COLOR. ALWAYS HAVE BEEN.
Part of the reason we don't see a lot of textile art is because, frankly, textiles tend to degrade over time - especially ones that had utility! And yes, pigments and weaving and dying all boosted the expense of things, when we were finally reliably block-printing fabrics and broad reams of paper, it was no longer just the wealthy who could afford pretty patterns!
In the Americas, a far wider variety of pigments also became available because of the abundance of... well, a shitton of flora and minerals, some of which weren't as common in Europe.
WHY THE HIGHLIGHTER COLORS? you ask.
CANDLES.
Those colors reflect candlelight and natural sunlight REALLY WELL.
Humans LOVE bright colors, it's NOT just a thing for kids. We live in a brilliant, vibrant, multifaceted world. We ALWAYS have.
(STOP MAKING YOUR HISTORIC SIMS 4 BUILDS BE BLAND. STOP IT.)
1. Lots of people have one but you don't really think about it until they start talking about making waffles and you're like "oh shit they have a waffle maker"
2. Messy as fuck and you know what as far as I see it why even bother when you have pancakes, you don't need to bother with all those fluids and crevices with pancakes
3. WHY DOES EVERYONE AT THE WEDDING THINK YOU NEED ONE
4. Theoretically implied fun with whipped cream until it melts and starts soaking into shit
5. If you don't prep ur surfaces ur gonna have a bad time
6. It's fun in the kitchen but only on like special occasions cause again it's a pain in the ass to clean
I think one important step in decolonizing fantasy is to recognize how wildly anti-environment Europeans became, and how this affects the way we look at the nonhuman world. Like, in England wolves were driven to extinction because they were perceived as threats to sheep. And white people absolutely carried this kind of mentality everywhere they colonized. We see it in people who think rattlesnakes should be killed on sight. And it comes out in fantasy when every kind of creature that's challenging to humans is degraded, unpersoned, and treated like something to kill or keep contained out in the deep wilds.
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It's important to note that Chekhov's Gun was not originally about foreshadowing, but a piece of advice to playwrights about how every element in a play should have narrative relevance. The corollary to Chekhov's Gun is that if a gun mounted on the wall in act 1 is never used at all in the entirety of the play, then it should be omitted from the play entirely.
Very funny example of writing advice that is very specific to its medium getting overapplied outside its scope. Can you imagine how awful set design would be if people tried to apply this to movies. 60 minute post credits scene in the Matrix where Neo has to fire every gun that appears in the "lots of guns" scene
The thing is that sex scenes actually are incredible ways to explore character. People are at their most vulnerable during sex! The way they have sex says a lot of very interesting things about their desires, obviously, but also their psychology, their vulnerabilities, their hopes and fears, etc. It is completely insane to me to think that sex scenes have no value other than to sexually excite the audience. And even if their only value is to sexual excite the audience - SO WHAT?? A movie is supposed to excite and entertain you! Grow up!!!
This was going to be a quick fake poster for an imaginary sequel to Hot Fuzz so I could yap about my thoughts and ideas but I ended up spending days on it which is very unusual for me. My love for the movie still burns strong I suppose.
Anyway, on the Hot Fuzz commentary track Edgar Wright and Simon Pegg talk about how Joyce wasn’t entirely wrong to call Nicolas a fascist and they left a bunch of clues that Nicolas had turned Sandford into his own little police state once he was put in charge. Him wearing black leather gloves in the last scene was supposed to clue us onto him being the new antagonist of the town.
At first I didn’t like that idea because Hot Fuzz was such a comfort movie for me but the more I thought about it the more I liked it. The public are far more knowledgeable about how violent the police can be and a sequel could comment on that.
Below are my ideas and thoughts on a sequel story.
A new recruit, a young woman of color, arrives in Sandford. Ever since she was a young girl she dreamt of meeting Nicolas who has become something of a legend after he exposed the Sandford cult and cleaned the town up. He even seems to be the rare case of a truly ethical police officer who follows the evidence instead of profiling people and isn’t afraid to go for the rich old white people at the top.
Nicolas is very pleasant and even a bit cheeky like at the end of the movie but he’s also much older and acts his age. He introduce her to his police officers who have all been swapped out with younger people. All except Danny. The new police officers are pleasant enough but kinda intimidating, and Danny is like a ray of sunshine at the station. He is a sweet and jovial middle aged man who calls everyone love and sweetheart and his desk is allowed to be messy and cosy for some reason. Weight and Pegg have said several times that Danny is Nicolas’ romantic interest in the movie so the recruit notice Nicolas squeezing Danny’s hand when he introduce him but she doesn’t see a ring on either of their fingers. Nicolas informs her that troublemakers have been running circles around them for months so she came at just the right time.
At first she’s very impressed with Sandford. It’s clean, safe and people are very friendly. But then she starts noticing the cameras everywhere. Some were inherited from the previous force but there’s also a lot of more modern cameras. Then she notice that people immediately change their whole personality when they notice her. She starts putting things together and realize things might not be as idyllic as she thought.
She weren’t sure if Nicolas and Danny were out so she didn’t say anything but while she’s on patrol with Nicolas a shop owner asks him when he’s going to “put a ring on it” and Nicolas tells them he doesn’t want to rush things and doesn’t need the law to dictate his and Danny’s relationship. He’s completely oblivious to how contradictory that excuse sounds coming from him because he’s too convinced that he’s not as much of a stickler for the rules as he used to be.
Eventually the new recruit finds Danny sitting alone at the pub. The owner is very attentive and overly friendly with him which seems to bother Danny but he doesn’t say anything. She has a talk with Danny and he admits that he knows the townspeople are scared of the police now and he feels guilty because Nicolas was always obsessed with the law and Danny taught him to enforce it with violence. Now Nicolas is upending the town in search for the mysterious troublemakers and Danny doesn’t know what to do. The recruit tries to tell Danny that he’s the only person Nicolas listens to but Danny won’t hear it.
It naturally ends with a big climax where it’s revealed that the troublemakers are the old police force who were pushed out and replaced with a new force who is extremely loyal to Nicolas. The old gang confronts Nicolas with what he has done to the town but Nicolas doesn’t believe them. He yells “I am the good cop!” and goes into a rant about him being the one good apple who exposed the rot of the barrel and made Sandford safe and lawful, but when he asks Danny to confirm Danny just says “…People are scared, Nicolas” That completely deflates Nicolas and it clearly hurts him when Danny tells him that the townspeople are even afraid of Danny, that he doesn’t even feel part of the town he grew up in anymore because everyone are walking on eggshells around him, that they see him as an extension of Nicolas. And in a way he wants that. He wants to be part of Nicolas, but not like this. That finally force Nicolas to wake up and see what he has become. The new force aren’t pleased with this and action ensures.
By the end he finally marries Danny and the two of them retire together because Nicolas realize he’s not the new blood the town needs. He’s still nosy and becomes the head of the neighborhood watch but he has no real power anymore.
The question is if the new recruit will manage to police Sandford better or if her era will just have different problems.
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tony's chocolonely mildly pisses me off every time i eat it. like yeah i get it ur doing a whole symbolism thing about unfairness and whatever, but its actually SO DIFFICULT to eat fucking. gerrymandered chocolate. your symbolism is ruining my chocolate experience.
like. ur already more expensive. i understand this. i am willing to pay more money to have slave-free delicious chocolate. why must you punish me further by making it a goddamn puzzle to break a piece off.
Tony's Chocolonely does not ensure a living wage for cocoa workers in West Africa (see 2020 report by Voice Network).
Food Empowerment Project maintains an updated list of chocolate brands they recommend based on the following standards:
transparency about the country of origin for cocoa
if sourced from Western Africa, the workers must own the companies/be in charge of the profits from their labor (this standard is because child labor and slavery have been widely documented for decades in this area)
if sourced from Brazil, the workers must own the company and/or be in charge of the profits from their labor, or the company must be going above and beyond to support the workers and their families (this standard is because "child labor and slavery only recently have been documented in cocoa in Brazil" and they are "giving Brazilian companies that are trying to address the issue by supporting the workers and their families the benefit of the doubt.")
this isn't perfect, obviously, but it is much more grounded in the rights of workers than the various certifications (e.g. Fair Trade, Rainforest Alliance, etc.) you'll see on product packaging
I think it should be noted that the Food Empowerment Project specifically only lists companies making "at least one vegan chocolate product" and that they only ask about the companies' vegan chocolates specifically. Their list is not an exhaustive resource for every type of chocolate.
[Source: "Understanding Our Chocolate List" from their website]
Before I found that link I was curious as to why I didn't see any Norwegian manufacturers on their list(which makes sense now, as their chocolates are almost exclusively milk chocolate) and looked up where our companies source their chocolate from and found Nidar gets theirs from the Rainforest Alliance and Freia from Cocoa Life, both of which have been under scrutiny for not preventing child labour and not paying farmers a living wage among other things. So it appears Norwegian chocolate is out of the ethical picture.
I stated this in the comments of the post already, but it’d probably be better to add it as a reblog, so it’s more visible and doesn’t need to be restated by anyone else in the future.
So, Tony’s allied with Barry Callebut to get its cocoa. Barry Callebut is one of the biggest chocolate companies in the world, and it is unethical, obviously. This led to Tony’s revealing in February 2022 that 1701 child laborers were in their supply chain. Barry Callebut had over 21K at the time. Both of those numbers have risen, and Tony’s has outright admitted they don’t give a fuck about child labor laws when asked about it, content to let children to continue farming their cocoa instead of actually doing the activism they claim to do. (business-humanrights.org, feb 6 2022)
About a week ago, Tony’s joined Barry, Nestle and Ferrero in pushing against the reinstatement of important EUDR deforestation legislations. Under that regulation that they pushed against, they would’ve had to be more transparent about their supply chains for their more key ingredients - So Tony’s is lobbying against the exact thing they claim to stand for. (confectioneryproduction.com, mar 18, 2026)
Won’t restate @closet-keys’s addition, of course. That’d just be redundant and maybe annoying since, yknow, it’s already been said.
If you wanna find a better chocolate brand it’s really damn easy. There’s lists on slavefreechocolate.org of both the ethical and unethical companies. Both lists can be found here:
Below is a list of chocolate companies that only use ethically grown cocoa. Find out how you can tell if the chocolate you are ea
And it doesn’t have the vegan product restriction the other list has, which solves @aloofraven’s issue.
who cares if you don't fully "get" the weird postmodernist novel on your first read, or if the experimental arthouse film is opaque to you on your first viewing? you are not being graded. you are not being scored. there is value in the attempt. every time i've read House of Leaves or watched Blue Velvet, I've gotten something new from it. the idea that you might not "get" something and therefore shouldn't bother with it is so silly to me
so exhausted by how fundamentally anti-human the capitalist world has become. like ageing, getting fat, being slightly inefficient, and making mediocre art are all extremely normal and extremely human activities, why is every corporation trying to convince us to spend all our money fighting that
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