I love this Milo expression because it's so dramatic but also because I feel like it should be one of those panels from when a Danganronpa class trial begins in 2 and 3
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@spectershaped
I love this Milo expression because it's so dramatic but also because I feel like it should be one of those panels from when a Danganronpa class trial begins in 2 and 3
Like so

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One thing re: AI art I think is interesting is that it calls to mind a post Ive seen a while ago about game dev
Specifically, it was about game dev tools that don't require a ton of programming knowledge. The tradeoff, it argues, is that you then have a narrower range of options: if you want to fine-tune something to make it more in line with your specific vision, you end up having to Get Granular, but that's what programming is. Something similar happened tome when I went to implement a new theme for my blog (speaking of: I think I could use a new one but I gotta dig around). I liked the layout, I picked some nice colors for all the stuff, but I ended up having to go straight into the code to adjust stuff like width and space of the elements, despite pretty much any rudimentary knowledge of HTML I got from my school's rather crude informatics classes having been lost in the ether
I think there's something to be said about every medium for art having its own limitations (like digital drawing and the monitor-feasible gamut or on-paper illustration and the available gamut for print when you're distributing it), but AI seems like something that's harder to tweak without doing these adjustments yourself, which I admit is different from, for example, the shape tools you find in a drawing program
people love the social cantagion/"only contagious mental disorder" model of restrictive disordered eating because it's a very clean comfortable pleasant way to ignore the fact that disordered eating is quite often just the most logical response to being inundated with the message that fatness is morally and medically repugnant, socially unacceptable, sexually repulsive, a fate worse than death -- and you can see this in the very way people express concern for the visibly anorexic, lamenting that they "weren't even that fat" and "didn't even need to lose weight." these are things you will never, ever hear if you're fat and your anorexia almost kills you, btw
like i think that "role modeling" and the glorification of dangerous thinness play a part in this, i do think it's irresponsible to model this behavior for young women, but placing the whole weight of disordered eating as a phenomenon on the shoulders of ariana grande or any similar figure falsely locates the problem within the superstructure. your average teenage girl is being put less at risk by waiting starlets than they are by constant, grinding, "well-meaning" daily fatphobic jabs about food and their weight by their parents, teachers, doctors, siblings, classmates, friends etc. and moreover by the general observation that life is actually made crueler and materially harder for fat people
Remembering how a few weeks ago I casually asked a couple friends, after seeing this year's Artfight trinary, whether they though I was more Comedy, Tragedy, or Mystery. and then I realized I had been chattering away about a character literally called The Great Unknown the day immediately before. I mean, I knew which team I'd be, I was just curious, but. good grief
gemmys

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how manual wheelchair users move (explainer for non-users)
frequently when i’m out and about with someone walking, they can’t anticipate what path i will take and therefore they’re in my way pretty frequently. this is fine! i can politely ask them to step to the side. but it makes me think about how little non-wheelchair users understand the way wheelchair users move. as someone who used to walk everywhere, it was an adjustment period for me to figure out how to navigate the world in a chair. here are some things that didn’t occur to me so that you don’t cut off your friend right as they’re building momentum to go up a ramp 😆
for context, i use an active manual chair. the world is very different in a power chair. even among active manual chair users, there is a huge diversity in physicality and strategies for getting around. this is a general guide that i think will apply to most manual wheelchair users. i’m starting super basic and getting more complicated as i go.
———
1. manual wheelchairs are a momentum game. it is very easy to maintain speed and direction. but speeding up, slowing down, or turning, is hard. one thing this affects is if we’re on a wavy sidewalk or other twisty-turny walkway, that is a pain in the ass and i am taking as straight a path as i can.
2. wheelchair users also have to pay attention to the slope and condition of the pavement, so our path somewhere will be different than yours, even if we’re taking the same route to the same place. for example, i usually have to go down slopes straight, not diagonally, to avoid tipping over sideways. one area this affects is crosswalks. many intersections have one curb cut for both roads you could cross, which means i will go down curb cuts to a crosswalk as if i am aiming for the middle of the intersection.
your path in orange, mine in blue. to you it seems indirect, but to me it’s the path of least resistance.
i also will be building speed in the second half of the crosswalk. this is a much easier way to tackle a ramp. if i approach with momentum, i won’t have to drag myself up the slope once i get to it.
3. building momentum and maintaining it is only half of the job. the other half is stopping. manual wheelchairs cannot stop on a dime if they’re moving with any kind of speed. if i tried to stop immediately when going downhill, i would fly out of the chair. so don’t walk right into the path of a wheelchair in motion and then stop! i will have to turn to the side very quickly and hope i don’t tip. i can’t tell you how often parents pushing strollers will stop their stroller directly in my path and then get offended when i am alarmed and turn sharply to avoid hitting their child. from their perspective, i was being careless and going “too fast.” in reality, normal walking speed takes a few feet to slow down from and stop.
4. in terms of slope. see this street in san francisco?
i can’t go down this street, it’s way too steep. i would give myself friction burns on my palms trying to control my speed. if i was in a situation where there was no avoiding this street, like in an emergency, i would be breaking my straight-slope rule and zig-zagging in the middle of the road.
this would require several zig-zags back and forth, more than the four that i drew. i also could not go up this road other than with this method. up or down, i risk tipping over sideways if i’m not careful.
4. in a similar vein, consider terrain. slopes with grass or carpet take huge amounts of energy to get up. this grassy hill isn’t insurmountable, but it would take me like thirty minutes to get up there. honestly i would probably go backwards, because it’s easier to pull yourself up a slope than push yourself.
other types of terrain can be completely immobilizing, though. this decorative gravel pathway is beautiful, and inaccessible to me. my casters (front wheels) simply will not go through that.
5. in terms of walkways and obstacles. if there’s a deep gap in the pavement lined up the way i’m going, and it’s, say, an inch wide, that is an obstacle for me. my casters are one inch wide, and my back wheels are an inch and a half. i’ll get stuck in it like a train on a track.
i have to straddle this, even if it means being too close to the middle of the sidewalk and preventing us from walking side by side.
similarly, if a crack is greater than an inch high, i’m gonna wheelie over it. at two inches, i have to. a wheelie may require a change in speed, either faster or slower depending on the person.
i have 4 inch casters, so a lip as little as 2 inches will stop me in my tracks. a lip as little as one inch, hit with any speed, can knock my casters out of square. casters can get knocked out of alignment pretty easily depending on the chair. i’d rather not have to pull out an allen wrench and a level, so i’m gonna wheelie.
this happened when i hit about a 1.5” lip on a pavement crack when i was going downhill at maybe 3mph.
6. putting it all together. see how diagonal this crack is?
this is another situation where i have to go straight relative to the slope. because that crack is wide, it will probably also require a wheelie. if i tried to approach that straight relative to the sidewalk, my left caster would get up the slope, i’d wheelie, then my right caster would land in the crack. i have to go this way.
(also lol at the trash can blocking the curb cut)
these are just a few things to keep in mind when walking about with a wheelchair user! ofc the best strategy always is just to listen when someone asks you to move out of their way 😆 but i think being able to anticipate movement a little better will help it seem less random. feel free to ask any questions!
Another WHN detail I just now realize is very funny is how, based on what we're shown, Milo's soft pastel blog is interspersed with agonized vent posts about having had his life and future and psyche destroyed and Gage's blog chock full of IRL gore and self harm pics is filled with "love my Crime Boyfriend <3" posts
What a lovely little post you have here! *Drinks up its wordjuice to add it to my lexicon like some form of Vernacula*
*Sinks my teeth into your vocabillaries*
Been thinking about a very specific trope-like thing I've seen mostly in webcomics - and often in an understated way - but which I really dig. There's a lot of adjacent or edge cases so it's a bit fuzzy but the gist of it is as follows:
a) a character attains a Power of some sort, often with little say in the matter and no real connection to it or its source; it could be an abandoned or stray sorta-symbiotic weapon, it could be a random burst of Weird Energy, it could be a distant lineage thing, this kind of situation
b) the power is not explicitly sapient in any way, but it doesn't feel Yours. There's something about it that feels alien, literally or otherwise
c) the power is not a corruption; in fact, it's a boon. It allows you to help people, and you do more or less like doing that, right? Or at least it seems like the right thing to do. There's a sense of purpose there. Whether it's 100% yours - whether it can even be - is another matter, paling in significance
d) It's partly about responsibility but it's not just about the weight you have to bear, self-imposed or otherwise. It's something else. It's seeping. It's extricating.
d) It's wrong. It's right. It's a blight. It's an improvement. It's not what you want. It's what you wanted, what you needed, all along. It's revolting. It's beautiful. It's foreign. It's fitting. It's destroying. It's creating. It's tearing. It's mending. It's meaningless. It's a godsend. It's nothing to you. It's everything to you. It's alienation. It's belonging. It's a downward spiral. It's a virtuous cycle. You can't really accept this. You must accept this. This isn't all of you. There's no way to tell what is or isn't now. You don't want to be changed. You were going to anyway, just like everything. It's not what you want to be. You don't know what that would be otherwise. It's not you. It's what you are. It's horrible. It's wonderful.
???) ...What's to become of you in the end?
...Anyway, yeah, I think this has Da Juice for me. You can see this in StarHammer, Skin Deep, Monster Pulse, White Noise, Witchy and so forth
It can be about a lot of things... Autonomy, selfish/selflessness, the self vs. the other, potential (and its "squandering"), desire and authenticity, change and control, self-development, personal identity, dysphoria, one's sense of ownership/agency...
while i'm in my umineko era i GOTTA draw the funny detective girl. it's what i do

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anything u think about YOUR life after 10pm is bs to be ignored. anything u think about a character’s life after 10pm should be posted about online and expanded on for paragraphs. :)
A quick chat after some illicit interdepartmental relations at the Evil Alien Space Mining Company
The other day I was reading someone explain Lacan's "objet petit a" and almost right away went "waou... it's just like TGU from Paranatural" so that's how it's going I guess
I think one of the biggest brain blasts [100% complimentary] I've seen recently from the What Happens Next commentariat is the thematic connection I had never made before between Milo being hounded by his transitioning and Milo being hounded by the gruesome thing he did. To the KF crowd, he's liable for mutilating a young girl's body but also for "mutilating a young girl's body"
The other day Youtube rec'd me a HS lyricstuck set to Little Pistol by Mother Mother, and I'm only mildly embarassed to admit it kinda did touch me. Honestly, as much as MM is as inextricable from early 2010s Tumblr as Tally Hall at this point, I do in fact like both of them. They just hit some specific Textures

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I think the funniest subtle reveal in Ava's Demon is that Gil is human. They've just got blue Homo sapiens in the ADverse
I simply can't straightforwardly agree with the idea that WHN is "about" The Online being a cesspit. It's pretty unflinching about the bad stuff but it's also very much about queer people who might not have understood themselves as such otherwise. Like. Do you think having a Tumblr is the thing that made Milo's life miserable