The Harbour at Marseilles, 1906, Paul Signac
Medium: oil,canvas
https://www.wikiart.org/en/paul-signac/the-harbour-at-marseilles-1906

Game Changer & Make Some Noise
KIROKAZE
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Product Placement
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todays bird

Kiana Khansmith
PUT YOUR BEARD IN MY MOUTH
Show & Tell
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Love Begins
Xuebing Du
art blog(derogatory)
Aqua Utopia|海の底で記憶を紡ぐ
taylor price
Jules of Nature
Claire Keane
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The Harbour at Marseilles, 1906, Paul Signac
Medium: oil,canvas
https://www.wikiart.org/en/paul-signac/the-harbour-at-marseilles-1906

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Fernando Best Pontones (Mexicain, 1889 – 1957)
Young peasant woman (in the lagoon) (Joven campesina (en la laguna)), 1919
Oil on cloth, 84 x 64 cm.
Dope…Yak in Tibet by Vincent Munier
Colleen Tighe
Mount Rainier, Washington

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FREUND, Hermann Ernst Girl Picking Flowers c. 1840 Marble Statens Museum for Kunst, Copenhagen
Akika Kurata’s “And It Will Be Winter” at Corey Helford Gallery.
Currently on view at Corey Helford Gallery in Los Angeles, California is artist Akika Kurata’s solo exhibition, “And It Will Be Winter.” The stunning work will be on view until February 16th, 2019 and should be sought out if in the area.
Be sure to follow Supersonic Art on Instagram.
Beautiful Axe From A Danish Vikings' Tomb
In the winter of 970 to 971 CE, a Viking magnate was buried in a chamber grave in Mammen, Denmark. He lay on two down cushions inside a wooden coffin. It’s important to be comfortable in your eternal resting place. With him were symbols of his power: an expensive outfit of red and purple silk with blue and red embroidery, a large wax candle, a bronze bucket and two wooden buckets, and a ceremonial axe inlaid with silver decorations.
What does his tomb tell us about this man? It is unclear if he was Christian or pagan. The decorations on the ceremonial axe could be interpreted either way, but the wax candle was likely a Christian symbol, so its more likely than not that he was Christian. The fine quality of his grave goods, and the timing of the burial, suggest the Viking belonged to the circle around King Harald Bluetooth.
Wilhelm Sasnal (Polish, b. 1972)
Forest, 2003
Oil on canvas
Hauser & Wirth, Zurich/London
spectrum… (by andy dauer)

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Takeoff. Buenos Aires, Argentina.
Medusa (1892, 1908) Franz von Stuck
stefan zechowski
Grisaille Panel, The Cloisters
The Cloisters Collection, 1969 Metropolitan Museum of Art, New York, NY Medium: White glass, pot-metal glass, and vitreous paint
http://www.metmuseum.org/art/collection/search/471890

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The Subjectivity of Color
An Early 20th Century Guide to Wave Designs for Japanese Craftsmen is Now Available Online