Amour et Esperance (Love and Hope)ย ~ 1871 ~ย Jean Louis Hamon (French painter, 1821-1874)
Misplaced Lens Cap
Today's Document

shark vs the universe

JVL

Kiana Khansmith
we're not kids anymore.
tumblr dot com
Lint Roller? I Barely Know Her
YOU ARE THE REASON

if i look back, i am lost

pixel skylines
Monterey Bay Aquarium
d e v o n
Stranger Things
Claire Keane
macklin celebrini has autism

โฃ Chile in a Photography โฃ
Show & Tell

seen from Germany
seen from Ecuador

seen from Argentina

seen from Malaysia
seen from Bolivia
seen from Uruguay

seen from Uzbekistan
seen from Spain

seen from United Kingdom

seen from Malaysia

seen from Malaysia
seen from United States
seen from Canada

seen from United States
seen from United States
seen from Germany

seen from United Kingdom
seen from Belgium
seen from United States
seen from Chile
@soopertrack
Amour et Esperance (Love and Hope)ย ~ 1871 ~ย Jean Louis Hamon (French painter, 1821-1874)

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Lava flows from Mount Etna on Aug. 28, Marco Restivo, 2025
Franz Wright, from Walking to Martha's Vineyard; โFlightโ
Pre-Columbian Masks.
้จใจ็ท // Rainy and greenery // Kamakura, Japan โก

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UNETHICAL โ Faouzia
M Fatchurofi
โYou must learn her. You must know the reason why she is silent. You must trace her weakest spots. You must write to her. You must remind her that you are there. You must know how long it takes for her to give up. You must be there to hold her when she is about to. You must love her because many have tried and failed. And she wants to know that she is worthy to be loved, that she is worthy to be kept. And, this is how you keep her.โ
โ Junot Dรญaz, This Is How You Lose Her
Kay Seohyung Lee (Korean, 1995) - Club (2024)
Kay Seohyung Lee (Korean, 1995), Club, 2024. Oil on wood panel, 24 x 36 in.
not now bro iโm accepting things i cannot change

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Talking Heads (1980, dir. Krzysztof Kieลlowski)
โAnd like everyone, I took, I was taken, I dreamed, I was betrayed.โ
โ Louise Glรผck, excerpt from โThe Seven Agesโ.
Leif Engstrรถm (Swedish, 1992) - The Invisible Weave (2024)
Leif Engstrรถm (Swedish, 1992), The Invisible Weave, 2024. Oil on canvas, walnut frame, 81 x 118 cm.
i do think lobbying for data centres over climate goals should be considered a crime against humanity btw

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its all one big humiliation ritual no matter what you're doing