Brainrot, seconda parte
The Italian brainrot capsule machine figures had been haunting me, as whimsical things between 1 and 3 inches tall are wont to do. I went back to the market on my next morning walk, stuck my quarters in the machine... and it jammed. Playing double or nothing seemed foolish, so I mulled over what it is that appeals to me about the things.
Meet Bernadetta Bobina and Zucca Malata.
My logic was that I really wanted two things. One was the surprise of using a capsule machine, which was now a non-starter. (But the happy acquisition of Ulbain-Ulunn the Pink satisfied that need.) The other was that what I really wanted was surreal peg people compatible with my vintage Fisher Price Little People. Since Mattel is unlikely to do anything about that, it was on me to produce my own.
Their bodies are the peg-person blanks that came with the extra Creatology house that I'm fixing up as their workshop. Everything involved with them is something I already had in the house.
Bernadetta Bobina is obviously an historic costumer. She has a slice of vintage fringe for hair, the two halves of a garment snap as either earrings or hearing aids, safety pins for arms, and straight pins for either hair ornaments or antennae. She is standing on a button for stability, as her narrow base and wide head were making her likely to tip.
Zucca Malata is an avant garde DJ and burlesque artist who always performs wearing a pumpkin head. Giving her bone arms was irresistible, so these girlies ended up as a missing evolutionary step between vintage Little People and modern ones. I was looking at ribbon to hide arm glue, dismissed the shiny roll because it looked too much like pasties, then decided that was the direction to go.
While there's a definite "I wasn't allowed to buy the same branded toys as the cool kids in first grade" vibe to all this, I enjoyed constructing them immensely. I don't usually do surrealism or monsters, so it was a fun exercise.
Their workshop building is still in progress because I looked up how long stain takes to dry and learned that I can't add paint or sealer until it's had at least 24 hours. The bottom floor will be a sewing workshop (thus allowing me to display the vintage Marx sewing machine table in the stash) and the top floor will be a recording studio (thus providing a home for the tiny soundboard I built about 10 years ago).

















