Siouxsie Sioux as Bastet (1988 photoshoot)
$LAYYYTER
One Nice Bug Per Day

oozey mess
Jules of Nature
h
Aqua Utopia|海の底で記憶を紡ぐ
Lint Roller? I Barely Know Her

⁂
Three Goblin Art


blake kathryn
KIROKAZE
Sweet Seals For You, Always
Game of Thrones Daily
he wasn't even looking at me and he found me
🪼

Kaledo Art
"I'm Dorothy Gale from Kansas"
Cosimo Galluzzi
let's talk about Bridgerton tea, my ask is open
seen from Brazil

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seen from Morocco
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seen from United States

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seen from United States
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@slobozan-shitposting
Siouxsie Sioux as Bastet (1988 photoshoot)

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siouxsie 🖤
Siouxsie Sioux as Bastet (1988 photoshoot)
Why does no one else talk abt this trope??? Very niche but I’m literally obsessed with it
Additions you may enjoy!
Souko Morinaga, Natsume's Book of Friends (subtext/implied)
Perfuma (She-ra, confirmed wlw by creator, heavily implied in show)
Anthy Himemiya (Revolutionary Girl Utena, canon, tending the flowers etc isn't necessarily a positive thing for her in this case, which is interesting, but flower and roses and gardening are a big part of her character)
Miorine Rembran (Mobile Suit Gundam: The Witch From Mercury, canon)
Alice and Hanako (Goodbye, My Rose Garden, they spend a lot of time in the garden at least, canon)
Tons of magical girls have sapphic undertones and flower or fruit associations, though keeping it to the person in question actually likes/tends plants, Cure Blossom and the rest from Heartcatch Precure stick out.
That's just off the top of my head, I can likely think of more later, anime generally has a lot of examples because of the yuri relation to lilies and roses in particular.

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when I first watched utena I noted how peculiar it was that people depicted in their coffins were always curled up in a fetal position instead of the typical coffin position of lying on their back with their hands crossed over. it just hit me now that it probably has to do with the egg speech given at the start of the student council sequences. the one inside the coffin shows the chick that died without breaking the shell, or being born. the coffin shows the safety of eternity at the cost of never growing or changing. the coffin is the egg that doesn't crack. the juxtaposition of the egg (new life and potential) and the coffin (death and stasis). the ending of Utena is open-ended, as Anthy has emerged from her coffin and has cracked the shell of the egg/her world, and now she's creating a life of her own. the coffin seems eternal but it can be escaped, that's why they aren't posed as if already dead. oh my god
Esther, I'm trying to take a photo. Any chance you could look around?
Forward, Esther. Face forward. At the camera.
You know what, good enough.
by KEMI
art republished with artist’s permission // not allowed for AI training
Watching Utena is like having a major life event and you're left forever changed and a little haunted. I'm not sure how else to describe it.

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I posted it on r/shoujokakumeiutena, but I think this is an interesting thought, so I'll leave it here too.
[...] Mamiya's arc (the real one, not boymodind Anthy) is about ableism and death denial. His sister Tokiko neither lets him live (attend classes, hang out with his peers, socialize, etc) nor, by extension, die - she treats him like a fragile glass vase. Yes, out of love and care, but their story begs an interesting question - is it love, if their agency and desires are not taking into consideration?
That's the full text. Maybe I'll write a longer one, I have many thoughts about them, but for now it is what it is.
I posted it on r/shoujokakumeiutena, but I think this is an interesting thought, so I'll leave it here too.
[...] Mamiya's arc (the real one, not boymodind Anthy) is about ableism and death denial. His sister Tokiko neither lets him live (attend classes, hang out with his peers, socialize, etc) nor, by extension, die - she treats him like a fragile glass vase. Yes, out of love and care, but their story begs an interesting question - is it love, if their agency and desires are not taking into consideration?
goodnight, himemiya
To me, this is the thesis of Alien Stage. For each duo and in more ways than one.
For Ivantill, Till might never have loved Ivan romantically, though we do have indications he may have. Either way, he didn’t love Ivan the same way Ivan loved Till. He didn’t obsess over Ivan the way Ivan did Till. He didn’t want to accept Ivan’s sacrifice the way Mizi accepted Sua’s sacrifice, but Ivan forced it on him. Till’s love was different from Ivan’s, but does that really matter? It was love, too.
Interestingly enough, Luka has both Hyuna and Hyunwoo’s hearts. Despite everything, Luka lived. Hyunwoo initiated the fight between them, and Luka reacted violently, which led to Hyunwoo’s death. Luka was shot at, and Hyuna took the bullet, killing her. Luka has lived in spite of everything because of their deaths. Hyuna loved Luka, but her sacrifice was one made partially out of revenge. Luka may have loved Hyunwoo when they were friends as kids, but he still killed him. He may have loved Hyuna, but he still hurt her. But it was love. Nonetheless, it was love.
And, of course, Mizisua. Mizi didn’t love Sua in a way that propelled her to sacrifice herself for Sua. Sua’s love was the kind that made it impossible for Sua to live without Mizi. If you recall their mental strengths, Sua’s is extremely low while Mizi’s is strong. Mizi knew Sua couldn’t handle if Mizi died. Mizi underestimated just how much Sua’s death would ruin her, but she was willing to bear it so Sua didn’t have to bear losing her. She might not have been willing to die for Sua, but she gave Sua a gift, too. She let Sua give Mizi her sacrifice. And that’s love. That was love.
Even Mizi’s monologue about Hyuna is riddled with the weight of this theme.
Mizi is bitter because Hyuna fought for so long for humanity—a wider concept than Mizi can perhaps even comprehend, having lived isolated and then in ANAKT her whole life. She fought for something that seemed to mean so much, and then she threw it all away for Luka, a man who Mizi seems to loathe and whom she thought Hyuna loathed too.
Mizi is angry because Hyuna’s love, Hyuna’s sense of justice, required sacrifice. For humans, and for Luka. Mizi’s lingering bitterness over Sua’s decision transfers to Hyuna, because why? Why does your love demand you to die for it for nothing?
But it wasn’t for nothing.
Because even though Sua sacrificed herself for Mizi, and Hyuna risked her life to save her and then died for Luka only ended in Mizi’s death by her own hand—Luka either dying and being replaced or continuing to be imprisoned by the aliens for entertainment—
Even if Hyuna’s love for humanity and belief in their freedom only led to children in museum displays rather than stages—
It mattered.
Mizi still destroyed the competition that ruined her and Sua. She still cemented Ivan’s sacrifice by saving Till.
Hyuna still got her justice. She stopped running. Even if Luka remains trapped, his life still means something.
They all loved each other and the world differently, but it was love too. And it’s never for nothing.

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Well... Alien stage is surprisingly good. I wish there was more of it 😭 I need something to chew on
Well... Alien stage is surprisingly good. I wish there was more of it 😭 I need something to chew on