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@sleepyokra

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Cultures being used as Fashion Statements
So earlier today, my friend decided to ask me about a fashion brand called ‘shop inu inu’. As someone who is half Japanese half Chinese, I thought it strange at first that their brand meant ‘shop dog dog’ in Japanese. So I visited their page and this was what I got.
https://instagram.com/shopinuinu/
I looked at their clothes and
This shirt as I assumed was supposed to say 他媽的累 which literally translates to ‘fuck tired’. So yeah, cool, they were probably trying to say ‘fucking tired’ and it was a bit off. But then I scrolled further down and
‘水加したまま’ which 水加 in Chinese would’ve meant ‘water added’ but then again it would be grammatically incorrect because it should be 加水 so the other way around, but even then, they mixed chinese with Japanese. Oh so what they mixed Japanese with chinese so double the Asian languages, cool right? No, it really really isn’t. It doesn’t make sense.したまま means ‘only did’ so what are they trying to say, ‘only did water addition’? Even in Japanese, there is no such word as 水加. We borrow Chinese characters in our writing, but even then the meanings are slightly altered between Japanese and Chinese cultures.
Those Japanese and Chinese characters on the shirt? ‘ぼエカ姐’ which my friend told me about, when she saw the last character which meant ‘sister’ in Chinese. She started suspecting it really didn’t mean ‘fuck off’ in Japanese. ぼエカ literally has no meaning, a mix of random hiragana and katakana. So technically people who wear this are just wearing gibberish.
‘ラメン’ which should be ラーメン, and 引きこもり which means ‘recluse’.
‘がんばって!’ which means ‘good luck!’ on the milk shirt, and みるく which is ‘milk’ on the pocky box shirt.
ご飯の団 meaning ‘group of rice’, 飯 which is written incorrectly as on the shirt, the character is printed in a simplified form of Chinese. Only in Chinese are there different forms of the characters: they are either in simplified or traditional form. So they basically blended chinese with Japanese, which, once again, is just throwing around meaningless, senseless alphabets/characters. いたずら which means ‘prank’
最小限の自然 ‘minimum nature’
So I think the examples are enough. So I thought: to non-Japanese/Chinese readers who support this brand, these designs probably look cool to them, but when you translate them to English, they wouldn’t make sense, would they? It’s quite obvious that from the way the brand 1) pairs up these Japanese+Chinese words with images that have nothing whatsoever to do with them, and 2) carelessly print out the phrases and characters with no correct grammar at all, that they’re just treating our languages as an accessory.
In my opinion, if anyone’s going to make any reference to our culture, I really want people to understand that our cultures are not here just to be other cultures’ or anyones’ fashion statement. We sometimes see non-Japanese people wearing Kimonos, or non-Chinese people wearing Cheongsams (cantonese pronunciation for the term 長衫) and honestly, it’s okay for people to wear these to show that they’re interested in our culture, that they respect and want to be a part of celebrating it. But we really need them to understand that if they want to pay tribute to our culture this way, throwing it around and meshing it with other languages/cultures is incorrect, not okay, and racist. By meshing Japanese and Chinese together and being careless enough to not double check, they are basically saying ‘Japanese and Chinese are really similar, oh what’s the difference? They’re both Asian, they’re the same’ which is stating that we have no cultural diversity of our own, and that they have no awareness or respect for our individuality. I personally feel offended by looking at this fashion brand, and commenting really doesn’t do me any good because there are butthurt supporters that help them hide behind the ‘it’s not their first language leave them alone’ or the ‘at least they tried!’ card.
This is amazing

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“The Gothic Bride” by Bhumika Sharma (Spring/Summer 2016)
Marchesa Spring 2017 RTW
week 2?
I guess I’m already losing count of the days. I just came back to Yangon from a week of traveling the north and wow so beautiful. I visited family in the capital and I really never knew how huge my family really is. They are so sweet and loving, I am so lucky to have them in my life.
My uncle is still taking me around to meet of all his friends. My Burmese is a little better so I can’t understand bits and pieces of conversation, but I still can’t speak. I hope to start studying with some books tomorrow. I met a wonderful woman today who said she could take me to Thailand for one weekend! She works for an airline so she offered to take me sometime. So many connections with people now, but few if any are my age.
My uncle leaves tomorrow and I move into the monastery on Wednesday. I hope to make some friends around the town, but the language barrier and the fact that people don’t really talk to foreigners is still a problem. But I’m being positive!
I’m a little sick right now, so I’m going to go rest. More small updates soon.
day one: arrived in Yangon at approx 11am! The city is beautiful, the people are beautiful, and (of course) the food is wonderful. I've consumed so many of my favorite foods in the past 12 hours I don't think my body can take it. First order of business after food, I bought a lot of longyi so that I could blend in better. (I dyed my hair brown earlier this year after I found out I would be coming here, so that helps too) It's so hot and humid here, so the longyi will help with staying cool (in both temperature and style). I'm a little terrified and in awe of the driving here. Many of the cars are imported from Japan, so the steering wheel is on the right side of the car, yet the driving lanes are the same as the US--stay on the right. Also, people are very aggressive drivers, but very good at maneuvering quickly. They put LA drivers to shame. I would attempt, but honestly I am intimidated. I wish I knew more Burmese so I could speak with my family and to meet new people. I mean, it's only been one day, but I have realized that making friendships is extremely difficult when you don't speak the same language. Gotta find a crash course since my family isn't very good at explaining Burmese to English lol. I was told that I don't look Asian. I was already quite aware that I didn't fit in firstly as a tourist, and secondly since I didn't look like everyone else. However, this comment strikes me in the worst way. More on my identity crisis to come. I'm too tired from jet lag to into it. But basically, I have struggled with my identity as a Half Burmese/Half American woman for all of my life. A part of me thought I would find a place here in Yangon, surrounded by all these people who share my mother's/my culture. I guess being a halfie means neither of your cultures will recognize you, so you don't really fit in anywhere. But again, it's only one day and the positives outweigh my personal, internalized discomfort. I don't know if this post makes any sense, but I am so happy and so grateful that I've finally made it to Myanmar. I cannot wait to see where the next two months take me.

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some sketches that I drew in Moscow’s Paleontological Museum
this place is neat!!!
Artist Kimsooja transformed the Crystal Palace of Madrid with diffraction film and a mirror floor
via reddit

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A SIDE OF RICE is now accepting submissions for Issue #00 – Oh, the Places You’ll Go!
A SIDE OF RICE is a zine created by Asian Americans for Asian Americans. We want to celebrate and investigate the people we are, and the things we do. Our goal is to build a creative space where people feel encouraged to grow and innovate, both individually and within their communities.
We’re looking for contributions that critically explore what it is to live out radical Asian American politics. We encourage you to submit your art, prose, poetry, guides, recipes, articles, and op-eds that reflect on our first theme – the politics of travel. As diasporic peoples, what does displacement mean to us? What has travel done to us, and what have we done through travelling? Got any travel tips or guides? What does your sketchbook look like when you visit a new place? What songs do you listen to while commuting? How do you feel about movement, in terms of immigration, emigration, tourism, trade, or pilgrimage? We want to hear and see what you’re thinking about these questions, and any others you’ve been mulling over.
We accept submissions that are not written in English and will not require you to translate for publication. For more details, look at our submission guidelines or contact us directly. Submissions should be sent through the official form. The $2 submission fee all goes toward printing and distribution costs, as well as paying contributors for submissions we select!