if only Gyatso had run away with Aang
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Jules of Nature

pixel skylines
Xuebing Du
noise dept.
Three Goblin Art
styofa doing anything
Peter Solarz
tumblr dot com

#extradirty
h
KIROKAZE

blake kathryn
wallacepolsom

Andulka
DEAR READER
i don't do bad sauce passes


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@sleeplifey
if only Gyatso had run away with Aang

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water and wind
I’m still gonna stand on this hill and I’m willing to die on it: this was Mike’s “Oh.” “Oh.” moment.
JUST LOOK AT HIS FACE BRO
the 13th card

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@ringedplanetsaturn my homie thank you for the horrendous suggestion
SINNERS By comic artist, Rombutan
mike holds will's hand until he falls asleep
little broppy for my visdev final ^_^
reminiscing how good we had it with s4 byler lowkey

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the girl who won’t grow up
seeing all the leaked screencaps of the aged up gaang got me thinking about yue </3
(no reposts; reblogs appreciated)
we'll meet again don't know where, don't know when
He’s calm but not weak.
I LOVE GAANG SMM!! And yes, Suki is part of gaang. I can’t stand the suki under representation. I love my queen sm. ALL CREDITS TO THE ARTIST!! @schwesterchiz in Insta

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Been thinking about Aang occasionally getting flashes from his future lives
the avatar, and the last airbender :: an aang meta
I’ve been wanting to write this meta for about six years, and now seems like as good a time as any, so without further ado: Why Aang Sparing Ozai is the Most Important Scene in ATLA, from both a Character and a Thematic Standpoint.
And with that thesis out of the way, let’s go all the way back to the beginning.
Aang is the titular character of the series, two fold. He is both the Avatar, and the last airbender, and it’s these two facets of identity that inform his arc as much as the duality of Zuko’s scar informs his. So why then, is one arc written about and praised endlessly and the former is rather left in the dust, so to speak?
There’s a few reasons for that, I think. The first is that Zuko is a more traditionally masculine and therefore Western protagonist. He has a more understandable loss, too. People can relate to losing a parent, or to an abusive household. These are traumas and ghosts, the brooding nature, that we are regularly shown in Western media, over and over again. The angry man who lost his wife/daughter/sister. Who does bad things like burning down villages and kidnapping people, but can’t you see that he’s just sad inside? And I’m not saying that’s all Zuko is. There are plenty of subversive things about him, his arc, and his poignant story of overcoming emotional and physical abuse. He is an incredibly important character and deserves all the praise he gets.
I just think Aang is just as noteworthy, and doesn’t get nearly the amount of credit he deserves. Aang is not a traditional Western protagonist at all. He makes jewelry, is vegetarian, loves animals, cries easily, tries to avoid violence, and has a fun loving nature. Many people deride Aang’s behaviour as childish - and sometimes it is - but the best parts of him, his forgiving nature, his fun loving nature and compassion, isn’t because he’s young. They come from him being an Air Nomad. And without those same traits being displayed towards him, Zuko never would have become the character we know and love (but more on that, later).
So yes, as above, Aang’s arc is about the reconciliation of him being the Avatar, and him being the last Airbender. Each part is equally as important as the other. If you can’t understand that, then you don’t understand the show, full stop.
Okay? Okay.
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