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Garage: Bad Dream Adventure - Tracks
And nowadays, I'm just a surgeon fixing other people's lives But I still see the blood and canonfire skies And I pretend the bodies that I'm fixing are my own That's why the lacerated skin's so neatly sewn Oh, I could use a little mending of my own
Klaus Nomi: Samson and Delilah (Aria) Mon cœur s'ouvre à ta voix (1978)
Klaus Nomi- URGH! A Music War

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Klaus Nomi, “Wasting My Time” (1981)
Henry Purcell - Cold Genius. (Opera 「King Arthur」, 1691)
The Cold Song
Klaus Nomi
RCA / 1990
Klaus Nomi - You Don’t Own Me
i always come back to klaus

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tf is nomi’s version of the twist. it’s like you followed his alluring voice into a cave full of klaus nomi clones and they’re all hanging on the ceiling like bats and laughing at you
Klaus Nomi - Keys of Life
Black Box Warrant (Live), from the album "The Real (Live)" by Will Wood and the Tapeworms.
This album was replaced online by "The Real Will Wood", although The Real contained bonus tracks of songs that would later be put on 2020's "The Normal Album".
Here's my transcription of the lyrics (starting at around 1 minute, past the chatter):
Well he collapsed with Stevens-Johnson's Syndrome on the E.R. floor Anaphylaxis with a pack of bottle rockets Oh, the way he spun his butterfly risked all six his phalanges With a bag of tangerines in his back pockets And the method with which he recycled his vitamins It started to leave scars at the corners of his eyes And through that white-hot revelation shame, he saw no stars Even underneath the wide Ohio skies Shields himself from reason in Teflon alabaster jacket Quilted from the finest fibers, flesh and fiberglass and flowers Screams his thoughts to hear them, over self-assured Sarcastic racket rabble-rousing babble round the table People, to the power
For what, for what, for what it's worth If it was gonna kill you boy, it would have by now For what, for what, for what it's worth There's no more looking back, it's looking up or looking down Well he was, uh- [Spoken] Well he was, uh... he was... he- he was, carrying this briefcase, filled with- teeth, that he had ordered online from China. And he had slung over his shoulder, the skin of a cat that he grew up with. And then had- uh, stuffed, to preserve its memory in physical form. But decided that with the skeleton inside the cat, and all the stuff stuffing it, it was too heavy, so he removed the skin from the, wire frame, of the taxidermy thing, and he- he slung it around his neck like a scarf. And um. He- was- [Singing] Wearing stolen rubber shoes and wrapped in poison ivy noose Around his lotus jugular when they came Oh they found him with a map to every victim of his love And a tattoo of a bluejay on his face And they waited for his vital signs and lie and let flat-line cry A hymn out in Hungarian harmonic But he cocked his noggin, through his stoma Sang "for Auld lang syne, happy birthday to the succulents, I'll dye your hydroponics" His ribcage was a hornet's nest, the palpitations set the beat His vagus nerve a Turk's head knot, and axle hitch, a carrick bend He wondered if the good Lord Jesus charged a cancellation fee "Auf wiedersehen, au revoir", he gripped his wits right by their ends For what, for what, for what it's worth If it was gonna kill you boy, it would have by now For what, for what, for what its worth There's no more looking back, it's looking up or looking down [Spoken] I settled into a new mind. In a flea-bitten tub-ring paradise of a queen-sized suite of a Wyndham Microtel, Econolodge, Red Roof Inn, Nights Inn, Super 8, whatever else at Richmond Virginia. I curled up an old Shotime soft-core porno and flipped through my phone for a few hours. Picked up a bad of Swedish Fish and a fistful of chocolate-covered cherries and a pack of Marlboro Nxt for three dollars and ninety cents at the bodega by the Waffle House. I spun my eyes, over the beautiful floral arrangements blooming and tessellating on the Stucco on the wall, anything I figured to keep my mind off those goosebumps that were rising and squeaking and cracking and quacking, and threatening anaphylaxis and asphyxiation with every sharp inhale that I took, with the threat of Stevens-Johnson's syndrome behind- my- flesh. And I watched, as my skin crawled upwards, to form a flesh noose, to hang me from the rafters of that place I had found myself in. And I watched as my epidermis took on the shape of whatever I feared the most in that moment. And I sat there, down in that flytrap ashtray, contemplating my next move, and weighing out the pros and cons of every- last- rotten- pulse! It was either Wilmington, North Carolina, or the nearest hospital! [Singing] For what, for what, for what it's worth If it was gonna kill you boy, it would have by now For what, for what, for what it's worth, There's no more looking back, No now there's no more looking back, No no no no no no no- AGH- AGH! For what, for what, for what it's worth, If it was gonna kill you boy, it would have by now, For what, for what, for what it's worth, There's no more looking back, No now there's no more looking back, No now now now now now now now it's looking up or looking down
Black Box Warrant (Live), from the album "The Real (Live)" by Will Wood and the Tapeworms.
This album was replaced online by "The Real Will Wood", although The Real contained bonus tracks of songs that would later be put on 2020's "The Normal Album".

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album art is so important because it tells you what color the songs are
Kate Bush - Hello Earth