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âThe hunter did not hate the wolf. The wolf did not hate the sheep. But violence felt inevitable between them. Perhaps, I thought, this was the way of the world.â
(prints)
Since Netflix is removing She-Ra in January or something hereâs a link to a Google drive with all five seasons <3
Since it's less than two weeks before SPoP is removed from Netflix, I just wanted to reblog this again for visibility and to make sure more people can watch it.
Book accurate Carrie my beloved
This homicidal beauty had CHUB and ACNE stop being COWARDS
Strawberry Shortcake cosplay I made for C2E2! I grew up watching the 2000s one (specifically the one where Purple Pie man was stealing dreams) but loved the look of the 80s one, so I combined! Really the only 2000s part that made it through was the hatâŚ

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Miguel Mercado - Firefly
I miss Voltron
THE FULL CIRCLE
Thanks to everyone who told me who to add.
âDel Toroâs creature is not innocent â he kills like six people at the beginning of the movie!" You all need to stop pretending youâre stupid, if you think killing extras in self-defense in a movie that justifies that violence as ânaturalâ because life is kill-or-be-killed is even remotely similar to the creature in the book murdering innocent people who never hurt him, including a small child, out of revenge. Del Toroâs creature literally has no sin at all. And honestly, who even cares about those men? The captain doesnât care, the movie doesnât care, the creature doesnât care â so why should we?
You â and the film â just canât handle a victim doing horrible things. âHe changed him so we could empathize with the creature.â Mary already did that, and he still does terrible things. Del Toro turned him into an angel, and that actually weakens the impact of the abuse the creature goes through and how far his hatred takes him, all because modern audiences canât process both main characters being âbad.â
Itâs amazing how you canât even talk about this without someone going âhe killed six peopleâ as if that were the same as in the book. Even people who liked the movie canât discuss it, because itâs the âperfect adaptationâ and apparently there canât be anything you donât like about it.
Watched Frankenstein (2025) to ugh and one thing I havenât seen anyone talk about is the interaction where the creature is asking victor for a companion.
He fully means that he wants someone to be kind to him, someone that can share his experiences as well as be unable to die like him. He wanted what heâd found in the old man but in a way that canât be taken from him like everything else has.
Victor immediately assumes he wants a woman: âwhat then? Procreation?â Because he cannot fathom that this âdisgustingâ creature he created could feel loneliness and crave warmth and kindness. Victor wants so badly to believe he is justified in fearing this being he made and that he is a victim of his circumstances that he immediately presumes the only craving the being could have are the âprimitiveâ wants of man.

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The pain of being a fan of Frankensteinâs creature â but the one Shelley actually wrote, not the babyfied version everyone seems to have in their heads. My poor Lucifer fanboy, what have they done to you?
The product of classic literature brainrot
Repost in honor of the Frankenstein tattoo Iâm getting in 2 weeks
Repost again bc I drew this years before the movie and Frankenstein is trending for once
i need a frankenstein adaptation where frankenstein is played by an actual nineteen year old. all the adaptations imagine him as this grizzled thirty/forty-something man and he quite simply is not. that is a bedraggled wet cat of a university student with more money than sense, fuelled entirely by coffee and delusion
This man is NOT a doctor
i am not articulate enough to make this sound coherent rn. but the cycle of familial violence portrayed in gdt's frankenstein, set against the backdrop of the cycle of violence in society with the constant references to the wars. the creature finding beauty and connection in nature, feeding the deer until it is shot dead. his speech about the wolves and the sheep, how they don't hate each other, it's just in their nature to kill and be killed.
it seems like these cycles will never end but they can. you can turn your ship around. you can forgive your father. you can walk into the snow and feel the sun upon your face. you can, you can, you can.
My thought on GDTâs Frankenstein as an autistic with a hyperfixation on the original novel!
I couldnât figure out why I didnât love Guillermo Del Toroâs Frankenstein movie after hyping it up so much. I adore the original Mary Shelley novel (and have the tattoo to prove it) and the movie was extremely accurate to the source material, so why didnât I like it? Everyone else, even fellow fans of the book, but for me it just fell flat in some areas. To make my jumbled thoughts more comprehensive, Iâve compiled what I liked and what I didnât like, and how it affected the tone of the movie compared to the book.
~~What I liked!~~
Elizabethâs character finally had depth. Mia Goth did a fantastic job portraying her! She wasnât just a one dimensional character meant to provide Victor comfort, she was an equal. A true intellectual who could match his energy and challenge him. It was refreshing to see her treated as more than a symbol or prize.
Victorâs ego was portrayed really well. I wasnât crazy about changing Williamâs age or making Elizabeth his wife, I DID likes that Victor still had that weird sense od ownership over Elizabeth without being promised to him. I also enjoyed how he was involved in the scientific community and strived to show off his work, rather than keeping it secret like in the novel. It captures his entitlement and obsession perfectly.
The Creature was absolutely phenomenal. Jacob Elordi nailed it. His appearance, movements, and mannerisms were straight out of Shelleyâs pages. I loved watching him learn from nature by seeing both beauty and cruelty, and his reflections on good and evil through the wolves and the hunters was such a strong touch. I loved seeing the contrast of his kindness toward the old man and his family and his anger towards Victor and the shipâs crew
Victor spending time with the Creature added emotional weight. In the book, Victor runs away and burns down the lab immediately after bringing his Creature to life. In the movie, he attempts to teach him first using cruel methods, then burns the lab down after viewing him as a failure. That time together made the eventual betrayal that much more painful.
The idea of the Creatureâs immortality was fascinating! Giving him the ability to heal from anything gave his isolation a whole new layer. Being unable to die, heâs not just unwanted by humanity, but by God and whatever comes next. It made his longing for a different life hit even harder, and fit well with the moviesâs existential tone.
The Elizabeth-as-the-Bride concept was interesting (in theory). I didnât like the romantic execution, but I liked the idea behind it: that she represents both love and loss. The creature stealing Victorâs love rather than killing her adds another layer to his revenge and longing.
~~What I didnât like!~~
It lost the emotional contrast. Part of what makes the book so powerful is the shift from warmth to obsession. Victor starts out with a loving family, a caring best friend, and a strong connection to nature. This warmth stands in stark contrast to how Victor treats the creature, reenforcing the theme of ânature vs nurtureâ and how obsession can corrupt compassion. The movie completely skips that contrast by beginning with a dark tone: making Victor a loner with an abusive father. Thereâs nowhere for Victorâs downfall to go emotionally.
It removed Williamâs significance. Making William an adult rather than a child weakened one of the storyâs most powerful parallels. The Creature, newly created, is like a child, full of innocence, wonder, and potential. When Victor abandons him, he robs him of that innocence. In killing young William in the novel, the Creature symbolically returns the favor by severing Victorâs own tie to innocence. It also highlights Victorâs blatant hypocrisy in caring for his brother but not his creation when they are essentially the same. Changing Williamâs age dulls the emotional impact.
It blurred the moral mirror between Victor and the Creature. Shelley made them reflections of each other, and in the film they were not. The film removes all instances of the Creatureâs violence and direct acts of vengeance. It instead has Victor himself kills fhe majority of the people close to him. While this emphasizes Victorâs moral decay and obsession, it diminishes the Creatureâs rightful anger and the mirrored journeys of creator and creation. The story becomes about Victorâs madness instead of two beings spiraling in different ways.
The romance subplot didnât work. The Elizabeth-Creature romance felt like an unnecessary attempt to modernize the story with a more âhumanâ emotion, but it undercut the horror and philosophy that make âFrankensteinâ so haunting. I understand that their bond was meant to contrast love and hate, shown when the Creature learned his first new word under her care, but that theme was already handled beautifully in the blind manâs cabin. The bookâs tragedy isnât about literal romance. Itâs about love twisted into obsession and loss.
It told instead of haunting. The novel lingers in your head with Victorâs guilt, the Creatureâs loneliness, and the question of what makes someone human. The movie focused more on visuals and emotional moments than the quiet, existential dread that defines the story. It told the tale, but didnât capture the soul.

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