“The Sorrows of Satan” (1926) film still | dir. by D. W. Griffith | A cinematic image immortalized through Bauhaus’ “Bela Lugosi’s Dead” (1979) cover artwork.
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“The Sorrows of Satan” (1926) film still | dir. by D. W. Griffith | A cinematic image immortalized through Bauhaus’ “Bela Lugosi’s Dead” (1979) cover artwork.

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Man of Sorrows (c. 1460) by Simon Marmion
ph. pierre & gilles

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Beethoven Listening to Muse, 1928.
Ludovic Alleaume
Private Collection
Lithograph
by Predrag Pajdic
source: kontraplan.com
Loss and survival: the photographer’s grandmother sits on a fragile island of silt where her house once stood, surrounded by still waters – a symbol of displacement and resilience, 2025 - by Enamur Reza, Bangladeshi
“Still, I am very lonely… sometimes it shows up like a continent shifting into my chest. I’m so tired of being empty. I turned it inside out and wore it like a glove, smeared it on the walls until my house shouted empty, empty, empty. I didn’t know what to do with it afterward. All I know is that it hurts to be in the spaces between freedom.”
— Akwaeke Emezi, from Freshwater

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Repeated Absences (1972), dir. Guy Gilles
june
Edgar Allan Poe. The Sleeper Originally published 1831

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Motörhead and Girlschool (1981)