HALF MAN • 1.05
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HALF MAN • 1.05

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The potion spills; the immediate danger disappears. She looks down at the mug as it shatters, hissing at the sight of blood and splatter of holy-bleach flying toward her eyes. Barely a drop. It hurts, but she's hurt worse. Willow shoves him with both hands now, taking advantage of this distraction to knock him back to the floor.
She's no healthier than him, living week-to-week hiding in her room and taking whatever drugs she can get delivered to the door - she went from vigilantly monitoring her feeding to forgetting, to forcing herself to ignore the growl of the creature in her gut. Willow's done ignoring it today. Her eyes burn and Hawk is bleeding, weak, and distracted. The survivor in her takes the wheel.
Willow says nothing, not really Willow any more.
All black eyes and fury, she lunges at him this time.
He doesn’t get a chance to recover from the initial recoil before Willow’s on him. The sudden force sends him crashing to the ground; he pulls her with him, thrashing and biting the air, clawing at her, howling like the beast he is. Coherent thought leaves him entirely—now he doesn’t even have delusion to cling onto, only instinct, pain and rage.
In the chaos, the back of his head cracks against the floor. His vision goes dark and he sees sparks, like the wiring in his head is failing. Then he’s somewhere else. Coughing on the floor of the bathroom, holding up his arms to defend his head as fists and boots come at him. Hand in his hair, knocking his skull against the sink. Listen here you little shit, you fucking worthless pig—keep squealin’, keep fuckin’ squealin’ and see what happens—
An animal wail escapes him. He hurls himself backward, trying to get away from Willow, and only knocks his head again, this time on the low kitchen cabinets.
"no, you don't seem crazy." it isn't surprised that hawk thinks that what's happening here is wrong. it is natural to be unhappy with these conditions -- but uncomfortable conditions are necessary for breakthroughs. you are isolating a subject, opening them up for study - it is not meant to be a nice process.
626 is an outlier - it is comforted by the progress reported in hyuntae's studies, happy here. the aches and pains of the experiments are worth it for learning more about itself and others. too see how much it is growing.
it smiles at him through the bars. then squints.
"how come you have a scar on your eyebrow? i don't have scars. am i special?"
“Oh, uh…” He reaches up, touching the scar. Originally it was a gift from one of his mom’s boyfriends. When he was turned, it was a cosmetic sacrifice Valentina wasn’t willing to make—she sliced him with a silver blade, returning the natural order to his face. “Silver can leave permanent scars. It’s good that you don’t have any. People like us only really get them if somebody really, really wants to hurt us. I can’t imagine why anybody would wanna hurt you.”
He can’t imagine why anyone would want to hurt her even in an impermanent way. In fact the lack of evidence on her is insidious in its own way—Namkung can open and close her up at will, over and over again, doing god-fucking-knows-what, and nobody would be the wiser. How the fuck does that freak sleep at night? Picking through a little girl’s insides like some sort of vulture. The least he could do is save it for the adults.
“Mm, scree.” Willow nods as though she’d known all along. Very agreeable when the drugs make her so happy to be here. Everything makes sense; there is nothing to fight against, no reason to appear smart, or contrary.
She dozes off again, chewing her sleeve and drooling out onto her wrist. It’s calm in this car and nothing is going to break through and ruin it. This isn’t Hell, despite what she’s been thinking every second since she got back - this might even be heaven.
Hours later, she finally finishes processing that thought. The sun has disappeared behind the surrounding trees.
“‘M cold.” She whispers. “Can we cuddle?”
This is the part where, if he weren’t high, he’d get tense. He’d start overthinking, analyzing where the boundaries should be, wondering if he should draw the line; his body would feel itchy and restrictive and not his own. The burden of responsibility would overwhelm before he even had the chance to consciously grapple with it. But, thankfully, he is high, and he can barely feel his body at all, and all his hangups have melted into the dirt. Right now, a cuddle would be nice. They can float away and fall asleep, unburdened, together.
He doesn’t answer; instead he slowly, laboriously shifts closer, throwing an arm around her shoulders and pulling her against him. The movement, slight as it is, makes the world spin. He laughs, feeling like a little kid who has just stumbled off the roundabout at the playground. Shit, he used to love going on the roundabout. He and his friends called it ‘the widowmaker’ on account of all the broken arms it bred.
A heavy breath, a yawn. “Tell me some shit ‘bout space.”

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'Heroin User' 1972 - Edward Melcarth (1914–1972)
Apparently his unfinished last painting in Venice.
Go to school. What? Go to school. You're not a witness if you don't see what happens.
Dacre Montgomery as BILLY HARGROVE STRANGER THINGS 2 2x06 “Chapter Six: The Spy”
it’s all so messy — minsu is being much, much more messy than he normally would be. something has him hanging on by a thread, dangling over a precipice. why he thinks hawk is a safe place to land is anyone’s guess, but here he is, drunkenly hanging on his every word, eyes uncharacteristically soft and submissive.
he would have been getting something good out of this regardless. the recorder in his pocket has been running for a while, picking up conversations, names, dirt — things that he can use in his favor later. when the hangover inevitably comes and goes.
“ so what if i was? ” minsu is nursing on the beer he had ordered specifically for hawk and then promptly forgot to give him. his head feels heavy and light at the same time. his skin prickles at the very idea of hawk’s calloused fingers grazing his own soft skin. minsu shifts in his chair to bring his knees together. “ so what if i wanted to see you? besides, we have some business to discuss. ”
which is true. but how much of that is an excuse to get hawk alone?
“Yeah, man? You wanna talk business?” He laughs, thanking the bartender as his drink is delivered. “Can you even walk in a straight line?”
Maybe that’s the best time to talk business. For the best possible results in his favor, he can exploit both Minsu’s impaired decision making and the blatant crush he has on him. He can’t help but feel a little guilty about potentially doing that, though—the guy is just so fucking earnest. Weirdly so, given his rank in criminality. He seems in over his head all the time, and despite all logic it doesn’t read as an act. Clearly he isn’t acting right now; the scent of liquor and naïveté radiates off him like oversprayed cologne.
“Never mind—whatever, man. You wanna talk, let’s talk. But let’s do it in the back, right? Privacy.” Hawk heaves himself off the bar stool and snatches up his drink. Throwing an arm around Minsu’s shoulder, he steers him toward a desolate corner booth.
The pair passes a balding redneck leaning against a pool table. Fags, he mumble-sneers into his beer bottle. Hawk stops in his tracks.
“The fuck you say?”
Willow remembers Hawk differently each time they see each other. From the bewildered boy with a gun to her head to her most fierce protector -- he's hard to pin down. She never really knows which version of him she's going to get until he's in front of her, but one thing she's always truly always believed (since knowing him -- her time in the blue room didn't count) was that he wouldn't want to hurt her, even if he did.
She flinches when he reaches for her, not fast enough to quite evade him. Cool ceramic against her palm, fingers pinched between him and the mug. The smell of the concoction makes her want to gag, all chemical and thick.
The mug clunks against her cheekbone as Willow turns her face away, its contents sloshes from one side of the rim to the other and threatens to spill over.
"Stop it---" Willow shoves him with her free hand, backing up into the wall.
Simmering rage behind his eyes. She keeps writhing, whining, fighting him like it fucking matters. If she isn’t of the draugr, then there’s nothing to fear. She will be going home. Death is her domain; she is its keeper, its face, or half of it anyway. Her resistance, then, is further proof: imposter, interloper. Trickster revenant. He won’t be fooled by this thing. Its faux-helplessness disgusts him.
“Go back where you fucking belong,” he hisses, vicious, frustrated, struggling to wrangle her. She won’t open her mouth, she won’t stay still. His eyes lose their blue, their whites, as the monster shows its face. Lips part to reveal his canines, a wolf baring its teeth.
His strength fails him in the end. He’s too lost in his hate to be mindful of his grip on the mug. One irritable flex of his fingers and the cup shatters to pieces, the shards falling to the floor, a chemical spill down his arm. With an inhuman bark, he lurches backward. Unhealthy and unfed, the bloody cuts left behind on his hands don’t heal; drips of the poison cocktail sizzle in the wounds.

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"Oh my God, liiiiike. Iffff'you're a bird I'm a bird, or whatever." Willow slurs, smiling. She's pretty sure the context is all wrong for this quote, but she's thinking of him spreading some wings and flying off into something painless - Rachel McAdams and Ryan Gosling smiling into each other's mouths, making stupid promises and being in love. Nothing is connected, but everything is and so are they, and isn't that beautiful?
God, she's fucked up.
She giggles, leans over and kisses him on the inside of the wrist.
"What noise do hawks make?" Because this is easier to think about than soulmates, a next life or whether or not she's going to be this happy in a few hours. "Is it like a caw-caw! or... a scree! sorta noise?"
Somehow, her head ends up sideways. Leaning over this far, she must have gotten stuck in her daydream. She's chewing on her sleeve, grinding it between her molars.
"Bird with your voice." She pitches loooowwwwww. "'Hey babygirl' instead of skwawking......."
“Jee-zus Christ.”
Like he’s never heard that one before. Jenny’s prayer from Forrest Gump is another oft-quoted joke at his expense: Dear God, make me a bird, so I can fly far-far-far away from here… Or, during games with friends, the gargoyles from Disney’s Hunchback of Notre Dame might be invoked: I’m losing to a bird! The list goes on and on.
He’s laughing, though—because she’s laughing, and because her impression of him is on par with Tallah’s for the goofiest shit he’s ever heard. And because he’s high, of course. Mostly because he’s high.
“Hawks do the ‘scree,’” he says, brain catching up just enough to inform him that there was a question in there somewhere. This results in more laughter, even though it isn’t all that funny at all.
it likes reports! it finds these studies fascinating, inspiring and awesome in the most literal sense. the human brain reacts to challenges in such interesting ways -- the human brain invents these challenges, which 626 finds even more interesting. they even sometimes torture each other for knowledge.
and of course, the ethics are always a footnote in these reports to 626. the ends justify the means, and in the end, if everybody is so concerned with being good and humane and kind, they wouldn't be anywhere near where they are now with their understanding of the world.
hawk tells it doctor namkung is a bad man. it is too concentrated on its handwriting to reply, but the thought does cross its mind: are you not also a very bad man? it glances up from its little book after punctuating.
"...just my notes. i said that i feel bad for you because you're not very comfortable in there." it probably shouldn't know that 626 is able to help it leave. it wont do it, and the begging would just be sad.
If she feels bad for him, that means she hasn’t been bred into a full-blown sociopath yet. The key word here, of course, is yet. But there’s hope.
“You’re right. I’m not very comfortable in here. And I don’t like what he’s doing to me. I didn’t say it was okay. He’s hurting me. From your drawings, it looks like he hurts you too. He shouldn’t be doing that to either of us. It’s wrong.” There’s an urgency to Hawk’s voice now. He catches himself, wincing as he leans his forehead against the bars. “I’m sorry. This all must sound pretty weird, huh?”
A strained smile. He shuts his eyes. His head is killing him. The doctor keeps shooting him up with heroin but won’t give him any goddamn Excedrin.
“Gonna write down that I seem crazy?”
Dacre Montgomery as BILLY HARGROVE STRANGER THINGS 3 3x01 “Chapter One: Suzie, Do You Copy”
i don't wanna lose you.
@unpossession + @skullfck

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DRUGSTORE COWBOY — 1989, dir. Gus Van Sant
minsu has never been much of a drinker, so he hasn’t had a chance to learn how to handle his liquor well. or his chemfae, for that matter. he’s known to be messy but it’s very unlike him to be this far gone — eyes glassy, cheeks painting pink, bedroom eyes and parted lips at anyone who passes by.
a man in his position shouldn’t be this stupid — it’s only by the grace of his waning anonymity that he hasn’t been jumped yet. at this rate, the underground drug market will soon know who he is, like it does back home — soon, there will be people waiting for him to slip up, to be vulnerable like this. or maybe, somewhere in the back of his mind, he hopes someone finds him, someone who knows him, someone who wants to do him hard. his family, or those who are left to care, can’t be mad at him if he wasn’t the one to kill himself.
@skullfck appears right on schedule. he once made a joke that minsu was stalking him; is it really a joke anymore? he has been sitting at the corner of this bar, waiting for him for at least two hours at this point. woefully out of place, but none of that mattered now that he was here.
he slinks through the crowd, surprisingly coordinated despite his inebriation. a beer is ordered — not for himself — as he slides up beside hawk at the bar, giving the best performance of fuck-me eyes he can muster. the most forward he’s ever been with hawk to date without the barrier of two phone screens. he resists the urge to pet the front of hawk’s jeans, instead placing his wandering hand on his knee. minsu is leaned so close that there’s no doubt hawk can smell the liquor on his breath.
“ i was starting to think you weren’t coming, ” minsu purrs, his eyes trail down to rest comfortably on the contours of hawk’s lips. let’s hide away in the back somewhere. i want to taste you. this is all so out of character for him. “ drinks are on me tonight. ”
“Holy shit.” Hawk looks Minsu up and down, trying—but not that hard—to bite back a laugh. “You’re fucked the fuck up.”
Twinks in crisis sure seem drawn to him. He wonders what signals he’s unconsciously giving out that make him such a beacon for this type of guy—not that he minds much, at least in this instance. Minsu has yet to cause him any problems. He’s healthily cautious, as anyone in his position would be, he doesn’t feel the need to be on high alert. To him it seems pretty clear that, despite the luxury apartment and supposed kingpin status, Minsu has deferred all the power in this relationship to him.
Messy.
Hawk glances around the room. Already there are a few bigoted glares in their direction. Minsu, all prim and buttoned up at the biker bar, was probably getting looks like these long before Hawk even arrived. How many drinks has he had? He’s lucky he’s still in one piece. Pretty fucking careless for a professional criminal, especially one still trying to get his footing in a new, less-than-welcoming country.
“Were you waitin’ here for me?” It’s more of an incredulous realization than a question. Hawk raises a hand, summoning the bartender, and orders a cheap whiskey.