SKOKE

 SKOKE organized this play as a response to their situation.

 SKOKE had to find an idea for a project

                       - couldn’t figure it out because of four different brains

                       - got rejected from this project

                       - and decided

                    to organize a play as a response to this situation.

 SKOKE took their cyclic, back and forth, overwhelming, contradictory, lovely, awkward but funnily rhythmed and confusing sessions of brainstorming as their main subject for this play.

 SKOKE exploded themselves in organizing a time and space unit to share the ridiculous aspect of their brainstorming with a tint of ridicule towards potential assignment givers and institutions.

 SKOKE shared “We are sorry to inform you THAT WE DID NOT SELECT YOUR PAINTING” on the 27th of March at the Vondelbunker in Amsterdam.

Graphic design by Stepan Lipatov

Skoke participated in a workshop of “Parallel School” in Cali, Colombia. Skoke no nabla mucho Español.

Skoke talked about education.

Skoke brought failure.

Skoke interviewed every participant. 

“The Office” in Cobra Museum Amstelveen, June 2016

               Besides being interested in the absurdity of space, SKOKE likes to meet at least once a week to discuss deep matters about the existence of humor, through education and other contexts. SKOKE is on a mission to learn new ways of communication by using humor as a tool to break the invisible walls of norms and structures. SKOKE is a lifestyle thing. The idea of SKOKE is shaped by:

Morgane Le Doze- interested in movements through spaces, such as good jokes, bike in a walking area, skyping with a friend in Tanzania and co-codriving to Belgium. The experience itself is always relevant and the pointless is always a potential study.

Lena Karson- Interested in words and how they are differently received, people’s body attitudes within one space, obsessions, corners and crowds of people applauding frenetically together.

Maisa Imamović- interested in non-verbal languages, pointless architectural details (such as stairs that lead you to the opposite wall), places or situations potential for arguments, and conversations with objects.