Mary Oliver, from "Such Singing in the Wild Branches"
Jules of Nature

ellievsbear
KIROKAZE
let's talk about Bridgerton tea, my ask is open
Noah Kahan

blake kathryn
we're not kids anymore.

#extradirty
Keni
The Bowery Presents
The Stonewall Inn
untitled
wallacepolsom
art blog(derogatory)
Lint Roller? I Barely Know Her
d e v o n
Sweet Seals For You, Always
he wasn't even looking at me and he found me

Love Begins

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@sirenscomecalling
Mary Oliver, from "Such Singing in the Wild Branches"

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Ellen Bass, “The Thing Is”, Poetry of Presence: An Anthology of Mindfulness Poems
The Love for October, W.S. Merwin

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The skull of Maria Domin, c. 1823. The Charnel House a.k.a. ‘Bone House’ in St. Michael’s Chapel in Halstatt, Austria
source
Andrea Gibson, Lord of the Butterflies
Nikki Giovanni, The Collected Poetry, 1968-1998
Leila Chatti, from "I Went Out to Hear"
Communicating the language of Soul through embodiment.
alla mingalёva
Natalie Díaz, from "American Arithmetic", Postcolonial Love Poem

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Czeslaw Milosz, from "Ars Poetica?"
"Don’t court Loneliness", Tathev Simonyan
The Course of Empire is a series of five paintings created by the English-born American painter Thomas Cole between 1833 and 1836, which depicts the growth and fall of an imaginary city. The Course of Empire comprises the following works: The Course of Empire – The Savage State (1); The Arcadian or Pastoral State (2); The Consummation of Empire (3); Destruction (4); and Desolation (5).
No Noise November. everyone shut up

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anneorion
John Milton, Paradise Lost, Book 3 [originally published 1667]