Altuzarra Spring 2026 Ready-to-Wear
taylor price

Discoholic πͺ©
we're not kids anymore.
noise dept.
d e v o n
RMH
Jules of Nature
"I'm Dorothy Gale from Kansas"
Keni
Game of Thrones Daily

Love Begins

shark vs the universe
cherry valley forever
untitled
let's talk about Bridgerton tea, my ask is open

Andulka
he wasn't even looking at me and he found me
Sade Olutola

β£ Chile in a Photography β£


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@orphic-mysteries
Altuzarra Spring 2026 Ready-to-Wear

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French ocean liner SS Normandie on a vintage postcard
The three primary uses of masks in film are entertainment, disguise and protection. From ancient Greek plays through Japanese Noh theater, masks are deeply intertwined in the universal language of entertainment and ritual, and its power as a transformative tool is so ritualized and timeworn that it is the unofficial logo for an entire artform. Since theater was an influence on early motion pictures (consider the framing and gestural acting of silent film), it figures that masks would be smuggled into movies, and some of the most enduring images from film history are now associated with masks. βAlex Vlahov
V for Vendetta (2005), The Mask (1961), The Mummy Returns (2001), Emerald City s01e06 (2016), Black Orpheus (1959), Judex (1963), The Man in the Iron Mask (1998), Kingdom of Heaven (2005), Eyes Without A face (1960), Eyes Wide Shut (1999), Squid Game s01e07 (2021), Knights of the Zodiac (2023), Onibaba (1964), Scream (1996)
WERWULF concept poster
Art by Omar Hauk | Swarez Design
Iron Heart
Atelier Versace haute couture fw 97, Christian Dior haute couture ss 98, Jean Paul Gaultier haute couture fw 03, Enfants Riches DΓ©primΓ©s rtw fw 24
Sourced from Pinterest

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Jester's Head Brooch
c. 1897-1898
by RenΓ© Lalique
MusΓ©e des Arts DΓ©coratifs
studying history is like. here's to another beautiful day of not being pregnant and of having no obligation to ever be. thank you women who fight for abortion and contraception and independance from men for another beautiful day of not being pregnant and of having no obligation to ever be
Blue butterfly with a swallow tail. ChΕ«rui gafu. 1910.
Internet Archive
China. Shanghai. 1979. Make-up room at the Beijing Opera in Shanghai.Β Hiroji Kubota.

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Copying reliefs in the temple of Ramses, photography by Kees Scherer, 1968, in Abu Simbel, Egypt
Different views of Picadilly Circus by George Hyde-Pownall
Lisa Ivory (British, 1966) - Tambourine Man (2025)
hwa.min π
I feed too much on the inward sources; I live too much with the dead. My mind is something like the ghost of an ancient, wandering about the world and trying mentally to construct it as it used to be, in spite of ruin and confusing changes.
-- George Eliot, Middlemarch

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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GUCCI
RESORT 2027
By Demna
Xie Chaoyu by Han Yang for Vogue Czechoslovakia November 2025