Wardrobe // Bill Potts (Pearl Mackie) // Doctor Who Season 10 (2017) + specials
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@sircarolyn
Wardrobe // Bill Potts (Pearl Mackie) // Doctor Who Season 10 (2017) + specials

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Leela thinks Gallifreyan fashion (even the moderately formal stuff) involves too much clothing.
Romana just thinks it’s nice to have a built-in head rest when Leela shoves her up against a wall.
i imagine herc and linda got off the plane in newcastle with very different opinions about how their positioning flight went (credit to @sircarolyn for the inspiration)
the only grind I respect is girls grinding against each other or something. like whatever the mortar and pestle get up to

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Scrapped attempt at drawing Sarah Jane
An old sketch of Eleven in honour (?) of today’s Doctor Who news
Appana is real and she can hurt you. Trust me.
that whole "make your characters want things" does so much work for you in a story, even if what your characters want is stupid and irrelevant, because how people go about pursuing their desires tells you about them as a person.
do they actually move toward what they desire? how far are they willing to go for it? do they pursue their desires directly or indirectly? do they acquire what they desire through force, trickery, or negotiation? do they tell themselves they aren't supposed to feel desire and suppress it? does the suppressed desire wither away and die, or does it mutate and grow even stronger? is the initially expressed desire actually an inadequate and poorly translated different desire that they lack language for? does the desire change once the language has been updated, or when new experiences outline the desire more clearly? do they want something else once they have better words for it, or once they know that they definitely don't want something they thought they wanted before?
how does the world accommodate those desires? what does the world present to your character and in what order to update and clarify their desires? how does your magic system or sci-fi device correspond to those desires and the pursuit of them?
there's so much good story meat on those bones; you just have to be brave and decisive enough to let characters want specific things instead of letting them float in the current of the plot.
and I loved the responses of “Well, my character is very passive and doesn’t know how to want things, the story is about their process of learning to do that exactly”, because that’s fine, that’s all well and good, but passive people still want things. passive human beings who have been so thoroughly neglected that the articulation of a single desire is beyond them want what their internal sphere of control tells them they are allowed to want. they desire constancy and a lack of conflict. they desire nostalgic artifacts that remind them of prior constancy and lack of conflict. the desire to float is an engineered desire that runs in conflict with the development of a happy healthy human being. Who engineered it? How do you begin to chip away at something like that? How do small, passive desires lead up to that?
she would do this

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yesssss gaslight and provide no real info i love u queen
Things Doctor Who should be
a showcase for young/early career British acting talent and tv production talent in the UK
fiercely moral and borderline communist Saturday night family telly that's engaging for all ages
slightly parochial
12-14 episodes per series
cheap
Things Doctor Who should not be
open to any kind of input from any kind of USamerican
oops all stuntcasting
expensive
I think you’ve all been misinformed as to the actual IP situation of dr who in the 90s. Fans did not “own” dr who in the wilderness years and it’s a massive stretch to even say we controlled the direction of it. Like it’s an actively romanticized and ahistorical view of that time period to say it was a uniquely free time that we can never return to. Because it wasn’t. The major difference is not in how much control fans have as fan-authors (big finish has been actively hiring new fan-authors to write new original dr who stories this whole time) but in the specific content standards of Media In General these days. Like it’s true that we’re not getting Doctor Who: Sex And Violence like we did in 1991 but I wouldn’t even say that element of the VNAs is a major defining characteristic of what wilderness era who looked like.
Which is all to say that it’s going to be more similar to the old wilderness years than you think, but that’s because the old wilderness years were a lot worse than you remember
also: it is an objectively true fact that there are more avenues for fans to contribute to licensed dr who media now than there ever have been in the show’s history, regardless of whether the current moment becomes a “second wilderness years” or not. Do not let nostalgia for a time I Know many of you were not around for fool you—the pool of authors for the VNAs and EDAs were tiny compared to the amount of new writers big finish alone is bringing in. It wasn’t populist, it wasn’t The Fans taking Control, it was a few specific fans (overwhelmingly white and male fans with a very narrow view of what doctor who is or should be) taking direction from editors who ultimately reported to the BBC. It may not seem like it but we have been in a great time for fan labor being recognized and compensated by the bbc for a while.
You ever think about many peices of media have zero women and thats just perfectly normal but if a peice of media has an all female cast people get... like that? Women should be allowed to kill over this btw
same but it's black people
That's right

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