Mother May Be (Part 2: Finale)
âUrkâŚâ The detectiveâs vision becomes blurry by the time he wakes up, as his voice becomes hoarse when he talks. âWhere am I?âÂ
Where is he, indeed. Heâs lying on a bed, but not the lumpy, hard one that he got from a thrift store. As his vision clears, the detective sits up and sees the room more carefully. Unlike his place, this one has wallpaper containing yellow flowers, along with paintings that seemâ-how can he put it more delicately? Chic. Yes, thatâs what one of his coworkers put it when she talked about her new apartment (and even showed pictures of what it looks like).Â
âThis isnât my room,â the detective announces in alarm. âI need to get out of here.âÂ
âMorning, sleepyhead,â the detective hears a familiar female voice from the hall. And it doesnât take too long before she comes into the room, holding a tray full of food and drink. Detective Petersonâs eyes widen before Agathaâs cheery disposition. âHope you donât mind me making some breakfast for you.âÂ
âA-Agatha?â He groans, rubbing his face before eyeing on the woman. âI-Iâm in your home? But how?âÂ
âYou donât remember?â When the detective shakes his head, Agathaâs expression doesnât falter. âYou passed out in the bar. I donât know where you live, so I took you to my home so you can rest. Iâm so glad youâre okay, though.âÂ
Too glad, the detective notes before he can speak up, making it light in his tone. âWell, Iâm flattered that youâve taken care of me. Though, I think it is time for me to goâ-â
âOh, donât worry about that.â Agatha waved her hand dismissively. âI called your workplace, saying that youâre unable to work. Now you can have a couple of days off to yourself.âÂ
âY-you did what?â The detectiveâs eyes widen more. How could this womanâ-whom he just metâ-would know which police department heâs working? So he then clears his throat and manages to smile. âYou know, I really donât mind working, now that Iâm ready and determined. All I need is myâ-Urk!âÂ
âOh, my!â Agatha rushes over to his side, her hand rubbing the back of his head. âAre you okay, sweetie?âÂ
Now Detective Peterson appears startled when this woman called him âsweetie.â She canât possibly be embarrassed when she called him that, could she? All he can do is let it slide and not let Agatha be concerned. âIâm okay, miss. It looks like my legs are asleep or something. Maybe I need to walk around so my legs would be awake.âÂ
âAre you sure?â she asks. âIâm a nurse, and I donât think it sounds good.âÂ
So many surprises, Detective Peterson thinks sarcastically. Heâs tired of surprises since this morning. But to make his tone light, he responds, âYou know what? Since youâre a nice lady, I wonât say ânoâ to your cooking. Fair enough?âÂ
Now the middle-aged woman has an eager expression, pleased by Detective Petersonâs decision. âIâm so glad. You will enjoy a home-cooked meal.â Patting the detectiveâs shoulder, she continues, âIâll be back in a bit, but if you need anything, donât hesitate to ask. Okay, sweetie?âÂ
With that, she walks away, humming.Â
Here she goes again, calling him âsweetie.â Peterson is not used to being called that. Maybe Agatha didnât mean it out-of-intention. Or maybeâ-in Detective Petersonâs theoryâ-, sheâs lonely since thereâs no one here except for him and Agatha. Poor woman.Â
Looking down at his bowl and glass, the detective appears to be uncertain; the woman gave him too much food since there was oatmeal, bacon, and eggs. And the container is nothing more than a sippy cup, which, to the detective, was ludicrous.Â
But he shouldnât complain, and the detective must finish it. So taking a bite of the oatmeal, the taste of brown sugar is oh-so-sweet, yet somehow, he wants more of it. And the bacon and eggs are cooked to perfection, even though there is a hint of grease. Peterson had nothing wholesome or home-cooked sinceâ-well, ever. The only food he tried tasted like ash or plain. So he takes some more until he can finish them all, along with the orange juice. Itâs as if Agatha has a motherly touch for cooking, and it was good.Â
âAh, I see you have finished your food.â The woman comes in with a soft grin. Before, her white and brown hair was down, but it looks like she put it up in a bun. And a white apron is draped around her waist, covering much of her light green sweater and brown khakis. âDid you like it?âÂ
âVery,â Detective Peterson confesses after taking his last sip of orange juice. âI never had a home-cooked meal thatâs ever good.âÂ
She chucklesâ-in between a light and hysterical one. âOh, Iâm sure your parents were wonderful cooks.âÂ
Slowly, Petersonâs cheerful demeanor chips away, replacing it with a grim expression. âActually, I only have a dad, and he was never a good cook.âÂ
âO-oh, my.â The middle-aged woman presses her hand over her chest, crestfallen by the detectiveâs revelation. âIâm sorry about your lossâ-â
âSheâs not dead,â he cuts in. âThatâs what my father told me, but I presumed she is since my mom never bothers to come around. But I donât bother with me not having a mom.âÂ
âHas your father ever been hard on you?âÂ
The detective nodded, stunned by the womanâs question.Â
âYouâre not the only one who can figure things out so quickly like you, Allan,â Agatha says, trying to sound light-hearted, but there is a hint of sadness in her tone. âBut Iâm sorry that you had a hard life. Why, if I raised you, your life would be nothing but sunshine and rainbows.âÂ
When Agatha puts it that way, it makes the detective cringe. Maybe his life was bittersweet, but he doesnât complain. He tells himself that heâs okay, and things couldâve been worse if he wished for something different in his life.Â
âLook,â the detective says after clearing his throat. âItâs nice of you to give me so much since last night, but I really should go. Iâve overstayed my visit, and I donât want to bother.âÂ
âAww, you canât be leaving so soon.â Agatha pouts playfully.Â
âBut I must leave. Besides, I have so much work to do, cases to finish.âÂ
Agatha shakes her head. âCome on. You need to lighten up. And donât you remember? I called the station, stating that youâre unable to work due to an illness. Iâm sure there are police officers who can cover and do their work for you.âÂ
Whatever the woman is trying to do, itâs making Detective Peterson peeved. So with a stern tone, he exclaims, âThanks for your help, but Iâm okay. I donât need anyone looking out for me. So if you can tell me where my phone is, Iâll be happy to call them and say that Iâm ready to go back to work.âÂ
âOh, I mustâve forgotten to mention your phone.â Slowly, Agatha crosses her arms, her face turning into a grim expression. âItâs broken.âÂ
âWhat do you mean âbroken?ââÂ
âWellâŚâ The middle-aged woman looks at her nails as she answers, âSomehow, there was a mishap with it. Letâs say there was an accident with it.â She said the word âaccidentâ with a hint of menace, but the detective needs to keep his expression neutral.Â
âFine, then. May I use your phone?âÂ
âMy pleasure, if you can.âÂ
Peterson lets out a derisive snort. âLet me guess? Did it have an accident, too?â As he tries to sit up, the detective blanches when he canât feel his legs. âM-my legs. W-what happened to my legs? I canât move!âÂ
âOh, sweetie. I told you you needed rest, but you didnât listen to me.âÂ
Petersonâs brow creases when he narrows his eyes. âWhat did you do to me?âÂ
âWhatever do you mean,â she gasps, which the detective notes that itâs a facade.Â
âStop pretending and tell me what you did to me. I never met you before, yet youâre treating me like a son. Then, for some reason, I woke up to notice that I canât move my legs. So you better have an explanation, so help meâ-âÂ
âDonât you dare raise your tone on me, young man!â Agatha interjects, raising her tone in return. âIâm your mother.âÂ
Once more, he makes a derisive snort while shaking his head. âI donât know what youâre talking about, maâam. Youâre not my mother because she is long gone before I was born. And maâam, if you donât explain to me whatâs really going on, I will take you down to the police station with a gun on your head.â Detective Peterson feels through his back to find the gun, but his mouth feels dry when the weapon is no longer there. âDamn it. My gun!âÂ
âOh, about thatâ-â The middle-aged woman approaches the detective, cocking her head to the side while smirking. âThere will be no guns in my house. Now please, be a good boy for me, or you will not get any privileges like watching TV. Is that clear?âÂ
Inside, the detective wants to rebel against the woman who is taking away his dignity. But when he says, âOkay, mom,â the detective covers his mouth. This is uncanny for him to act so vulnerable.Â
Agathaâs smirk spreads. Victory goes to her. âAnd what do you have to say to yourself when you raise that tone on me?âÂ
âI-Iâm sorry, mom.â Again, itâs tearing Peterson apart to behave like this.Â
âGood, boy.â When she pats his cheek, she turns to the door, but not before stating, âIâll be back in a few minutes, honey. I need to grab a couple of things before I can start making lunch for you. Be good for me while Iâm gone.âÂ
As he heard the door close from the front, itâs his cue to leave. Although he feels immobileâ-what with his legs feeling like leadâ-Detective Peterson needs to push past the pain, gather his things, and go home. Though each step he takes sends an electric shock, so he has to stifle his groans. But as he searches for his things in the room, itâs nowhere to be found. So Peterson limps out of the room, looking left and right before going to the next room.Â
But the first room he enters, the detectiveâs gasps in horror.Â
There are photographs of children he recognizes, and when he enters to look inside the drawer, there are different clothes from young boys and girls. Itâs as if this woman had a collection, but something morbid.Â
This is the detectiveâs big break, and he needs to inform the police.Â
Luckily, thereâs a phone nearby, so Peterson hobbles toward it and punches in the numbers quickly. After letting the phone ring for a few seconds, he hears a police officerâs voice. âHello?âÂ
âYes, hello! Detective Peterson, here. I need a couple of men to get down here, right away.âÂ
âWhy? Whatâs the matter?âÂ
âIâm kidnapped by the woman whoâs responsible for abducting children from the past few years. I found crucial evidence that sheâs behind this. You need to hurry, orâ-â
Now the detectiveâs wide eyes are on the middle-aged woman, whose hair is messy and is in front of her face. How did this woman become lovely turned gruesome that shortly?Â
âI-I thought you were doing some errands,â he speaks up after a moment of silence.Â
âI was until I realized that I left my purse.â Agatha eyes on Peterson with playful sadness. âYou disappoint me, my child, just like the others I have raised in the past.âÂ
His throat becomes constricted. So it was the woman responsible for the kidnappingsâ-all the pain she put upon to not only the parents but also the detective himself. âThey were not your children,â he growls. âYou had no right to strip them away from their parents.âÂ
Agatha lets out a bitter laugh, which the detective arches his eyebrow in confusion. âYou know, I said the same thing when my child was taken away from me. I was not allowed to see him because Iâm âunstable.ââ Tears are streaming down her face, but she keeps on laughing. âI still wanted to see my child so badly. So I tried to find every child and strip them away from their families to make them my own. But no matter how much they disobey, they go like thisâŚâ To Petersonâs horror, Agatha makes an irregular sound at the back of her throat while making a killing gesture.Â
âJust because you lost your child, it doesnât mean you should do the same to other peopleâs children! Youâre not making it sound easy, Agatha.âÂ
âDonât you dare call me by my first name,â the middle-aged woman barks. âIâm your mother!âÂ
âYou are not, and you will never be!âÂ
âNow, stop denying it, sweetie, or youâre going to make things worse for your mother.âÂ
Pulling one of the drawers is a gunâ-the same rifle that Detective Peterson possessed. He curses under his breath. How foolish he is not to search his belongings first and then call the police.Â
It will be his fault if the detective is fallen and not able to stop this madwoman.Â
To his relief, there is some shouting in the hall, and the backup Peterson called for has arrived. Three officers are pointing the guns from her behind, ordering Agatha to drop her weapon. After a few seconds of hesitation, she drops the detectiveâs weapon in defeat, and kneels on the floor before one officer handcuffs Agatha.Â
âAre you okay?â asks one officer who approached Detective Peterson.Â
âIâm alright, thanks to you guys.âÂ
âWeâll need to get a statement from you, though.âÂ
Peterson nods in affirmation, knowing that itâs part of the process for arresting someone and all.Â
Suddenly, thereâs shouting among the men, and the detectiveâs heart is pounding when he sees Agatha holding the gun again. How in the world did this woman get her hands on the rifle when he saw her getting handcuffed? âOh, son,â the woman exclaims in disgust. âHow you hurt me so much.âÂ
And the last thing he witnesses is the crazed woman firing her shot at him.Â
                        ââââââ Â
Peterson jolts up from his seat, his breath running shallow as he tries to compose himself. It was all a dream, he thinks when he rubs his eyes while groaning. And it was too real.Â
Taking in his surroundings, Peterson is back in his apartment, sitting at his desk where he just slept. He deduces that he passed out after scanning his reports and evidence for too long. Then the detective eyes on the photo that a witness gave him, where a figure is wearing a familiar brown coat, but the big sunglasses and the blue and yellow shawl is obscuring the identity. Slowly, the detectiveâs eyes adjusts on the next photo that his father gave him, and his heart shatters when he gazes upon the same figure with him when he was a baby.Â
Peterson knows that this cannot go on much longer.Â
So quickly, Peterson grabs his phone from the corner of his desk and punches in the numbers, letting the ringing go on before he hears a click.Â
âHi, can you get a hold of the chief for me? Itâs important.âÂ
A few seconds of waiting, he hears the chiefâs voice.Â
âHi, chief. I think I found some crucial evidence on whoâs behind the missing childrenâs case.âÂ
After explaining the evidence he has, the detective pauses, taking a deep breath before announcing the name. âThe suspect I believe is behind this is Agatha Peterson, my mother.â