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cannot stop thinking abt the paris review’s essay series on the history of significance of certain colours, hue’s hue:

Periwinkle, the Color of Poison, Modernism, and Dusk

Eau de Nil, the Light-Green Color of Egypt-Obsessed Europe

Marian Blue, the Color of Angels, Virgins, and Other Untouchable Things

Incarnadine, the Bloody Red of Fashionable Cosmetics and Shakespearean Poetics

Jonquil, the Light Yellow of Early Flowers, Mad Painters, and Dust Bowl–Era Pottery

Scheele’s Green, the Color of Fake Foliage and Death

Lilac, the Color of Half Mourning, Doomed Hotels, and Fashionable Feelings

Hooker’s Green: The Color of Apple Trees and Envy

Blaze Orange, the Color of Fear, Warnings, and the Artificial

Chartreuse, the Color of Elixirs, Flappers, and Alternate Realities

Living Coral, the Brutal Hue of Climate Change and Brand New iPhones

Mustard, the Color of Millennial Candidates, Problematic Lattes, and Aboriginal Paintings

Russet, the Color of Peasants, Fox Fur, and Penance