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I've had a very tense but not very busy day. Which has resulted in me having time to edit my current WIP, but not the mental capacity. So instead I wrote this silly fluffy little thing. I hope you enjoy it!
*
In a secluded spot at a party at Felice's, Wille is about to kiss his best friend. Or his best friend is about to kiss him. And then they're going to have some talking to do.
The fastest way to accomplish The Project is to cease being afraid of The Project. The Project cannot maim you. The Project cannot kill you. The Project is more afraid of you than you are of it. It is okay if The Project turns out differently from how it was in your head, and it is okay if it has flaws. You are capable of engaging with The Project.
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I was travelling yesterday and I've got out of the habit of doing these (I'm also nervous about sharing my current WIP). But here's a little bit from the very first chapter of my next project. I've been leaning heavily into the editing this week, and I am not usually big on editing at all. But the world building in this has required me to engage my brain more than usual. Send strength 😅
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"I mean," Rosh says after a while, "someone else could probably do a better job."
Simon huffs an unamused laugh. "Of what?"
"Of running this place." She gestures around. At some point, Annette has slipped away without a word. She does that.
"Oh yeah? Are you volunteering?"
"No. I just… Surely someone else could, I dunno, make everything suck less?"
Ayub chuckles. "I think the apocalypse is what makes it suck. Not the government."
"That's what you think." Rosh shoves his shoulder. "How do we know they're not, like, keeping a load of stuff from us. Do you trust them?"
"No," Ayub says defensively. "But… What could they be hiding? Heated blankets and electricity and running fucking water. Nah. No way."
"Well they definitely have better food than whatever that shit was," she argues.
"Perhaps we need to befriend some of them."
"The Order?" Simon asks, horrified.
"No!" Ayub cries. "The Society. Then we'd be able to spend time in the warmer homes, and eat the better food and—"
"And look down our noses at everyone else?" Rosh interrupts.
When I was a little boy, girls used to just do random cartwheels for no reason. Then one day, they stopped. Now that I am a man, no women randomly do cartwheels. This is because society is evil and killed the cartwheel impulse in their soul. They don't even spin horizontally anymore. It's fucked up.
Absolutely love Humming by Gracie Abrams and I can't help but relate it to Wilmon. Them finding comfort from the current situation of the world in each other and the ordinary moments.
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I just love Felice so much🥺🥺🥺 she's such a wonderful person and I believe that anyone who gains her friendship has hit the absolute jackpot 😌💜
I also think she and Simon would make great friends - they didn't have a very large amount of interactions in canon but both of them care very fiercely for those close to them, have a strong moral compass (which of course developes more over the course of the series and afterwards, they're teens after all) and speak up when they are treated unjustly. Of course they also have a lot of potential to hang out more in the future what with both of them being connected with Sara and Wille
But yeah, I hope Felice has the best life post canon 💜💜💜
please wear sunscreen!!! I've seen "fuck the beauty industrial complex" posts about complicated skincare regimens and am 100% with them except sometimes they mention sunscreen and no. no. absolutely not. sunscreen is a wonderful supportive friend who wants to keep you safe, and you should let her do it. throw out all your other cosmetics and skincare products if you want, but keep your sunscreen. and if you're not wearing sunscreen, start wearing it!!!! this is not about terror of aging, this is not about every tiny imperfection our fucked-up culture has made you feel insecure about, this is about protecting yourself from skin cancer. wear the damn sunscreen.
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yet another ficlet inspired by some art i’ve seen, you ask? why yes, that’s exactly what this is. the idea for this hit me as i sat watching bouchra khalili’s (b. 1975, french-moroccan) video installation called the public scribe.
918 words, AU, magical realism (i think)
The building is much like all the buildings in the neighbourhood. The door is very unassuming too, the brown of it blending well in with the yellow of the walls. There is no sign above it – only indication of the business is a little brass plaque below the door window. Simon Eriksson, it says. Beneath the name, with a slightly smaller text, Letters.
It’s not a business advertised on the metro stations or in the newspapers. There is no loud social media presence. It does not appear in search engines.
No, it’s a business that people find out about through word of mouth. Someone whispers about the man who writes letters, another person mentions it in passing. It’s a business only the most desperate ones know exists.
Wilhelm stands across the street, late morning drizzle slowly turning his coat damp as he stares at the door.
He knows he shouldn’t be here. He knows the whole business is most likely an attempt to cash in on the grief and longing of people like him. He knows the service the man claims to offer sounds impossible, a bluff, even if the people he’s talked to are adamant it is real. He knows he should not waste his money on it.
And yet.
The clock strikes the hour and the door opens just slightly, to indicate the business is now open for the day. Wilhelm knows he should turns around and walk back home.
He crosses the street.
The door is heavy, but swing open surprisingly easily. Inside, the lights are dim save for the one brightly lit lamp on the desk sitting almost in the middle of the small room.
Wilhelm looks around and takes in the several potted plants, the burgundy armchair and small wooden table by the window and the large shelves behind the desk.
There is a man standing behind the desk, facing the shelves. He’s shorter than Wilhelm and his brown curls tickle the collar of his orange sweatshirt. It’s an oddly casual thing to wear for something like this, Wilhelm finds himself thinking.
When the man turns, Wilhelm is met with warm eyes. The man must be around his age, much younger than Wilhelm expected. If he recognises Wilhelm, he doesn’t let it show.
“Hello. I’m Simon, how can I help you?” the man asks, the timbre of his voice soothing.
Wilhelm opens his mouth but no sound comes out. He clears his throat, suddenly feeling awkward. “I’d, uhh, like to send a letter,” he stammers, as if it wasn’t somehow obvious. Wilhelm wonders if Simon asks every person entering the room the same question.
“Of course,” Simon nods, his eyes studying Wilhelm’s face, ”Have you sent a letter before?”
A hollow laugh escapes Wilhelm. He has sent more letters in his life than he can count. Official correspondence, written on thick cream coloured paper and signed with fountain pens. “Not like this,” is what he answers, scraping his thumbnail against the cuticle of his pinkie.
Simon nods again. “That’s alright. I assume you’re here because someone recommended it. How familiar are you with letters like ours?”
Wilhelm shrugs, feeling the back of his neck grow warmer. “I just know you write down what I say and then… send the letter somewhere?”
Simon’s response is a tired sigh, so quiet if Wilhelm wasn’t paying attention he’d probably miss it. “Yes, I write down what you want to tell the person you’re addressing the letter to. The recipient will receive your message once I’ve finished writing, and the letter will then cease to exist. There will be no envelope with your name waiting if you come back, that’s not how this works. If you get a response, you will know it, but it does not come in a letter form.”
This time it’s Wilhelm’s turn to nod. He was told there would be no letters to him, not as long as he was on this side. It’s the thought of being able to tell what’s on his mind, what no one else will understand, that’s driven him here.
“I understand,” Wilhelm says.
“Good. Many people don’t.”
Wilhelm wonders what kind of people Simon has had to encounter before. If people have demanded responses to their letters from him, threatened him when told it would not happen. He wonders what people have confessed in their letters, and if Simon remembers all the things he writes down.
“Do you, uhh, keep track of who comes here? What they want to say in the letters?” he asks instead, looking at the shelves behind Simon.
“I only keep track as much as I need to. Everything you say in the letter is confidential and I will not judge you for your words,” Simon says and the way he speaks reminds Wilhelm a bit of his therapist. “Do you still want me to write a letter for you?” Simon asks then.
“Yes,” Wilhelm says, after the briefest moment of hesitation. There isn’t anything for him to lose. He isn’t sure there’s anything to gain either, but it won’t hurt to try. ”How does this work?”
Simon points at the armchair as he sits down behind the desk. As Wilhelm lowers himself down the plush chair, Simon pulls forward an ordinary looking sheet of paper and picks up a pen. Then he looks at Wilhelm and holds his gaze when he asks, “Who would you like to send the letter to? Who has died?”
Found myself wanting to say that "consuming text is easy and passive, unlike video which requires active effort to watch" and then realized this is the opposite of what basically every other human being would say.
#well. on tumblr you get the thunderous applause. #I recall watching Hank Green talk about how under intense stress he didn’t want to read a bunch of text #he wanted a video to explain things to him #and even though it should have been obvious that a VIDEO CREATOR likes video #my mind was moderately boggled #what do you MEAN you find video EASIER and lower effort #that’s not a real thing - via @tuesdayisfordancing