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@silencefools-blog

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Alexej Titarenko: Saint Petersburg, 1999
One friend of mine questioned whether staging a protest on private property was fair to the hall, the orchestra and the audience. I’m not sure I agree. If the concert hall can’t be the center of civic life, a hub for intellectual discussion, a place to share ideas, a place we can mourn, cry, scream, love and heal together, we may as well burn every concert hall to the ground. When we value genteel niceties and professional convenience over the existential questions of right and wrong, life and death, we, as artists, have probably made ourselves completely irrelevant. […] It has been a widely accepted truism in my lifetime that music and politics ought to be kept separate. There is a kernel of wisdom in this idea. Music ought to bring us together, not drive us apart, and I know that by keeping my political ideals out of the discussion to the best of my ability in the workplace, I’ve been able to form countless friendships and vital collaborations with people who have very different political outlooks and world-views from me. The social act of making and sharing music has provided a framework and a forum for me, and them I hope, to find common ground. It’s important we nurture that fragile shared public space. On the other hand, if we can’t agree on the rightness and wrongness of certain things, what is the point of that public space? If we can’t find some common ground in our understanding of massive historical events and social problems, what hope to we have of improving the human condition? How perfect is it that the protesters sang “Which Side are You on?” I read that as referring to the side of life or the side of death, the side of love or the side of hate, the side of peace or the side of murder. Too many people seem to be seeing it [in] terms of the side of white people or the side of black people, the side of the cops or the side of Mike Brown. Simply agreeing on the pleasant sound made by a fine orchestra and chorus performing Brahms is not enough. Classical music, worried about alienating funders and scaring off audience, has completely neutered itself in my lifetime. Politics is a combative business- a rough and imprecise way of working through the problems society faces. All too often, in order to appear reasonable and unbiased, our social discourse offers equal time to both right and wrong. Art can help us to illuminate and clarify what is right and what is wrong by engaging and awakening our sense of empathy. Which Side are You on? We hope you’re on the side of empathy.
Conductor Kenneth Woods on the St. Louis Requiem Protest which took place during a St. Louis Symphony concert this past weekend (x)

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Model: Diego Moncada | Ph: Pelagio Armenta
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DSC08889.jpg by ntstnori

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