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Writing your Character's "Twin Flame" or "Soulmate"
Twin Flame - a relationship between people who share passions and personality traits.
In many cultures, the concept is two halves of one soul.
In Spanish, for example, the term “media naranja” translates to “half of the orange.”
Twin flame love can be platonic, emotional, romantic, intellectual, or a combination. Sometimes a twin flame connection bonds best friends; other times, it can initiate a romantic relationship.
Regardless of the relationship form, twin flame connections can spur profound spiritual growth and might even put people on a new life path.
Soulmate - someone with whom you share immense compatibility.
Deep connections forge soulmates, and while people often see soulmates through a rom-com lens as a love story-perfect match, soulmates can transcend much more than romantic love.
It is possible that your true love—your spouse or romantic partner—is your soulmate, but you can have another or a different soulmate, like a family member, best friend, mentor, or business partner.
Healthy relationships outside of marriage are essential.
Still, when people mention a soulmate, they often refer to “the one”: the person with whom they share an instant connection and romantic interest.
No matter what kind of soulmate you have or seek, this person will uplift and fulfill you in life-changing ways.
Signs You’ve Met Your Twin Flame
i'm obssesed and deranged
i have existed for years
but very little has changed
i'm the tool of the government
and industry too
for I am destined to rule
and regulate you
ASOIAF OC WEEK: DAY 4— LIFE AND LOSS!
grief | before & after | influences | future
THE RAT AND HIS BIRD
Larys Strong would clip Mei's wings so she could never fly from him. Yet, he forgot that a bird does not need wings to eat a rat.
📜 ASOIAF WEEK 📜 / DAY THREE
🌙 RELATIONSHIPS 🌙 | ARYN AND HER HUSBAND
Fantasy Armoury: Swords
I love swords. Love them. Swords are to fantasy as walls to a castle. You need your swords to battle dragons, usurpers, knights and wizards. So lets go into the armory and learn about swords.
Anatomy of a typical sword
Crossguard: This is the part of the sword between the hilt and blade. This protects the hand.
Blade: The sharp end, duh
Hilt: This is the part you hold. Also called a grip.
Pommel: the end of the sword attached to the hilt. This can be decorated as you like.
Fuller: this is a hollow running up the sword.
Edge: the sharpened sides of the blade. Can be singular or double.
The point: The pointy bit at the top. Stick them into the person (jon snow logic)
Types of Swords
Claymore: This is the Scottish Gaelic version of the Great Sword. It is a heavy sword with a long reach
Longsword: Medieval and Renaissance weapon commonly used with with two hands.
Bastard sword: It is a cross between a long sword and a great sword because it is a half a foot extra. It belongs to the Longsword family of swords.
Gladius: an ancient Roman blade used by gladiators and then legionaires. There is no crossguard. It is also called a shortsword. Made for stabbing rather than slashing.
Xiphos: double-edged, single-handed sword used by ancient greeks. The blade is commonly leaf shaped made for slashing.
Sabre or Rapier: This is a slender blade used by fencers. This blade might not be able to hack a head but its light weight makes the blade an asset in speed.
Katana: The Japanese samurai sword. This is single-edged and the blade is hammered thin. Made for speed and deadly sharp.
Scimitar: a curved blade with a singled edge.
Sword Moves
Advance - to attack, going forward.
Deflect - engaging sword with your own and pushing it away
Empty Fade - jumping backwards as if to retreat then attacking.
Front Guard - the sword is held in front of your face.
Full Iron Gate Guard - the sword is halfway between your legs, angled right.
Half Iron Gate Guard - the sword is held before your left leg.
Lunge - leaping forwards while feet are in the same stance.
Pass Back - moving your front foot into the rear position.
Pass Forward - moving your rear foot into the front position.
Pivot - Rotating 180 degrees, keeping dominant foot stationary.
Retreat - a movement backwards.
Shed - to allow a sword to slide away off your sword.
Short Guard - the hilt is at your hip and the point is forward.
Step Across - Rotating 180 degrees, crossing feet and spinning.
Tail Guard - the hilt is at your hip and the sword is behind you.
Two Horn Guard - pommel is at your chest with the sword pointing out.
Window Guard - a guard where the hilt is at your ear and the sword points forwards
Things to remember about swords
1. When drawing your sword, the scabbard is on your opposite hip. You draw it over your body
2. If a sword is two-handed, use two hands. Don’t try be cool. You will cut yourself.
3. Swords are sharpened using a whetstone and polished with oil clothes. Water rusts them. Look after your swords.
4. Scabbards are always made of wood
5. Practise with a blunted sword first. Blunt swords are used in tourneys.
6. Shields are your friend in defence but can hamper your ability to attack.
7. Sword to size. Smaller and weaker swordsmen(women) can’t any wield heavier swords. Bulkier and stronger swordsmen(women) can wield heavier swords. Match sword type to body type.

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Fantasy Guide to Feasts, Food and Drink
Picture yourself at a banquet held at the local Lord's castle. The music is playing, the people are chatting and rustling about in their best clothes. You sit at a table and what sits before you? Not chicken nuggets, my friend.
Food is always one of the staples of any world you build. You can get a feel of class, society and morality just by looking at the spread before you on the table.
Food for lower classes (Peasants)
Most peasants lived off the land, rearing flocks, tilling fields and tending orchards. If they lived near the sea, lakes, rivers or streams, they would fish. But since they lived on land owned by churches or lords, they would only be allowed a portion of what they grew. In cities, the peasants would buy food from one another at the market.
Peasants would make bread out of rye grain, that would make the bread very dark. In some communities they would make sourdough, which involves using a piece of dough you made the day before to make that day's bread.
Eggs were a source of food that was easy to come by as farmers kept chickens on hand.
Cheese and butter would be sold and used in the farm.
Jam would also be made as it was easy to preserve and sell.
Peasants would not eat much meat. Chickens made money by laying eggs, pigs could be fattened and sold for profit and cows and goats would be used for milk. By killing any of these animals for food they would loose a portion of money. Poaching (hunting on private land owned by the lord) would come with severe penalties.
Pottage and stew were a favourite of peasants as they could throw any vegetables or bit of meat or fish in a pot to cook for a few hours. It wasn't a difficult dish to make and often inexpensive.
Pies, pasties and pastries would be a favourite at inns and taverns in towns and cities most containing gravy, meat and vegetables.
With most villages and farms set close to forests, many peasants could find berries at the edge of fields. Blueberries, blackberries, raspberries would have all grown wild.
Food for Nobility & Royalty
Nobility and Royalty could always afford better food than the poor. However it might be a patch more unhealthy than the poor's fare. Nobility and Royalty weren't fans of vegetables.
The rich would eat a lot of meat, much of which they would hunt down themselves on their own land. Deer, wild boar, rabbits, turkey and other wild creatures would all be on the table.
Nobility and Royalty would be fond of fish as well. Lamprey eels was a delicacy only preserved for special occasions.
They could afford salt which was important for preserving meat and fish. This would allow the castle/manor/palace to be stocked in times of winter or famine.
They could also afford pepper and other spices, all of which could cost a fortune, to flavour their food.
During a feast, they would eat off of platters made of precious metals but only if you were seated at the high table. Other less important guests would eat off a trencher, a piece of hollowed out stale bread.
Sugar would be the height of dessert. The sugar would be shaped into fantastical formations to impress the noble guests. Tudor chefs would create edible sugar plates for Henry VIII to eat off of.
Swans and peacocks would be served in their plumage. Swans would be more royal diners as in England the monarch owns all the swans. In Ireland, it is illegal to kill a swan mainly because they could be children trapped in swan-bodies. Long story.
Feasts
At certain events, the noble/monarch might throw a party. Most parties would begin with a dinner.
The high table would seat the family throwing the party and the honoured guests. All the food would come to them first to be distributed to their favourites. They would drink the best wine and have the finest bread.
The rest of the hall would be seated together at trestle tables, eating off trenchers. They would be sent food by the thrower of the feast on account of their personal importance or social standing. The closer you were to the salt cellar, placed at the head of the table the more important you were. The further away you were, the lower your status.
Servants called cupbearers would serve wine and drink and move about the hall to carry jugs of wine to water the guests.
Dogs would often be found in the hall, to be fed scraps by the diners.
Drink
No world or party is complete without the booze. Since much of the water in Mediaeval times was putrid or dirty, the classes would avoid it.
Beer: was both a favourite of peasants and the nobility. It would be brewed in castles or in taverns and inns, each site having a different recipe and taste. It would be stored in barrels. Beer was widely available across the world and could be brewed at home. So therefore it was inexpensive.
The two main types of beer would be:
Ale: Ale in the middle ages referred to beer brewed without hops (a kind of flowering plant that gives beer its bitter taste). It is sweeter and would typically have a fruity aftertaste.
Stout: is a darker beer sometimes brewed from roasted malt, coming in a sweet version and dry version, the most famous stout being Guinness.
Wine: Wine would be made on site of vineyards and stored in cellars of large houses or castles. They would be expensive as they would have to be imported from regions capable of growing vines.
Port: Port wine or fortified wine would be made with distilled grape spirits. It is a sweet red wine, and also would be expensive to import from the counties able to grow the correct vines.
Whiskey: is a spirit made from distilled fermented grain mash in a device called a still (which would always be made of copper). The age of whiskey is determined by the length of time it has been sitting in a cask from the time it is made to the time its put in bottles. Whiskey was a favourite drink in colder climates and could be made any where in the world.
Rum: Rum is made by fermenting and distilling sugarcane molasses/juice. It is aged in oak barrels and would have to be imported as it could only be made in lands able to grow sugarcane.
Poitín: (pronounced as pot-cheen) is made from cereals, grain, whey, sugar beet, molasses and potatoes. It is a Dangerous Drink (honestly i still don't know how I ended up in that field with a traffic cone and a Shetland pony) and technically illegal. Country folk in Ireland used to brew it in secrets in stills hidden on their land.
Fantasy Guide to Architecture
This post has been waiting on the back burner for weeks and during this time of quarantine, I have decided to tackle it. This is probably the longest post I have ever done. I is very tired and hope that I have covered everything from Ancient times to the 19th Century, that will help you guys with your worldbuilding.
Materials
What you build with can be determined by the project you intend, the terrain you build on and the availability of the material. It is one characteristic that we writers can take some some liberties with.
Granite: Granite is an stone formed of Igneous activity near a fissure of the earth or a volcano. Granites come in a wide range of colour, most commonly white, pink, or grey depending on the minerals present. Granite is hard and a durable material to build with. It can be built with without being smoothed but it looks bitchin' and shiny all polished up.
Marble: Probably everyone's go to materials for building grand palaces and temples. Marble is formed when great pressure is placed on limestone. Marble can be easily damaged over time by rain as the calcium in the rock dissolves with the chemicals found in rain. Marble comes in blue, white, green, black, white, red, gray and yellow. Marble is an expensive material to build with, highly sought after for the most important buildings. Marble is easy to carve and shape and polishes to a high gleam. Marble is found at converging plate boundaries.
Obsidian: Obsidian is probably one of the most popular stones mentioned in fantasy works. Obsidian is an igneous rock formed of lava cooling quickly on the earth's surfaces. Obsidian is a very brittle and shiny stone, easy to polish but not quite a good building material but a decorative one.
Limestone: Limestone is made of fragments of marine fossils. Limestone is one of the oldest building materials. Limestone is an easy material to shape but it is easily eroded by rain which leads most limestone monuments looking weathered.
Concrete: Concrete has been around since the Romans. Concrete is formed when aggregate (crushed limstone, gravel or granite mixed with fine dust and sand) is mixed with water. Concrete can be poured into the desired shape making it a cheap and easy building material.
Brick: Brick was one of history's most expensive materials because they took so long to make. Bricks were formed of clay, soil, sand, and lime or concrete and joined together with mortar. The facade of Hampton Court Palace is all of red brick, a statement of wealth in the times.
Glass: Glass is formed of sand heated until it hardens. Glass is an expensive material and for many years, glass could not be found in most buildings as having glass made was very expensive.
Plaster: Plaster is made from gypsum and lime mixed with water. It was used for decoration purposes and to seal walls. A little known fact, children. Castle walls were likely painted with plaster or white render on the interior.
Wattle and Daub: Wattle and daub is a building material formed of woven sticks cemented with a mixture of mud, one of the most common and popular materials throughout time.
Building terms
Arcade: An arcade is a row of arches, supported by columns.
Arch: An arch is a curved feature built to support weight often used for a window or doorway.
Mosaic: Mosaics are a design element that involves using pieces of coloured glass and fitted them together upon the floor or wall to form images.
Frescos: A design element of painting images upon wet plaster.
Buttress: A structure built to reinforce and support a wall.
Column: A column is a pillar of stone or wood built to support a ceiling. We will see more of columns later on.
Eave: Eaves are the edges of overhanging roofs built to allow eater to run off.
Vaulted Ceiling: The vaulted ceilings is a self-supporting arched ceiling, than spans over a chamber or a corridor.
Colonnade: A colonnade is a row of columns joined the entablature.
Entablature: a succession of bands laying atop the tops of columns.
Bay Window: The Bay Window is a window projecting outward from a building.
Courtyard/ Atrium/ Court: The courtyard is an open area surrounded by buildings on all sides
Dome: The dome resembles a hollow half of a sphere set atop walls as a ceiling.
Façade: the exterior side of a building
Gable: The gable is a triangular part of a roof when two intersecting roof slabs meet in the middle.
Hyphen: The hyphen is a smaller building connecting between two larger structures.
Now, let's look at some historical building styles and their characteristics of each Architectural movement.
Classical Style
The classical style of Architecture cannot be grouped into just one period. We have five: Doric (Greek), Ionic (Greek), Corinthian (Greek), Tuscan (Roman) and Composite (Mixed).
Doric: Doric is the oldest of the orders and some argue it is the simplest. The columns of this style are set close together, without bases and carved with concave curves called flutes. The capitals (the top of the column) are plain often built with a curve at the base called an echinus and are topped by a square at the apex called an abacus. The entablature is marked by frieze of vertical channels/triglyphs. In between the channels would be detail of carved marble. The Parthenon in Athens is your best example of Doric architecture.
Ionic: The Ionic style was used for smaller buildings and the interiors. The columns had twin volutes, scroll-like designs on its capital. Between these scrolls, there was a carved curve known as an egg and in this style the entablature is much narrower and the frieze is thick with carvings. The example of Ionic Architecture is the Temple to Athena Nike at the Athens Acropolis.
Corinthian: The Corinthian style has some similarities with the Ionic order, the bases, entablature and columns almost the same but the capital is more ornate its base, column, and entablature, but its capital is far more ornate, commonly carved with depictions of acanthus leaves. The style was more slender than the others on this list, used less for bearing weight but more for decoration. Corinthian style can be found along the top levels of the Colosseum in Rome.
Tuscan: The Tuscan order shares much with the Doric order, but the columns are un-fluted and smooth. The entablature is far simpler, formed without triglyphs or guttae. The columns are capped with round capitals.
Composite: This style is mixed. It features the volutes of the Ionic order and the capitals of the Corinthian order. The volutes are larger in these columns and often more ornate. The column's capital is rather plain. for the capital, with no consistent differences to that above or below the capital.
Islamic Architecture
Islamic architecture is the blanket term for the architectural styles of the buildings most associated with the eponymous faith. The style covers early Islamic times to the present day. Islamic Architecture has some influences from Mesopotamian, Roman, Byzantine, China and the Mongols.
Paradise garden: As gardens are an important symbol in Islam, they are very popular in most Islamic-style buildings. The paradise gardens are commonly symmetrical and often enclosed within walls. The most common style of garden is split into four rectangular with a pond or water feature at the very heart. Paradise gardens commonly have canals, fountains, ponds, pools and fruit trees as the presence of water and scent is essential to a paradise garden.
Sehan: The Sehan is a traditional courtyard. When built at a residence or any place not considered to be a religious site, the sehan is a private courtyard. The sehan will be full of flowering plants, water features snd likely surrounded by walls. The space offers shade, water and protection from summer heat. It was also an area where women might cast off their hijabs as the sehan was considered a private area and the hijab was not required. A sehan is also the term for a courtyard of a mosque. These courtyards would be surrounded by buildings on all sides, yet have no ceiling, leaving it open to the air. Sehans will feature a cleansing pool at the centre, set under a howz, a pavilion to protect the water. The courtyard is used for rituals but also a place of rest and gathering.
Hypostyle Hall: The Hypostyle is a hall, open to the sky and supported by columns leading to a reception hall off the main hall to the right.
Muqarnas : Muqarnas is a type of ornamentation within a dome or a half domed, sometimes called a "honeycomb", or "stalactite" vaulted ceiling. This would be cast from stone, wood, brick or stucco, used to ornament the inside of a dome or cupola. Muqarnas are used to create transitions between spaces, offering a buffer between the spaces.
African Architecture
African Architecture is a very mixed bag and more structurally different and impressive than Hollywood would have you believe. Far beyond the common depictions of primitive buildings, the African nations were among the giants of their time in architecture, no style quite the same as the last but just as breathtaking.
Somali architecture: The Somali were probably had one of Africa's most diverse and impressive architectural styles. Somali Architecture relies heavy on masonry, carving stone to shape the numerous forts, temples, mosques, royal residences, aqueducts and towers. Islamic architecture was the main inspiration for some of the details of the buildings. The Somali used sun-dried bricks, limestone and many other materials to form their impressive buildings, for example the burial monuments called taalo
Ashanti Architecture: The Ashanti style can be found in present day Ghana. The style incorporates walls of plaster formed of mud and designed with bright paint and buildings with a courtyard at the heart, not unlike another examples on this post. The Ashanti also formed their buildings of the favourite method of wattle and daub.
Afrikaner Architecture: This is probably one of the oddest architectural styles to see. Inspired by Dutch settlers (squatters), the buildings of the colony (planters/squatters) of South Africa took on a distinctive Dutch look but with an Afrikaner twist to it making it seem both familiar and strange at the same time.
Rwandan Architecture: The Rwandans commonly built of hardened clay with thatched roofs of dried grass or reeds. Mats of woven reeds carpeted the floors of royal abodes. These residences folded about a large public area known as a karubanda and were often so large that they became almost like a maze, connecting different chambers/huts of all kinds of uses be they residential or for other purposes.
Aksumite Architecture: The Aksumite was an Empire in modern day Ethiopia. The Aksumites created buildings from stone, hewn into place. One only has to look at the example of Bete Medhane Alem to see how imposing it was.
Yoruba Architecture: Yoruba Architecture was made by earth cured until it hardened enough to form into walls, or they used wattle and daub, roofed by timbers slats coated in woven grass or leaves. Each unit divided up parts of the buildings from facilities to residences, all with multiple entrances, connected together.
Igbo Architecture: The Igbo style follows some patterns of the Yoruba architecture, excepting that there are no connected walls and the spacing is not so equal. The closer a unit was to the centre, the more important inhabitants were.
Hausa architecture: Hausa Architecture was formed of monolithic walls coated in plaster. The ceilings and roof of the buildings were in the shape of small domes and early vaulted ceilings of stripped timber and laterite. Hausa Architecture features a single entrance into the building and circular walls.
Nubian Architecture: Nubia, in modern day Ethiopia, was home to the Nubians who were one of the world's most impressive architects at the beginning of the architecture world and probably would be more talked about if it weren't for the Egyptians building monuments only up the road. The Nubians were famous for building the speos, tall tower-like spires carved of stone. The Nubians used a variety of materials and skills to build, for example wattle and daub and mudbrick. The Kingdom of Kush, the people who took over the Nubian Empire was a fan of Egyptian works even if they didn't like them very much. The Kushites began building pyramid-like structures such at the sight of Gebel Barkal
Egyptian Architecture: The Egyptians were the winners of most impressive buildings for s good while. Due to the fact that Egypt was short on wood, Ancient Egyptians returned to building with limestone, granite, mudbrick, sandstone which were commonly painted with bright murals of the gods along with some helpful directions to Anubis's crib. The Egyptians are of course famous for their pyramids but lets not just sit on that bandwagon. Egyptian Architecture sported all kinds of features such as columns, piers, obelisks and carving buildings out of cliff faces as we see at Karnak. The Egyptians are cool because they mapped out their buildings in such a way to adhere to astrological movements meaning on special days if the calendar the temple or monuments were in the right place always. The Egyptians also only build residences on the east bank of the Nile River, for the opposite bank was meant for the dead. The columns of Egyptian where thicker, more bulbous and often had capitals shaped like bundles of papyrus reeds.
Chinese Architecture
Chinese Architecture is probably one of the most recognisable styles in the world. The grandness of Chinese Architecture is imposing and beautiful, as classical today as it was hundreds of years ago.
The Presence of Wood: As China is in an area where earthquakes are common, most of the buildings are were build of wood as it was easy to come across and important as the Ancient Chinese wanted a connection to nature in their homes.
Overhanging Roofs: The most famous feature of the Chinese Architectural style are the tiled roofs, set with wide eaves and upturned corners. The roofs were always tiled with ceramic to protect wood from rotting. The eaves often overhung from the building providing shade.
Symmetrical Layouts: Chinese Architecture is symmetrical. Almost every feature is in perfect balance with its other half.
Fengshui: Fengshui are philosophical principles of how to layout buildings and towns according to harmony lain out in Taoism. This ensured that the occupants in the home where kept in health, happiness, wealth and luck.
One-story: As China is troubled by earthquakes and wood is not a great material for building multi-storied buildings, most Chinese buildings only rise a single floor. Richer families might afford a second floor but the single stories compounds were the norm.
Orientation: The Ancient Chinese believed that the North Star marked out Heaven. So when building their homes and palaces, the northern section was the most important part of the house and housed the heads of the household.
Courtyards: The courtyard was the most important area for the family within the home. The courtyard or siheyuan are often built open to the sky, surrounded by verandas on each side.
Japanese Architecture
Japanese Architecture is famous for its delicacy, smooth beauty and simplistic opulence. Japanese Architecture has been one of the world's most recognisable styles, spanning thousands of years.
Wood as a Common Material: As with the Chinese, the most popular material used by the Japanese is wood. Stone and other materials were not often used because of the presence of earthquakes. Unlike Chinese Architecture, the Japanese did not paint the wood, instead leaving it bare so show the grain.
Screens and sliding doors: The shoji and fusuma are the screens and sliding doors are used in Japanese buildings to divide chambers within the house. The screens were made of light wood and thin parchment, allowing light through the house. The screens and sliding doors were heavier when they where used to shutter off outside features.
Tatami: Tatami mats are used within Japanese households to blanket the floors. They were made of rice straw and rush straw, laid down to cushion the floor.
Verandas: It is a common feature in older Japanese buildings to see a veranda along the outside of the house. Sometimes called an engawa, it acted as an outdoor corridor, often used for resting in.
Genkan: The Genkan was a sunken space between the front door and the rest of the house. This area is meant to separate the home from the outside and is where shoes are discarded before entering.
Nature: As both the Shinto and Buddhist beliefs are great influences upon architecture, there is a strong presence of nature with the architecture. Wood is used for this reason and natural light is prevalent with in the home. The orientation is meant to reflect the best view of the world.
Indian Architecture
India is an architectural goldmine. There are dozens of styles of architecture in the country, some spanning back thousands of years, influenced by other cultures making a heady stew of different styles all as beautiful and striking as the last.
Mughal Architecture: The Mughal architecture blends influences from Islamic, Persian along with native Indian. It was popular between the 16th century -18th century when India was ruled by Mughal Emperors. The Taj Mahal is the best example of this.
Indo-Saracenic Revival Architecture: Indo Saracenic Revival mixes classical Indian architecture, Indo-Islamic architecture, neo-classical and Gothic revival of the 1800s.
Cave Architecture: The cave architecture is probably one of the oldest and most impressive styles of Indian architecture. In third century BC, monks carved temples and buildings into the rock of caves.
Rock-Cut Architecture: The Rock-cut is similar to the cave style, only that the rock cut is carved from a single hunk of natural rock, shaped into buildings and sprawling temples, all carved and set with statues.
Vesara Architecture: Vesara style prevalent in medieval period in India. It is a mixture of the Dravida and the Nagara styles. The tiers of the Vesara style are shorter than the other styles.
Dravidian Architecture: The Dravidian is the southern temple architectural style. The Kovils are an example of prime Dravidian architecture. These monuments are of carved stone, set up in a step like towers like with statues of deities and other important figures adorning them.
Kalinga Architecture: The Kalinga style is the dominant style in the eastern Indian provinces. The Kalinga style is famous for architectural stipulations, iconography and connotations and heavy depictions of legends and myths.
Sikh Architecture: Sikh architecture is probably the most intricate and popular of the styles here. Sikh architecture is famous for its soft lines and details.
Romanesque (6th -11th century/12th)
Romanesque Architecture is a span between the end of Roman Empire to the Gothic style. Taking inspiration from the Roman and Byzantine Empires, the Romanesque period incorporates many of the styles.
Rounded arches: It is here that we see the last of the rounded arches famous in the classical Roman style until the Renaissance. The rounded arches are very popular in this period especially in churches and cathedrals. The rounded arches were often set alongside each other in continuous rows with columns in between.
Details: The most common details are carved floral and foliage symbols with the stonework of the Romanesque buildings. Cable mouldings or twisted rope-like carvings would have framed doorways.
Pillars: The Romanesque columns is commonly plainer than the classical columns, with ornate captials and plain bases. Most columns from this time are rather thick and plain.
Barrel Vaults: A barrel vaulted ceiling is formed when a curved ceiling or a pair of curves (in a pointed ceiling). The ceiling looks rather like half a tunnel, completely smooth and free of ribs, stone channels to strengthen the weight of the ceiling.
Arcading: An arcade is a row of arches in a continual row, supported by columns in a colonnade. Exterior arcades acted as a sheltered passage whilst inside arcades or blind arcades, are set against the wall the arches bricked, the columns and arches protruding from the wall.
Gothic Architecture (12th Century - 16th Century)
The Gothic Architectural style is probably one of the beautiful of the styles on this list and one of most recognisable. The Gothic style is a dramatic, opposing sight and one of the easiest to describe.
Pointed arch: The Gothic style incorporates pointed arches, in the windows and doorways. The arches were likely inspired by pre-Islamic architecture in the east.
Ribbed vault: The ribbed vault of the Gothic age was constructed of pointed arches. The trick with the ribbed vaulted ceiling, is that the pointed arches and channels to bear the weight of the ceiling.
Buttresses: The flying buttress is designed to support the walls. They are similar to arches and are connected to counter-supports fixed outside the walls.
Stained-Glass Window: This is probably one of the most recognisable and beautiful of the Gothic features. They can be set in round rose windows or in the pointed arches.
Renaissance Architecture (15th Century- 17th Century)
Renaissance architecture was inspired by Ancient Roman and Greek Architecture. Renaissance Architecture is Classical on steroids but has its own flare. The Renaissance was a time for colour and grandeur.
Columns and pilasters: Roman and Greek columns were probably the greatest remix of the Renaissance period. The architecture of this period incorporated the five orders of columns are used: Tuscan, Doric, Ionic, Corinthian and Composite. The columns were used to hold up a structure, support ceilings and adorn facades. Pilasters were columns within a chamber, lining the walls for pure decoration purposes.
Arches: Arches are rounded in this period, having a more natural semi-circular shape at its apex. Arches were a favourite feature of the style, used in windows, arcades or atop columns.
Cupola: Is a small dome-like tower atop a bigger dome or a rooftop meant to allow light and air into the chamber beneath.
Vaulted Ceiling/Barrel Vault: Renaissance vaulted ceilings do not have ribs. Instead they are semi-circular in shape, resting upon a square plain rather than the Gothic preference of rectangular. The barrel vault held by its own weight and would likely be coated in plaster and painted.
Domes: The dome is the architectural feature of the Renaissance. The ceiling curves inwards as it rises, forming a bowl like shape over the chamber below. The dome's revival can be attributed to Brunelleschi and the Herculean feat of placing a dome on the Basilica di Santa Maria del Fiore. The idea was later copied by Bramante who built St. Peter's Basilica.
Frescos: To decorate the insides of Renaissance buildings, frescos (the art of applying wet paint to plaster as it dries) were used to coat the walls and ceilings of the buildings. The finest frescos belong to Michelangelo in the Sistine Chapel.
Baroque (1625–1750)
Baroque incorporates some key features of Renaissance architecture, such as those nice columns and domes we saw earlier on. But Baroque takes that to the next level. Everything is higher, bigger, shinier, brighter and more opulent. Some key features of Baroque palaces and buildings would be:
Domes: These domes were a common feature, left over from the Renaissance period. Why throw out a perfectly good bubble roof, I ask you? But Baroque domes were of course, grander. Their interiors were were nearly always painted or gilded, so it drew the eye upwards which is basically the entire trick with Baroque buildings. Domes were not always round in this building style and Eastern European buildings in Poland and Ukraine for example sport pear-shaped domes.
Solomonic columns: Though the idea of columns have been about for years but the solomonic columns but their own twist on it. These columns spiral from beginning to end, often in a s-curved pattern.
Quadratura: Quadratura was the practice of painting the ceilings and walls of a Baroque building with trompe-l'oeil. Most real life versions of this depict angels and gods in the nude. Again this is to draw the eye up.
Mirrors: Mirrors came into popularity during this period as they were a cool way to create depth and light in a chamber. When windows faced the mirrors on the wall, it creates natural light and generally looks bitchin'. Your famous example is the Hall of Mirrors at the Palace of Versailles.
Grand stairways: The grand sweeping staircases became popular in this era, often acting as the centre piece in a hall. The Baroque staircase would be large and opulent, meant for ceremonies and to smoother guests in grandeur.
Cartouche: The cartouche is a design that is created to add some 3D effect to the wall, usually oval in shape with a convex surface and edged with scrollwork. It is used commonly to outline mirrors on the wall or crest doorways just to give a little extra opulence.
Neoclassical (1750s-19th century)
The Neoclassical Period involved grand buildings inspired by the Greek orders, the most popular being the Doric. The main features of Neoclassical architecture involve the simple geometric lines, columns, smooth walls, detailing and flat planed surfaces. The bas-reliefs of the Neoclassical style are smoother and set within tablets, panels and friezes. St. Petersburg is famous for the Neoclassical styles brought in under the reign of Catherine the Great.
Greek Revival (late 18th and early 19th century)
As travel to other nations became easier in this time period, they became to get really into the Ancient Greek aesthetic. During this architectural movement they brought back the gabled roof, the columns and the entablature. The Greek Revival was more prevalent in the US after the Civil War and in Northern Europe.
Hope this helps somewhat @marril96
Fantasy Guide to Carriages, Coaches and Vehicles
Your nobles are ready for the ball and your adventurers are ready to go off in their quest. But how to get there in style rather than run off on horseback? You may need to hitch a ride in these bitchin' vehicles.
Cart/Wain/Wagon
The cart is an open, flat wheeled vehicle that usually transports people and goods. The cart would be used by the commons, escpecially those travelling with goods such as wares to sell in markets. The cart would also be used by nobility and royalty as well to carry their trunks and chests. The cart would be horse-drawn or even people-driven.
Carriage
The carriage is a private vehicle that is horse-drawn. Commoners could hire them like public transport to get to long distance locations but these were often shared. Carriage were not always comfortable as they were set on leather straps or strings which can sometimes jostle the occupier. Queen Elizabeth II complained that her carriage for her coronation made for a bumpy ride because of this.
Coach
A coach is a closed-in four-wheeled carriage drawn by horses. The coach was usually driven by a coachman accompanied by footmen to open and close the doors. Coaches could be hired within cities but grand ones were a status symbol. The more horses that took to pull it, the richer you were because the greater the expense of keeping them. Mistresses in the Baroque period often showed off to each other by driving their coaches up and down before the houses of rivals. (of course when one did to Nell Gwyn, she responded by driving a mile cart up and down the rival mistress's house yelling 'whores to the market!'
Tanga
The tanga is an Indian horse drawn carriage set on two large wheels. The passengers would sit in the rear while the driver sits up front. A canopy would be draped over the passengers to shield them from the sun.
Troika
The troika is a Russian sleigh pulled by three horses harnessed abreast. The three horses each have a different gait: the middle horse trots while the side horses canter. The troika became a status symbol during the later years of the Imperial years of the Russian Empire. The troika was often hung with bells to warn people of its coming.
Barouche
The barouche is an open carriage drawn by two horses and set on four wheels. Four passengers could be seated with within it two facing the horses and two face the rear. A roof could be drawn up over the passengers to protect them from vad weather.
Buggy
A buggy is a horse-drawn carriage able to bear two passengers and set on two wheels. The buggy had a folded roof and was often driven by one of the passengers. It was used as an informal vehicle for the rich for going about the country and the poorer just it for travelling long distances.
Berline
The Berline is probably the first thing one thinks of when thinking of a carriage. It was a covered four-wheeled vehicle usually drawn by two of more horses. The driver would be seated outside while the passangers sat with.
ASOIAF OC Week
Day 3: Relationships — Family Tree
(click to enlarge)
The oldest granddaughter of Lord Hoster Tully, Delylah Tully was born to Edmure Tully and Orella Blackwood, then both 16. Tragically, Orella died in childbed, leaving young Edmure to raise his daughter with the help of his uncle Brynden and father Hoster. Though wild and spirited as a child, Delylah grew up into a refined and polite young lady. She was heir of Riverrun up until 301AC, due to the birth of her younger half-brother Axel Tully, whose mother was Roslin Frey.
Delylah went on to have five children of her own: Syrena Bolton from her ill-fated first marriage to Lord Roose Bolton, and four children by her second husband King Aegon VI Targaryen. She was the first of her generation to have issue, due to the tragic murder of Robb Stark and his pregnant wife Talisa.
Delylah connected strongly with her cousin Sansa, who became one of her fiercest supporters and eventual ladies-in-waiting. She also has strong connections with her Blackwood roots, particularly close with her cousin Lucas Blackwood, who lost his life trying to protect her during the Red Wedding.
ASOIAF OC WEEK: DAY 3 — RELATIONSHIPS
⇘ canon/oc interactions ⇎ relation ties ⇎ love
The times mother and uncle and all the rest slipped away, leaving the settling air of the sitting room to only him and Father, Trystane could not decide if he was grateful or uneased. It was fine enough. Quiet. Trystane liked his quiet; the apartments were not small, he couldn’t not find peace while the rest of his family lingered, but it was so much. a swirling thinness of breath, something that did not settle, rang in his bones like a quivering bowstring. It made studying all the more difficult. Then again, Trystane did not much care for studying in the library, either. Father came to sit with him there, sometimes; Father was sitting with him now. He held his cane in one hand, ever-prepared to leave; with the other, he stretched a ringed finger to the edge of the book sitting on Trystane’s folded knees, tipping it for a better look. “The maester assigned this to you last week,” he said. Trystane squirmed lightly. “Yes.”

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How does Robert Baratheon feel about your OC?
Is there someone your OC didn’t like at first, but then got along with later?
Is there a canon character who would die for your OC?
- for Soledad?
Thank you so much for the questions!! I have finally vacation for a few days and can return to think about answers and write them down properly ♡
How does Robert Baratheon feel about your OC?
In his own way, I think he loved his daughter, somewhere beneath the grief for Lyanna and everything else that kept him occupied since then. Soledad was certainly headstrong and didn't know when to keep her mouth shut. She looked more and more like her mother over the years, which grated on him, but I really think he cared about her. He wasn't able to show it, and I don't think he was aware of this, but as long as he believed she was his daughter, he had a complex set of feelings for her. They never got along that well, and we know Robert wasn't interested in spending much time with his children anyway. Soledad was no exception, but it's also important to mention that she really started to despise her father when she witnessed him beating her mother. She kept her distance even more from him from then on, and this only led to them growing to dislike each other once GoT starts. And as long as she doesn't gets on his nerves, he doesn't pay her any more attention then.
Is there someone your OC didn’t like at first, but then got along with later?
Honestly, a lot of people. She often dislikes people at first, but when they don't run away and she gets to know them, she might end up liking them. 😂
She initially disliked Sansa, but grew fond of her once Myrcella was gone. Soledad actually thought the Stark girl might be a substitute, but ended up liking her a lot even beyond her own understanding. Their friendship sadly remained complicated because of the circumstances, and she felt betrayed by her, when Sansa was accused of being part of the plot to get Joffrey killed. In the Runaway-AU where they meet each other again, they can clear things up and deepen their friendship later.
She also disliked Willas at first, but that was more because she had decided to dislike him because her grandfather wanted to marry her off to him. She did not give him a proper chance, but her opinion of him changed because he was patient and had no interest in marrying someone he could not at least speak with without her wanting to murder him. She quickly grew fond of his pragmatic honesty, although she was in denial about starting to like him for a long time.
In the Runaway AU, she runs away with Sandor Clegane during the Battle of the Blackwater, and they continue their journey together. They dislike each other at first, but grow close over time, though they continue to bicker and pretend otherwise for the rest of their lives. 👀
Is there a canon character who would die for your OC?
I mean, I think Cersei would die for all her children, so I pick her and maybe add Jaime to the list, especially once the war started and her siblings started dying like flies.
Over the years, I can see Willas and Soledad growing fond enough of each other to want to die for each other, but that's a big maybe but in the Runaway AU, I'm pretty sure Sandor would die for Soledad. If he would do so she'd be so furious. She'd bribe a red priestess to resurrect him, just to tell him he can't get rid of her that easily.
ASOIAF OC ASK GAME
Irvyn
⚔️— if they could wield any valyrian steel sword throughout history, what would it be and why? 🏔️— is your ocs favorite region of westeros that of their own house, or somewhere else? is there a place in the seven kingdoms they’ve never been but would love to see and explore? alternatively, do they have a favorite keep / castle?
asoiaf oc ask
⚔️— if they could wield any valyrian steel sword throughout history, what would it be and why?
Vigilance is a pretty obvious choice since it’s Ormund’s and he wants his big brother’s shiny toy. Other than that, Orphan-Maker. He’d rename it though.
🏔️— is your ocs favorite region of westeros that of their own house, or somewhere else? is there a place in the seven kingdoms they’ve never been but would love to see and explore? alternatively, do they have a favorite keep / castle?
Brightwater Keep is a second home to him since Irvyn served as a bodyguard for a Florent for a year or two. Oldtown will always be his favorite keep but in terms of where he’d like to go, he’s read about Dragonstone and Driftmark and wants to visit. Sometimes Harrenhal for the history alone but he’s not fucking with that magic. And of course, The Great Sept of Baelor.
🏰 — if your oc could make their own house from the ground up, what would they name it? what would their words be?
⚖️ — how are they remembered by history? are they loved, reviled, or something in between? is there anything the history books omit from their life?
⚔️— if they could wield any valyrian steel sword throughout history, what would it be and why?
- for lucía?
🏰 — if your oc could make their own house from the ground up, what would they name it? what would their words be?
When it comes down to it, Lucía is as dothraki as she is northen, if not more. For that reason I think she would use a dothraki word as the name, maybe bastardized. Saqoyalat (to be bloody) comes to mind, but when made into a name It would become something along the lines of Saqyli (she who is bloody). For her words the first thing that came to mind is "Look upon me and weep", in both dothraki and common.
As an extra, I think her coat of arms would be a skinned (or otherwise dead) horse galloping in front of a sun on a sea of blood. Something like this:
⚖️ — how are they remembered by history? are they loved, reviled, or something in between? is there anything the history books omit from their life?
Lucía is remembered as a transgresive figure, if nothing else. Specially if somehow her letters with Alex survived, she would also be remembered as a powerful political player since a young age and woman who looked after her own first and foremost. Other than that she would be seen as a powerful figure that brought back the Red King title and fed the flames of the Old Religion.
⚔️— if they could wield any valyrian steel sword throughout history, what would it be and why?
Either Caggo's valyrian steel arakh or Red Rain. Lucía likes her sharp things and she likes them efective, not necessarily mythological
ASOIAF OC ASK GAME
Lymond
⚔️— if they could wield any valyrian steel sword throughout history, what would it be and why? ⚖️ — how are they remembered by history? are they loved, reviled, or something in between? is there anything the history books omit from their life?
asoiaf oc ask
⚔️— if they could wield any valyrian steel sword throughout history, what would it be and why?
Lymond would’ve liked to get his hands on Brightroar. He often wonders where in the known world his ancestral sword would be.
⚖️ — how are they remembered by history? are they loved, reviled, or something in between? is there anything the history books omit from their life?
I don’t think any Lannister in GOT will be remembered fondly, no matter what their intentions are. Lymond will most likely be written as a traitor. Not exactly “omitting from his life” but he’d probably be written as dead from the Red Wedding or shortly after. It all depends on what I try to do with him.

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ASOIAF OC ASK GAME
Mabel
🐉 — if your oc could have ridden any historical desgon, which would it be and why? ⏳ — if you had to place them in any other era of westeros, what would it be and why?
asoiaf oc ask
🐉 — if your oc could have ridden any historical dragon, which would it be and why?
I think Mabel has a tiny grudge towards Aegon for not letting her ride Sunfyre. I don’t think she’s ridden Dreamfyre either. She’s not afraid of dragons but she’s not willing to throw herself on the back of one either.
⏳ — if you had to place them in any other era of westeros, what would it be and why?
1. It’d be fun to see Mabel as one of the priestesses in Essos paid to publicly praise Daenerys.
2. As a septa in the Faith Militant uprising.
3. In Aegon’s Conquest, present for the burning of Harrenhal because Mabel in Harrenhal is such a concept.
ASOIAF OC ASK GAME
Rilian
🏰 — if your oc could make their own house from the ground up, what would they name it? what would their words be? ⚖️ — how are they remembered by history? are they loved, reviled, or something in between? is there anything the history books omit from their life?
asoiaf oc ask
⚖️ — how are they remembered by history? are they loved, reviled, or something in between? is there anything the history books omit from their life?
Answered here
🏰 — if your oc could make their own house from the ground up, what would they name it? what would their words be?
House Sagyrr. Sagir means arrow or archer in some cultures so their sigil would be an archer knight. The words for House Sagyrr would be: “No Punishment Left Abandoned.” A little callback to “We Remember.”