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â
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Fatimah Asghar, âHow'd Your Parents Die Again?â (via @ saintlaurier - Pinterest) // P!nk, âFamily Portraitâ (via Apple Music) // Clementine von Radics, âCourtney Love Prays to Oregonâ (via @ ing3nu3 - Pinterest) // via @ toricrocky6 - Pinterest // Louise GlĂźck, "Unpainted Door" (via @ 222IDB - Pinterest) // via @ This__Is__John - X // via @ roadkillk1 - Pinterest // Karen Russell, âSt. Lucy's Home for Girls Raised by Wolvesâ (via @ E2e44 - Pinterest) // Chelsea Dingman, âPsychogeographyâ (via @ jimd3an - Pinterest) // Jenny Colgan, âThe Cafe by the Seaâ (via @ logoleptic - Pinterest)
healing happens in circles, not lines. you will return to old places with new eyes.

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@ryebreadgf / The Truth About Grief, Fortesa Latifi / bone deep, m.v.e / Sidewalk, Richard Silken / @fridayiminlovemp3 / 60 hours, m.v.e / @itsblackleader / Salt, Nayyirah Waheed / @heavensghost
-AnaĂŻs Nin, 1939
-Sam Jumex, 2023
Audre Lorde, from The Black Unicorn: Poems; âJourneystones I-XIâ
[Text ID: âmy heart grows / confused / between your need for love / and your need for destruction.â]
How Body Language Changes When a Character Is Falling in Love (Whether They Admit It or Not)
When someone starts to fall, it shows up everywhereânot in the love confession (thatâs the easy part), but in the twitch of a smile, in the silence that suddenly feels charged, in the way someoneâs hand almost reaches out before pulling back.
ⰠThey start listening⌠with their whole damn body
Suddenly, theyâre turned toward this person all the time. Full body facing them. Chin tilted slightly in. They lean forward during small talk like itâs breaking news. They notice things, like the rhythm of their voice, the way their lips move when they think too hard. They stop fiddling with their phone. Their knee bounces until the other person speaks, and then, stillness. Theyâre so present, it hurts.
ⰠTheir eye contact gets⌠weird
Sometimes they canât stop looking. Sometimes they canât look at all... Thereâs that momentâthe pause, the flickerâwhere their eyes land on the other personâs mouth for just a second too long. Or they track their hands. Or notice how their hair falls into their face. Itâs not about lust. Itâs yearning, and itâs quiet and stupid and full of panic. And when the person catches them looking? Immediate eye dart. Back to their drink. To the sky. To anywhere else. Guilty. Flushed. Terrified.
â° Their hands get stupid
Theyâre suddenly very aware of what their hands are doing. They fidget more. Or freeze. They keep their arms close to their body, like theyâre worried theyâll accidentally reach out. If they touch the other person, even casually, it lingers. Not long enough to be noticed, but long enough to matter. Sometimes they adjust the other personâs collar or brush something off their sleeve and then have a tiny meltdown inside. That kind of touch feels too intimate. Itâs not flirtation. Itâs reverence.
â° Their silence means more than their words
They trail off mid-sentence. Laugh at things they donât usually laugh at. Start saying something and stop themselves. Itâs because their brain is trying to do too many things at onceâact normal, sound chill, donât make it weird, try not to look like youâre in love. Meanwhile, the body is over here sweating, shifting, subtly turning toward the other person like a sunflower in denial.
â° Their whole vibe gets softer
Thereâs a gentleness that creeps in. Even if theyâre a sharp, snarky character, thereâs a moment where they look at the person like theyâre a planet theyâve just discovered. Itâs brief. Itâs devastating. Itâs involuntary. And they might pretend it didnât happen. But the reader saw it. The love interest definitely saw it. And suddenly, everything is different.
â° Bonus: They mirror the other person without meaning to
Their arms cross when the other personâs do. Their head tilts. They laugh a beat after. This is subconscious connection at work. Their body wants to match this person. Sync with them. Be close without being obvious. And when they stop mirroring? Thatâs a sign too. Maybe something hurt. Maybe theyâre trying to pull away. But the body always tells the truth, even when the characterâs mouth is lying through its teeth.

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Audre Lorde, from The Black Unicorn: Poems; âFrom the house of YemanjĂĄâ
[Text ID: âI am / the sun and moon and forever hungryâ]

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Emily Dickinson, from her poem titled "1188," featured in The Emergency Poet