The look of love, the rush of blood

“I guess I’ve written with more people and collaborated than Alex has, being solo,” Kane tells Live4ever. “That’s been great and turned out good, but anything me and Al write, or when we work together, it’s different. And even though those other things were enjoyable and are great, there’s just something else, the outcome definitely couldn’t happen without doing it together. He rounds off my edges when we sing together.“

“I haven’t really done this with anyone else,” Turner concludes. “I mean, I write with the Monkeys but it’s in a different sort of way. I think when people talk about when siblings sing together there’s something that happens with the harmony, I feel like there’s a bit of that. It clicks into place with the two voices together.”

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Eight years after The Age Of The Understatement’s release, Alex Turner and Miles Kane are finally back together for professional, Last Shadow Puppets-related purposes as they get ready to release the follow-up, Everything You’ve Come To Expect. In place of 2008′s bashfully giggling 21-year-old moptops, though, sit a pair of coolly confident transatlantic rock stars. Dressed in stonewashed double-denim and still sporting an impressively coiffered quiff, Turner boasts the sort of stocky shoulders that suggest a gym membership is being well-used. Kane, meanwhile, has shaved his head and is wearing his shirt half-unbuttoned to reveal a selection of gold medallions and all-over tan that indicates, two albums into his solo career, life on the US West Coast is suiting the Wirral native just fine.

Almost Famous (2000) dir. Cameron Crowe