an actual milo dinosaur

Google set out about a decade ago to push their (relatively unpopular) chromebooks by supplying them below-cost to schools for students, explicitly marketing them as being easy to restrict to certain activities, and in the offing, kids have now grown up in walled gardens, on glorified tablets that are designed to monetize and restrict every movement to maximize profit for one of the biggest companies in the world.

Also, it seems to include data they should not have been able to give under any circumstance, including that of deactivated blogs, private messages and conversations, stuff from private blogs, and so on.

Do not believe that "AI companies will honor the "opt-out request retroactively". Once they've got their hands on your data (and they have), they won't be "honoring" an opt-out option retroactively. There is no way to confirm or deny what data do they have: The fact they are completely opaque on what do they currently "own" and have, means that they can do whatever they want with it. How can you prove they have your data if they don't give everyone free access to see what they've stolen already?

So, yeah, opt out of data sharing, but be aware that this isn't stopping anyone from taking your data. They already have been taking it, before you were given that option. Go and go to Tumblr's Suppport and leave your Feedback on this (politely, but firmly- not everyone in the company is responsible for this.)

Finally: Opt out is not good under any circumstance. Deactivated people can't opt out. People who have lost their passwords can't opt out. People who can't access internet or computers can't opt out. People who had their content reposted can't opt out. Dead people can't opt out. When DeviantArt released their AI image generator, saying that it wasn't trained on people who didn't consent to it, it was proven it could easily replicate the styles of people who had passed away, as seen here. So, yeah. AI companies cannot be trusted to have any sort of respect for people's data and content, because this entire thing is just a data laundering scheme.

Also ppl: * does not mention that you need to have a fucking NVIDIA GPU and running nightshade on one image takes at best 20 minutes*

Like the online version of glaze/nightshade requires an account. And last time i checked they arent accepting new accounts because of the high pressure.

I have already shared it around, but if you can't run it try Artshield.

It will add a big watermark all over your piece (there's also a check button to be sure it worked). It works best on pieces with a colored background, with white backgrounds or B/W piece it won't always work, but it's worth trying it.

Also, post at the lowest resolution possible (I go with 72dpi, keeping the highest one for clients and Ko-Fi rewards only), maybe add a noise effect too. I always did it but I read a while ago it makes a bit difficult for the A/I to scrape the piece. Not sure if it's still true, but still, worth a shot.

Also they absolutely are planning to add Nightshade to the web version! They just need some free time to get that all sorted.

login in on desktop, it's not available on mobile yet

click "Account"

click on your blog

go to "Blog Settings"

go to "Visibility"

Scroll down to the bottom option

turn the toggle ON, not off

There is nowhere left to go.

The lowest cost is $5,000 USD to flee to Egypt. There has been people paying over $10,000 USD.

That is the only option

Pay or die.

Rafah was the only place in Palestine promised not to be bombed. That promise is broken.

1.5 million people have nowhere to go!

gazaesims.com is a website dedicated to helping people donate esims for people in gaza. there are multiple options for where to purchase an esim to donate, for the price i listed you want to use nomad esims. you can get a $3 discount by using someone's referral code from the notes of this post. it also will give the referrer credit to buy more esims! (you can only use a referral code on your first purchase) BACKPACKNOMAD is another code to get $3 off your first purchase, it's been working for some people but not others so try out a referral code instead if you can't get it to work. also it took over an hour for the email with my information to come through so don't panic if it doesn't show up right away. (logging back into your nomad account seems to have helped some people get their emails to send!) (nomad promo codes do not work on plans that are already on sale, unlimited plans, and plans under $5)

I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?

Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.

This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action sale—s1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.

(Adding a cut here, because this goes on a bit...)

Small Dog Dreams 

That’s not the issue at stake here. Let me tell you a little something about “minirooms.”

Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can – characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.

This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. It’s not a huge problem now, but the WGA only gets the chance to make rules every three years – if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.

Do I feel like I’m mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me – a mid-level writer who makes a decent living working on someone else’s show (I’d like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels – the handful of glorified idea people who are already scrambling to find their next show because you can’t make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think it’s plain bad for television as an art form – what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner can’t do their best work under all of that pressure, episode after episode, back to back. Minirooms just…fucking suck.

They had worked in TV for 4 years, been on 3 major TV shows, primarily in “mini rooms”, had their name listed as cowriter on one broadcast episode and had never been on set for any of their shows. Had never seen anything they wrote being filmed. They knew next to nothing about the actual process of getting TV made.