doodleposting over on > @pearly-scales, wanted a little bit of a fresh start without a sudden and complete revamp. will likely still crosspost here sometimes and will read messages and such.
am pearlyscales on toyhouse as well if any of you are there.
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We need to lay more blame for "Kids don't know how computers work" at the feet of the people responsible: Google.
Google set out about a decade ago to push their (relatively unpopular) chromebooks by supplying them below-cost to schools for students, explicitly marketing them as being easy to restrict to certain activities, and in the offing, kids have now grown up in walled gardens, on glorified tablets that are designed to monetize and restrict every movement to maximize profit for one of the biggest companies in the world.
Tech literacy didn't mysteriously vanish, it was fucking murdered for profit.
Thinking about this, still. You don't have to like everything out there, but if people aren't allowed to be cringe they'll never let themselves be overly authentic. If people are afraid of coming across as pretentious, they'll be afraid to take themselves seriously. And once you take that away, what's left are irony-poisoned works that don't really have anything to say
You guys do realise that this is not me hyping you guys up, right? I'm glad you're taking this to heart for your own art, but that isn't what this post is about. This isn't a "thank u op â¤ď¸â¤ď¸" post. This is a "you guys should examine the way you talk about art you don't like because you're contradicting yourselves" and a "your specific haterisms fucking annoy me." This isn't an affirmation, I'm mad at you
Please be aware that the "opt-out" choice is just a way to try to appease people. But Tumblr has not been transparent about when has data been sold and shared with AI companies, and there are sources that confirm that data has already been shared before the toggle was even provided to users.
Also, it seems to include data they should not have been able to give under any circumstance, including that of deactivated blogs, private messages and conversations, stuff from private blogs, and so on.
Do not believe that "AI companies will honor the "opt-out request retroactively". Once they've got their hands on your data (and they have), they won't be "honoring" an opt-out option retroactively. There is no way to confirm or deny what data do they have: The fact they are completely opaque on what do they currently "own" and have, means that they can do whatever they want with it. How can you prove they have your data if they don't give everyone free access to see what they've stolen already?
So, yeah, opt out of data sharing, but be aware that this isn't stopping anyone from taking your data. They already have been taking it, before you were given that option. Go and go to Tumblr's Suppport and leave your Feedback on this (politely, but firmly- not everyone in the company is responsible for this.)
Finally: Opt out is not good under any circumstance. Deactivated people can't opt out. People who have lost their passwords can't opt out. People who can't access internet or computers can't opt out. People who had their content reposted can't opt out. Dead people can't opt out. When DeviantArt released their AI image generator, saying that it wasn't trained on people who didn't consent to it, it was proven it could easily replicate the styles of people who had passed away, as seen here. So, yeah. AI companies cannot be trusted to have any sort of respect for people's data and content, because this entire thing is just a data laundering scheme.
signed up to do pet portraits for the Volunteers of the Burbank Animal Shelter fundraiser this year! Donate 25$ and get a pet portrait from a randomly assigned artist, skill levels ranging from professional to beginner. Some of the most popular portraits are done by kids!
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The remake reboot prequel sequel industrial complex is killing me but the good thing is I don't have to watch any of that. I can just think "that sounds boring or otherwise doesn't interest me in any way" and do something other than watch it
"They're making a willy wonka origin story with timothee chalamet," you might say to me. "They're doing a live action the last airbender again, didn't you love avatar?" I don't find it necessary. This is nothing to me
Also ppl: * does not mention that you need to have a fucking NVIDIA GPU and running nightshade on one image takes at best 20 minutes*
Like the online version of glaze/nightshade requires an account. And last time i checked they arent accepting new accounts because of the high pressure.
Like i make my art on my ipad. My MacBook is from 2014. If i tried to download and run nightshade on my decade old macbook and go throufg 10+ years of artworks i might as well just set it on fire.
Like majority of digital artists doesnt actually have a high end gaming pc setup. It is unrealistic to expect everyone to be able to run such a heavy program just so we can feel somewhat ok with sharing our drawings online. Itâs ridiculous. I CAN NOT nightshade or glaze my artworks even if i wanted to.
I have a pretty decent gaming PC, and despite this I had to close ALL the running programs I had running in the background (aka Discord and Opera) to let it shade my art, and the result was honestly quite awful even on the lowest setting.
I have already shared it around, but if you can't run it try Artshield.
It will add a big watermark all over your piece (there's also a check button to be sure it worked). It works best on pieces with a colored background, with white backgrounds or B/W piece it won't always work, but it's worth trying it.
Also, post at the lowest resolution possible (I go with 72dpi, keeping the highest one for clients and Ko-Fi rewards only), maybe add a noise effect too. I always did it but I read a while ago it makes a bit difficult for the A/I to scrape the piece. Not sure if it's still true, but still, worth a shot.
Glaze and Nightshade are great tool, but they're sadly unusable for a lot of people, and I hope they'll find a solution.
Just to clarify some things, the only reason it's hard to get a web glaze account right now is because the team behind it are all full time academics folks who are SWAMPED with so many duties. They're working towards getting more help to screen requests, but it's like 5 people or something running the whole thing. This is a tool in its most baby infant stage, don't write it off just yet because they're still working out the details and coming up with plans to expand the team behind it.
Also they absolutely are planning to add Nightshade to the web version! They just need some free time to get that all sorted.
With that being said, I do have a webglaze super user account and I can hand out invites if anybody needs one.
They are already selling data to midjourney, and it's very likely your work is already being used to train their models because you have to OPT OUT of this, not opt in. Very scummy of them to roll this out unannounced.
I don't think people truly understand the gravity of Rafah being bombed.
There is nowhere left to go.
The lowest cost is $5,000 USD to flee to Egypt. There has been people paying over $10,000 USD.
That is the only option
Pay or die.
Rafah was the only place in Palestine promised not to be bombed. That promise is broken.
1.5 million people have nowhere to go!
Reminder, if possible, please donate to the PCRF, ANERA, Islamic Relief, Palestine Red Crescent Society, Medical Aid for Palestinians, Defense for Children International - Palestine, Doctors Without Borders, and all other trusted organizations.
you can give seven days of internet connection to someone in gaza for just 6 USD
gazaesims.com is a website dedicated to helping people donate esims for people in gaza. there are multiple options for where to purchase an esim to donate, for the price i listed you want to use nomad esims. you can get a $3 discount by using someone's referral code from the notes of this post. it also will give the referrer credit to buy more esims! (you can only use a referral code on your first purchase) BACKPACKNOMAD is another code to get $3 off your first purchase, it's been working for some people but not others so try out a referral code instead if you can't get it to work. also it took over an hour for the email with my information to come through so don't panic if it doesn't show up right away. (logging back into your nomad account seems to have helped some people get their emails to send!) (nomad promo codes do not work on plans that are already on sale, unlimited plans, and plans under $5)
edit as of 1/1/24: they are running out of all esims types right now! please donate esims from any of the platforms: nomad, airalo, holafly, simly, and mogo. here is a purchase guide i made that covers all of them. the crew is asking for people to reply to emails they sent that contain esims that are still unactivated. you can see gothhabibaâs guide for how to tell if your esims have been activated.
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we've been fostering kittens for the past few months and i wanted to doodle them in little outfits! Pepper has since gone to a new home but Rugby and Violet are still looking for places to land, if you're in the Los Angeles area and looking for a small friend to add to your life I can confirm these are very good small friends indeed. meanwhile, they are having a great time over here romping around!
Happy to report that Rugby and Violet went home together this week :') they're SUCH sweeties and we'll miss them, but glad they have each other, hopefully for the rest of their lives, in their forever home!
we've been fostering kittens for the past few months and i wanted to doodle them in little outfits! Pepper has since gone to a new home but Rugby and Violet are still looking for places to land, if you're in the Los Angeles area and looking for a small friend to add to your life I can confirm these are very good small friends indeed. meanwhile, they are having a great time over here romping around!
I've seen you posting detailed information about the WGA strike and wondered if you had any suggestions as to how those of us not directly involved can show our support for the Union?
Okay, bearing in mind that all this is entirely subjective at the moment (and so far lacking any more useful input from other sources): a few thoughts.
This will be my third WGA strike. (My first one was in 1988, just after I'd made my first live action saleâs1e6 of ST:TNG). And the thought keeps occurring to me at the moment that this time out, there's a potentially gamechanging player on the field that wasn't there before: truly pervasive social media.
(Adding a cut here, because this goes on a bit...)
In 2007, social media as we now understand it was still in its cradle. Now, though, those of us who're striking can make our voices much more widely heard. And so can those of us who're not, but just want to show solidarity. Last time, the AMPTP was able to do pretty much what it wanted without the public noticing or having even a medium-profile way to make their feelings known. But this time? Not so much.
So as an otherwise uninvolved person who wants to show solidarity, I'd start with something seemingly low-value. If I was on Twitter, I'd start routinely tweeting about the strike and my support for itânot obsessively, just persistently, a couple/few times a weekâusing the Twitter hashtags that are gaining ground even now, such as #DoTheWriteThing (and of course #WGAStrike). I would make sure I was following @WGAEast and @WGAWest, to keep an eye on what's going on.
Additionally: I would start politely, but repeatedlyâagain, maybe once or twice a week at least, and not stoppingâtweeting the various major players in the AMPTP, especially the streamers: Amazon, Netflix, Hulu et al. I would start suggesting that their current attitude toward the WGA's contract negotiations is not only unrealistic but potentially (for the AMPTP) bad for business. (And self-destructive, too, as if this goes on much longer in this vein, they'll be seemingly eagerly casting themselves as The Baddies.) I would suggest that their bad behavior, if not amended by them coming to the table to bargain in good faith, might start affecting both my interest in their shows and my willingness to keep paying unreasonable people for access to them.
I should emphasize here that so far there've been no formal calls from anyone for boycotts or subscription cancellations. For the moment, this strikes me as wise. The point for WGA-friendly observers, right now, would be to keep what's happening to the writers visible: to keep bringing it up: to refuse to allow it to be swept under the rug. The "They only want two cents on the dollar!" angle seems potentially useful the more it's repeated. The point is to keep the repetition going: to make it plain, day after day, that the other side's being not just unreasonable, but greedy. Day after day, and week after week, and (if necessary: please Thoth may it not be...) month after month.
And tweeting is hardly all that can be done. Email is cheap and easy. But actual letters, written on actual paper and mailed, can still create a surprising amount of attention in a corporate office. (The saying in TV used to be that for every person who actually writes in about an issue, there are ten, or a hundred, who feel the same way but never got around to it.) Write letters to all the AMPTP members' CEOs, and make your feelings on the WGA's core demands politely plain. ...Especially when those CEOs collectively made almost three-quarters of a billion-with-a-B dollars in salaries last year, when many of the writers working on their shows can't afford rent.
After that: here's another thought, a little more physical. If by chance you're in an area where one or the other of the Guilds are picketing: turn out and support them! Honk when you pass: and if you're interested, show up and offer to walk the picket lines with them. These things get noticed. (In 2007 a bunch of us, both Guild members and non-, caused significant astonishment by turning out to picket AMPTP members' offices in Dublin.)
...Obviously not all that many people are going to be positioned, in terms of location or their own work and time commitments, to show up physically. But online? Find ways to keep this issue visible. The AMPTP wants this to go quiet, wants people to get bored with it, wants people to find reasons to blame the writers. They've tried spinning the story that way before. Don't let them pull that shit. Find ways to back those who're calling them on that, publicly. They do respond to this kind of thing (though they may strenuously deny it). If enough attention continues to be paid by the general public, they will blinkâif sometimes excruciatingly slowly, as Disney began to blink over the dispute tagged #DisneyMustPay.
As viewers, and as viewers who pay for subscriptions to things, we far outnumber them. Help be a part of making the AMPTP understand that this quest for a truly fair deal is not going to go away. And the longer they try to act like the Guild's negotiation positions are beneath their notice, the more it's going to hurt them, and the stupider and greedier it's going to make them look.
...That's all I've got for the moment, as I need some lunch. :) ...But I hope this has helped. And thanks for your concern, and your desire to stand in solidarity with us! It's so welcome. :)
ETA: here's a link to the Guild's social media toolkit, for those who'd like to change PFPs or icons, etc., to show their support.
Iâve been meaning to do loopdeloop for years now and this Aprilâs theme just happened to mesh with my grief over recently losing my dog. I wish we had managed to take her to see the wildflowers in the sun.
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I was on a plane this weekend, and I was chatting with the woman sitting next to me about an upcoming writerâs strike. âDo you really think youâre mistreated?â she asked me.
Thatâs not the issue at stake here. Let me tell you a little something about âminirooms.â
Minirooms are a way of television writing that is becoming more common. Basically, the studio will hire a small group of writers, 3-6 or so, and employ them for just a few weeks. In those few weeks (six weeks seem to be common), they have to hurriedly figure out as much about the show as they can â characters, plots, outlines for episodes. Then at the end of the six weeks, all the writers are fired except for the showrunner, who has to write the entire series themselves based on the outlines.
This is not a widespread practice, but it has become more common over the past couple of years. Studios like it because instead of paying for a full room for the full length of the show, they just pay a handful of writers for a fraction of the show. Itâs not a huge problem now, but the WGA only gets the chance to make rules every three years â if we let this go for another three years and it becomes the norm? That would be DEVASTATING for the tv writing profession.
Do I feel like Iâm mistreated? No. I LOVE my job! But in a world of minirooms, there is no place for someone like me â a mid-level writer who makes a decent living working on someone elseâs show (Iâd like to be a showrunner someday, but for now I feel like I still have a lot to learn, and my husband and I are trying to start a family so I like not being support rather than the leader for now). In a miniroom, there are only two levels â the handful of glorified idea people who are already scrambling to find their next show because you canât make a decent living off of one six-week job (and since there are fewer people per room, there are fewer jobs overall, even at the six-week amount), and the overworked, stressed as fuck showrunner who is going to have to write the entire thing themselves. Besides being bad for me making a living, I also just think itâs plain bad for television as an art form â what I like about TV is how adaptable it is, how a whole group of people come together to tell a story better than what any of them could do on their own. Plus the showrunner canât do their best work under all of that pressure, episode after episode, back to back. Minirooms justâŚfucking suck.
The WGA is proposing two things to fix this â a rule that writers have to be employed for the entire show, and a rule tying the number of writers in the room to the number of episodes you have per season. I donât think itâs unreasonable. Itâs the way shows have run since the advent of television. Itâs only in the last couple of years that this has become a new thing. Itâs exploitative. It squeezes out everyone except showrunners and people who have the financial means to work only a few months a year. It makes television worse. And that is the issue in this strike that means everything to me, and that is why I voted yes on the strike authorization vote.
I explained this to a young writer recently. They could not understand why the WGA might go on strike, and worried that it would hurt younger writers.
They had worked in TV for 4 years, been on 3 major TV shows, primarily in âmini roomsâ, had their name listed as cowriter on one broadcast episode and had never been on set for any of their shows. Had never seen anything they wrote being filmed. They knew next to nothing about the actual process of getting TV made.
I explained that we werenât going on strike for people like me, we were going on strike for people like them. Because we need more writers to be there, to work their way up. We need a generation of showrunners to take over from us, and to, I hope, have an easier time of it. We need the young writers to be properly paid, not to be on a six week writers room once a year, and a crack at having their names on a script.
some progress shots from the Rusted Moss release trailer - it was a lot of fun getting to define my own hybrid puppeted-handdrawn workflow, and making it work with the style that the devs and publisher wanted. done in my faithful old copy of Toonboom Animate 3!