photo credit: Max Dupain (Australian, 1911-1992) Bawley Point landscape, 1938

shark vs the universe
"I'm Dorothy Gale from Kansas"

Misplaced Lens Cap
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blake kathryn
NASA
Sade Olutola
art blog(derogatory)
we're not kids anymore.

Discoholic πͺ©

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@theartofmadeline
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@shadowdancingpoetry
photo credit: Max Dupain (Australian, 1911-1992) Bawley Point landscape, 1938

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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...I lie at heaven's high oriels,
art: Eduard PechuΓ«l Loesche collage: shadowdancingpoetry
Nothing in this place...
photo credit: Freepik - Magnific.com collage: shadowdancingpoetry
'No Second Troy' by W.B. Yeats
'A Girl's Mood' by Lizette Woodworth Reese.
Photo credit: Nina Leen -1949

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
It's May again...

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Me From Myself - to banish
Me from myself - to banish Had I Art - Impregnable my Fortress Unto all Heart -
But since Myself - Assault Me How have I peace Except by subjugating Consciousness?
And since we're mutual Monarch How this be Except by abdication - Me - of Me?
by Emily Dickinson
Walter King Stone (1875-1949)
Release
With swift
Great sweep of her
Magnificent arm my pain
Clanged back the doors that shut my soul
From life.
by Adeliade Crapsey
new video

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
Free to watch β’ No registration required β’ HD streaming
Poetry may make us from time to time a little more aware of the deeper, unnamed feelings which form the substratum of our being, to which we rarely penetrate; for our lives are mostly a constant evasion of ourselves. - T.S. Eliot
'Like Barley Bending' by Sara Teasdale, photo by Wolfgang Hasselmann.