Fangirl w| a Life

1 - Hyperfixation: The way Wylan loves music

Most of the Crows’ backgrounds color how they see the world: Kaz’s shrewdness, Matthias’s tactical thinking and superstition, Inej’s faith and Suli wisdom, etc. That’s a sign of good character writing. But very little of Wylan’s upbringing seems to have influenced how he sees the world. It comes closest when he thinks about how his father would scorn his new friends, but we never see that scorn from Wylan.

The way a hyperfixation feels, it’s like you’ve always lived in a close parallel world, never fully been a part of the other one where it seems like everyone else lives, but suddenly there’s this bright shining piece of your soul laced through the other world. It lets you connect, it lets you exist in their realm, and you can’t help but filter everything new through that lens because it’s the brightest, most wonderful thing. (I had been between hyperfixations for a while when I started a new job; six months into that work, I read Crooked Kingdom. One of my coworkers thought I had fallen in love, it was that marked a difference.)

So, combining these: Wylan never really acts like he was part of his father’s world, and indeed is in some ways separate from the other Crows, but he parses everything through music, his hyperfixation. He sets words to music to remember them, like he does with the contract. Even his own anxiety is made sense of through music, when in his first narrated chapter, he sets it to music: what am I doing here what am I doing here…. When he’s overwhelmed, his thoughts are “a jangle of misplayed chords”. The Crows have backgrounds that influence how they react to the world, but Wylan’s hyperfixation is his means of experiencing and understanding the world.

2 - Literal thinking: Wylan responds to exact words

In this post, I went into detail on the line where Wylan suggested waking up men to kill them. Wylan is generally unsupportive of killing people—Oomen, Smeet’s clerk, his father… he advocates not-murder in each of these situations. Accepting his aversion to murder, his suggestion to wake men up and kill them seems like a genuine reaction to Jesper saying he doesn’t want to kill unconscious men. Wylan takes things literally.

This happens the most with Jesper, probably because Jesper talks to Wylan the most. Nina and Matthias don’t really register him past how he might be useful, Inej is usually quite direct, and Kaz is very deliberate when he speaks with Wylan. This really interests me because Kaz tends to vary his speech more than the others do, he adapts more to being around other people. He jokes a little with Jesper, spars with Nina, speaks more openly and more sharply with Inej, and he’s precise with Wylan. Kaz may not know what autism is, but he recognizes what’s effective with Wylan.

Another example is when Wylan is sketching the Ice Court plans and Jesper says it looks like a cake. There are plenty of valid responses here: pointing out that concentric circles look like lots of things, that it’s just a sketch, telling Jesper to stop looking over his shoulder. Instead, Wylan says that the Ice Court is sort of like a cake. That… doesn’t sound like something Wylan would normally say. He’s not addressing the whole situation, he’s addressing the specific words Jesper said.

One of the most heartbreaking examples of this (to me, anyway) is with Marya. Wylan does the same thing with his mother, when she asks if he’s there for her money and says she hasn’t got any, and his response is, “I don’t either.” We understand as readers that what Marya is communicating here is that she is so accustomed to being utterly ignored unless she is being used, and if she told Wylan that no one visited but to take advantage and she assumed he was here for the same reason, he would say it wasn’t the case. But he just responds to the immediate statement.

There are a lot of examples of this.

3 — 0% perception, 100% creativity

Wylan can identify things that don’t make sense or that he doesn’t understand, but at the beginning of the series he can’t make leaps, only ask questions. On the Ferolind, he wonders about the source of water at the Ice Court; though Kaz doesn’t say as much, he was clearly wondering, too, because he eventually figured out the underground river. There’s an interesting parallel here where, in the beginning of Crooked Kingdom, Wylan asks a question about how they’ll break into Smeet’s and Kaz tells him to use his eyes instead of running his mouth—at which point Wylan is able to figure it out. I don’t think this is because he never tried before, though, but because no one ever bothered to teach him. Kaz can be harsh but he gives harsh corrections rather than harsh rejections and Wylan learns from him.

It’s hard to understand the world for people with autism. The world is designed and run by and for people whose minds are fundamentally different from ours, whose thoughts and experiences are unlike ours. Imagine trying to learn English or Spanish or Mandarin or any other spoken language if your first language was olfactory. That’s sort of what it’s like for someone with autism to just get dropped into the world and expected to figure this out.

This can be attributed to Wylan’s upbringing, but I disagree with that because none of the others were brought up in the Barrel, either, and Wylan doesn’t understand trade or politics with any special skill. Kaz wasn’t born in the Barrel, but he managed to go from “stealing is wrong” to “wrong isn’t my concern” real quick; Colm Fahey didn’t raise his son on gambling and firefights; the Ghafas never expected their daughter to be away from the family. Only Nina has relevant training—and even that’s precious little, she left school way too early. The others figured it out; Wylan needed a bit more help. He also seems surprised by the way his father conducts business. Wylan takes things on face value—like the time he’s surprised someone would do something, simply because it’s unlawful. This is something he expresses to a group of gangsters. He’s never been taught the way of any world and these things are not intuitive to him.

But Wylan isn’t stupid.

He doesn’t know how to understand the world, but he does understand how things go together. Given a pointy diamond, a handle, and a screw, he cut through Grisha glass. He carries flashbangs and magic napalm, he recreates military hardware—Wylan understands how to make things interact for a specific result. But to me the most telling thing isn’t just that he puts together chemical pieces, it’s that he figured out Jesper controlled bullets. He saw the pieces and put them together.

Wylan can understand when things don’t make sense, but he can’t make sense of them—yet when he understands things at their basic level, he understands them without preconception, for what they are. This is a very autistic way of thinking about things, it goes back to the literalism. He can’t make the leaps of logic other people can, but he also doesn’t make the assumptions they do—“I’ve never heard of a bullet Grisha, so that’s not a thing” vs “Well Jesper’s an almost impossibly good shot and he controls metal and bullets are metal, so why not?”

4 - Broken brain/body connection

Wylan’s great at chemistry and drawing and playing flute or piano—but he’s something of a disaster other times. This is in particular contrast to the other characters, all of whom are physically adept. Meanwhile it’s a challenge for Wylan to climb a rope ladder and he spends a full paragraph trying to figure out what to do with his hands. It’s easy to say, well, he’s used to a sedentary lifestyle, but at this point he’s not. He’s worked in the tannery for months. He’s just physically awkward.

I have less to say on this point only because it’s about something I don’t fully understand myself. I don’t really understand what it would be like to have a body that just… does things? Like normal stuff? Without tics and stims. No idea. Only that Wylan’s discomfort in and seeming lack of mastery of his own body feels very relatable to me.

5 - Abuse

One of the most familiar things about Wylan is how he has been so thoroughly abused and broken down that he’s afraid to do or say much of anything. Again, this is a place his background can be an obscuring factor. Of course Wylan didn’t think to blow up the walls when the first met the parem-juiced jurda and got trapped, he’s a spoiled rich kid! Except, he also startled when Jesper said his name later. Wylan didn’t hesitate because he was spoiled, he hesitated because he had no confidence.

He also thinks Kaz would laugh at him for playing music at his mother’s grave. Now, personally, I can’t see Kaz laughing at Wylan—being indifferent, thinking it’s pointless sentimentality, shaking his head, maybe commenting sharply that they need to go if they don’t have the time. But not laughing. Kaz is a snarky, sharp-edged jerk sometimes, but he doesn’t go out of his way to criticize, he just lets people know when they inconvenience him.

Wylan has been trained to identify attention as negative by an overbearing abusive father who literally saw him as less favorable than a demon. Now, that may have been hyperbole, but Jan criticized everything he could about Wylan—art, music, emotion—and made clear that he was worthless and competent to nothing. (Jan Van Eck can suck a rotten donkey dick but that’s neither here nor there.)

A lot of people with autism experience levels of bullying that have similar impacts. Or as the kids these days are calling it: we go to school. We go to school where we are weird. Where we look weird and move weird and talk about weird things and there’s a whole little bevy of asswipes to makes sure we know it. I got teased more for playing Pokemon and sitting alone reading than the kid who pissed himself onstage at assembly. (This was before Pokemon was cool. I’m old.) And that is not unusual for autistic kids. It’s also not unusual for this to be compounded by relatives or even parents who may be trying to help but don’t understand and can make things even harder.

So we can’t read social cues and we’re taught at a vicious age that everything that comes naturally to us is wrong. Imagine trying to interact in society with that background. There is no guide and most advice from neurotypical people isn’t actually what they mean. It breaks you down.

Wylan’s anxiety isn’t definitive of autism, but isn’t something that was incredibly familiar as someone whose neurodivergent experiences created a strong level of anxiety.

6 — High Compassion, Low Social Competence

Wylan isn’t very good at making friends. In fact, none of the Crows likes him much in the beginning, and only some of them soften toward him by the end. (Matthias and Nina come to respect his skills as a chemist but neither seems to particularly like him.) But you can see throughout the books that Wylan wants to connect with them and be one of them, he just… isn’t. He’s off-beat. He’s weird. He asks questions and mimics behaviors (trying to be cool and tough like Jesper, saying “mission” like Matthias does, imitating Kaz’s scheming face) but he doesn’t quite get how to adapt.

But he still cares about people. Not just them. Everyone. He cares about the people they leave in the ditch outside the prison wagon, he cares about Hanna Smeet, he cares about Alys. He cares about the people who’ll take a hit from Kaz’s sugar caper.

Wylan’s awkward social skills have undeniable big autism energy. I posit his compassion does as well. This is simply who Wylan is, and that means being someone who cares about everyone. I have nothing to back up that this is related to autism. I can say that it’s like me. (Not to brag.) I can’t turn off the part of my brain that says everyone matters. Individuals can opt out of that compassion, but they have it by default. There’s a certain agony in feeling a pull toward and love for just about everyone and yet an inability to develop meaningful connections with them, and that keen loneliness… it just burns.

Again, it’s not definitive of autism, but it’s very similar to an autistic experience.