The Comet Book (1587), details, “16th-century treatise on comets, created anonymously (or maybe it was a woman who endured erasure) in Flanders (now northern France)”. Originally named in german Kometenbuch.
trying on a metaphor

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The Comet Book (1587), details, “16th-century treatise on comets, created anonymously (or maybe it was a woman who endured erasure) in Flanders (now northern France)”. Originally named in german Kometenbuch.

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Yohji Yamamoto Fall 2018
For Bombay is full of a multitude of things for which I am unable to find a name, In a European town there is some kind of unity which explains the people and their surroundings, and enables you to think of them as a community. Here there is none. I never imagined such variety as Bombay displays in its circuit of twenty miles… Every street swarms with people, and no half-dozen seem alike. There are white men, brown men, yellow men, chocolate men, and very nearly black men. Their costume varies from the frock-coat to the loin-cloth, through a brilliant scale of orange, vermilion, green, blue, and brown. There are troops of children, apparently free of school, and some of these, again, are stark naked, while others are elaborately decked out, as for some fantastic children’s carnival. The women are as various as the men and children, and the darker skins affect the brightest colours. Scores of opulent native gentlemen thread their way in and out the crowds in the newest motor-cars; and other handsome carriages, shuttered or curtained, suggest the presence of the purdah women. There is an incessant hubbub; the slightest transaction appears to require the unloosing simultaneously of all tongues in a wide circle of disinterested spectators, as well as among those immediately concerned… The houses are as various as the people. The European part of Bombay might be Vienna slightly orientalized. The native is a grand jumble of all styles, but it gives you the queer impression of an immense hive, very intricate and deeply recessed, with layer on layer of people living in a condition of vertical overcrowding which must give the plague its richest opportunities. The absence of glass enables you to look right into the heart of the houses, and the back rooms are little dark caverns. The main impression is that they swarm with people. You might suppose them to be an amiable, tolerant people, jostling each other with a good-natured friendliness which took no account of the differences of creed or race. And so in a superficial way they must be. No multitude could live thus closepacked without establishing some rough rule of mutual forbearance. Yet those who know them will tell you that this immense jumble of humanity sorts itself into hundreds of intensely separate little heaps, each of which is guarded from the others by an unimaginable code of pride or prejudice. Chapter II Bombay The Indian Scene (1922) by J. A. Spender
by Lili Loofbourow

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He smiled the most exquisite smile, veiled by memory, tinged by dreams.
Virginia Woolf, To the Lighthouse (via goodreadss)
Happy new year!
La scena del funerale e della sepoltura della sorella di Madeline, sorella di Roderick. Film tratto da un racconto di Edgar Allan Poe.
“the best funeral march of history”. Also, superimpositions, naked trees, the veil, the music, the burden. Never getting old, this scene.
Ernst Haas (1921–1986) - Green Water, Mazatlan, Mexico, 1963
Dye transfer print, printed 1992 (44.8 x 67.9 cm)
S: Movies are nicer. Dip in, then out.

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How Ahmad Jamal Charted New Popularity for Jazz
On the 50th anniversary of Poinciana, Eugene Holley celebrates the great Ahmad Jamal Trio with Israel Crosby and Vernel Fournier, which is the subject of our set of the Jamal trio’s complete recordings. His interview with Ahmad is wonderful and rich in historic memories.
-Michael Cuscuna
Read and listen… Follow: Mosaic Records Facebook Tumblr Twitter
4 years later
I hold him tight, I hear him breathe and I think of how he'll never be close to me.
“In my poetry class, I’ve always had students memorize something, a few things. I feel that if they’ve forgotten everything I’ve said, if they haven’t written anything down all semester and just stared out the window, at least they’ll come away with a poem memorized.
So one day, years ago, I was on the subway in New York, and a guy across the aisle kept kind of looking at me and finally he came over and said he recognized me as his teacher. I’d taught him about 10 years before that, or more. He’d since become an oncologist, and I congratulated him on his success. Then he said, “You made us memorize a poem.” And I said, “Yes.” And he said, “I’d like to say that poem for you.”
And it was a little poem by Emily Dickinson that he’d carried in his head, and maybe in his heart, for all those years. Over the roar of the 6 train, he yelled that poem in my ear, and I think it was probably the most satisfying pedagogical experience I’ve ever had.” -Billy Collins, in a conversation
Where we live
The roads smell of roasted peanuts and sweet incense, sure to take you back to the town-fair, the festivities. But now the smell is seeping in, diffusing in with the prevailing anger. The houses sure don’t seem right.
Ladies and Gentlemen, welcome to violence!
Faster Pussycat! Kill! Kill!, 1965

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Mother, at nights
"The roads are full of ghosts."
The Handmaid's Tale.
Here are some of my favourite captures from one of the most well shot, well produced shows. Amazed by Colin Watkinson and the guest cinematographers for both the seasons.