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JBB: An Artblog!
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I'd rather be in outer space 🛸
we're not kids anymore.
AnasAbdin
Cosmic Funnies
Lint Roller? I Barely Know Her
KIROKAZE
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Origami Around
dirt enthusiast
Alisa U Zemlji Chuda
Janaina Medeiros
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Sweet Seals For You, Always
Kaledo Art
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@self-rivalry
Once you start to speak of things that are precious, you are immediately anxious about how people will react to what you have said, and you want to protect these things, to defend them against incomprehension.“
Andrei Tarkovsky, from “Scenario and shooting script,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
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“In order to be free you simply have to be so, without asking permission of anybody. You have to have your own hypothesis about what you are called to do, and follow it, not giving in to circumstances or complying with them. But that sort of freedom demands powerful inner resources, a high degree of self-awareness, a consciousness of your responsibility to yourself and therefore to other people.”
Andrei Tarkovsky, from “The artist’s responsibility,” Sculpting in Time, trans. Kitty Hunter-Blair (University of Texas Press, 1987)
a collection of moons, seen at the high museum of art.
Listen: I always return to myself.
Vesna Parun, tr. by Vasa D. Mihailovich, from “A Return to the Tree of Time,” (via violentwavesofemotion)
Not to give myself wholly and unreservedly makes me unhappy. It is my nature. I cannot change it.
Henrik Ibsen, from a letter to Emilie Bardach written c. February 1890 (via violentwavesofemotion)
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SAVE YOURSELF | HYEIN SEO FW 2019
Drive My Car (Ryûsuke Hamaguchi, 2021)
(…) shadows bent corners into mystery, endings left us thirsty for something that wasn’t sweet.
Vandana Khanna, from American Horror in “Afternoon Masala: Poems By Vandana Khanna” (via adrasteiax)
Ed Ruscha (American, b. 1937), The Big Dipper Over the Desert, 1982. Aquatint, 33 x 44 in. Number 36/48.
“I felt best when I was on the move, going someplace rather than being there.”
— Jeannette Walls, The Glass Castle
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THE NOVEMBER ISSUE
the sea repeats itself, repeats, repeats.
Ilya Kaminsky, from ‘Envoi’, Dancing in Odessa (via soracities)
Whatever arrives from the shadows you must greet as a blessing.
Margaret Atwood, from “The Year of the Flood,” published c. 2009 (via violentwavesofemotion)
When people were shorter and lived by the water, Katja Kremenic
Body, they blame you for all things and they / seek in the body what does not live in the body.
Ilya Kaminsky, from “Firing Squad” published in Poem-a-Day (via lifeinpoetry)
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Études Topographiques, Aguada Blanca, 4324m
