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Elena was right!

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I completely forgot about my Tumblrversary - on May 26th this blog turned 8!Â
To celebrate it I put together a little questionnaire - I hope you’ll have fun answering it. I’ll reblog your answers - maybe this way more people will find out about your blog and you’ll find more people to follow/chat to.
My name is…, I’m from…
I skate/don’t skate myself
I started following skating in…
What got me interested in skating is…
My all-time favorite skater(s) (if any)…
Every now and again I rewatch…
The first Olympics I watched were…
My current favorites are…
My favorite discipline to watch is…
What I like about skating the most:…
Most memorable moment for me as was…
My biggest skating wish (even if it never comes true)…
As a skating fan, I’d like to know more about…
Have you ever watched competitions/shows live?
Have you ever thought “I’ll probably quit watching when my favorites retire?”
Have you ever been so invested in skating event you cried of happiness or frustration? If yes, what event was it?
If you had the ability to change 1 result of 1 past competition, what would it be?
If you could time-travel, what competition would you like to watch live?Â
My other interests include…
My name is…, I’m from…Â
Selena Dover (not my real name) from Australia. Â
I skate/don’t skate myself
I’ve been skating for 7.5 years. Took it up as an adult. I compete as an adult and have competed four years in Oberstdorf and in other international competitions for Adults. In August I’m competing in the Gay Games in Paris! Feel free to ask me about taking up skating as an adult. I totally recommend it.Â
I started following skating in…
I only seriously started following skating around about the Vancouver Olympics.Â
What got me interested in skating is…
Mostly a combination of Johnny Weir and the fact that the internet made it easier to watch from Australia.Â
My all-time favorite skater(s) (if any)…
Daisuke, Mao, Akiko, Stephane.
Every now and again I rewatch…
Stephane’s Poeta at Worlds in 2007, Sarah Meier winning Europeans, Akiko winning Japanese Nationals, Daisuke at Worlds 2012.Â
The first Olympics I watched were…
1976 Innsbruck? I remember Dorothy Hammil. I think that was the one.Â
My current favorites are…
Kegan Messing, Loena Hendrickx, Hawayek and Baker - it changes a lot.Â
My favorite discipline to watch is…
I like them all but a big shout out to synchro which is death defying most of the time and doesn’t get enough appreciation for it.Â
What I like about skating the most:…
It’s so much more difficult and complex than all the other sports.Â
Most memorable moment for me as was…
I was up in the middle of the night watching Europeans online when Sarah Meier won. That was amazing.Â
My biggest skating wish (even if it never comes true)…
I want to land a double! Also, at Beijing Olympics, Loena Hendrickx upstages all the Russian jumping beans and wins the gold.Â
Have you ever watched competitions/shows live?
Skate Canada 2010, Kingston
World Champs 2012, Nice
European Champs 2013, Zagreb
European Champs 2014, Budapest
World Champs 2017, Helsinki
Also, Art on Ice in Helsinki, Stockholm Ice, Artistry on Ice in Shanghai- I think that’s it. I like to travel.Â
Have you ever thought “I’ll probably quit watching when my favorites retire?”
No.Â
Have you ever been so invested in skating event you cried of happiness or frustration? If yes, what event was it?
Mostly I cry over my own skating - both with frustration and with happiness. When I won my first (and only!) competition overseas I went full Oksana Baiul!Â
If you had the ability to change 1 result of 1 past competition, what would it be?
I think I’d give Mao Asada a better short program at the 2014 Olympics. And maybe just a little extra rotation on some of her jumps in the free so she could claim her 8 triple program.Â
If you could time-travel, what competition would you like to watch live?
I’d love to watch one of Sonja Henie’s early competitions. It must have been so crazy to watch her come out and perform rather than just skate.
My other interests include… TENNIS! I love tennis.Â
Theoretically, if a woman were to lift her male partner in a pairs or dancing event, would the move be considered valid and potentially earn points?
Reverse lifts are allowed in ice dance, but not in pairs. Some dance teams like Anissina/Peizerat and Faiella/Scali have performed reverse lifts before. They are rarely seen because they’re difficult to do and usually get lower GOE than lifts where the man lifts the woman.
My apologies for asking, but do you happen to know where I can rewatch the men’s olympic figure skating aside from getting fragments from NBC with a vpn..Â
NBC and CBC both offer full replays of events. You need a VPN to access them if you don’t live in the US/Canada, but the videos should not be too hard to find if you look around the website.
Why do the ladies get a one day break in between their short programs and free skates while the men, pairs skaters, and ice dance teams have no break at the Olympics? Is this the same at every competition?
We don’t know why it was scheduled like that. The scheduling at skating competitions are all different, sometimes disciplines get a day between events, sometimes they don’t.
Does it matter if Ice Dancers do the Rhuma portion starting from either side of the rink?
All teams must start on the same side: “The Referee may announce the approximate location at which the Pattern Dances must be started. All Pattern Dances shall be started so that the steps of the first side of the pattern are skated in front of the Judges unless otherwise specified by the Referee or directed by the Ice Dance Technical Committee in an ISU Communication. If the Referee changes the side to start, the change must be announced at the time of the first draw for starting order.” (source)
I was looking through old protocols and saw that KO got an edge call on her F & Lz in the FS at Skate Canada 2012. I know that ! wasn’t being used in the IJS that year, but are there any other skaters who have received wrong edge calls on both the flip & lutz in a program? The setups for a flip and lutz are very different, but if you did get wrong edge calls on both jumps consistently could you put the the opposite jump down on your planned content and claim it was just a creative entrance?
I’ve definitely seen a few skaters get edge calls on both flip and lutz before, but can’t remember off the top of my head who it was. It’s pretty rare for that to happen, because most skaters favor one jump or the other. And I doubt that plan would fool the tech panel for very long, especially if someone kept doing it all the time.
“ are there any other skaters who have received wrong edge calls on both the flip & lutz in a program?”
Yes. Me.Â
an introduction to women composers
Hildegard of Bingen (1098-1179) from Germany 📚 Wikipedia   🎵 IMSLP
Maddalena Casulana (1544-1590) from Italy 📚 Wikipedia   🎵 IMSLP
Francesca Caccini (1587-1641) from Italy 📚 Wikipedia  🎵 IMSLP She was friend with Artmisia Gentileschi
Barbara Strozzi (1619-1977) from Italy 📚 Wikipedia  🎵 IMSLP
Elisabeth Jacquet de La Guerre (1665-1729) from France 📚 Wikipedia   🎵 IMSLP
Duchess Anna Amalia of Brunswick-Wolfenbüttel (1739-1807) from Germany 📚 Wikipedia   🎵 IMSLP
Marianna Martines (1744-1812) from Austria 📚 Wikipedia   🎵 IMSLP
Maria Szymanowska (1789-1831) from Poland 📚Wikipedia   🎵 IMSLP
Louise Farrenc (1804-1875) from France 📚 Wikipedia   🎵 IMSLP
Fanny Mendelssohn [Hensel after marriage] (1805-47) from Germany 📚 Wikipedia   🎵 IMSLP Sister of Felix Mandelssohn
Clara Schumann [nee Wieck] (1819-1896) from Germany 📚 Wikipedia   🎵 IMSLP Married to Robert Schumann
Elfrida Andrée (1841-1929) from Sweden 📚 Wikipedia   🎵 IMSLP
Terea Carreño (1853-1917) from Venezuela 📚 Wikipedia   🎵 IMSLP
Cécile Chaminade (1857-1944) from France 📚 Wikipedia   🎵 IMSLP She was the first female composer to be awarded the Légion d’Honneur in 1913.
Ethel Smyth (1858-1944) from England 📚 Wikipedia   🎵 IMSLP Not only a suffreagette, but also a lesbian who was involved with Virginia Woolf and Violet Gordon-Woodhouse, among others
Adele aus der Ohe (1861-1937) from Germany 📚 Wikipedia   🎵IMSLP She studied with Franz Liszt. She was friends with and performed Tchaikovsky’s First Piano Concerto with him conducting.Â
Amy Beach (1867-1944) from the USA 📚 Wikipedia   🎵IMSLP
Dora Pejačević (1885-1923) from Croatia 📚Wikipedia   🎵 IMSLP
Rebacca Clarke (1886-1879) from England 📚Wikipedia  🎵IMSLP  🌀Rebecca Clarke.org (I have access to almost all her published works, let me know if you want me to email scans of something to you)
She studied with Lionel Tertis and briefly sang under Vaughan Williams. In 1919 her Viola Sonata tied in the Berkshire Festival of Chamber Music with Ernest Bloch’s Viola Sonata. She was also friends with Frank Bridge. In 1912 she was one of the 6 female musicians allowed into the Queen’s Hall Orchestra (later became the LSO)
Florence Price (1887-1953) from the USA 📚 Wikipedia   🎵 IMSLP She began studying at the New England Conservatory after she graduated high school at 14. The Chicago Symphony Orchestra premiered her Symphony No 1 in E minor on June 15, 1933, making Price’s piece the first composition by an African-American woman to be played by a major orchestra
Lili Boulanger (1893-1918) from France 📚 Wikipedia  🎵 IMSLP She was the first woman to win the Prix de Rome when she was only 19, in 1912.
Ruth Crawford Seeger (1901-1953) from the USA 📚 Wikipedia   🎵 IMSLP Became the first women to be granted the Guggenheim Fellowship in 1930
Elizabeth Maconchy (1907-1994) from England and Ireland 📚 Wikipedia  🌀Biography
Sofia Guabaidulina (1931-present) from Russia 📚 Wikipedia  🎼 YouTube
Joan Tower (1938-present) from the USA 📚 Wikipedia  🎼 YouTube She has 3 Grammy Awards and and she was a member of the Da Capo Chamber Players who won the Naumberg Award.
Kaija Saariaho (1952-present) from Finland 📚 Wikipedia  🎼 YouTube
Nicole Lizée (1973-present) from Canada 🌀 Nicole Lizee.com  🌀 CMC
Cheryl Frances-Hoad (1980-present) from England 📚 Wikipedia  🌀Cheryl FrancesHoad.co.uk
Dobrinka Tabakova (1980-present) from Bulgaria 📚 Wikipedia   🌀 Dobrinka.com
Caroline Shaw (1982-present) from the USA 📚Wikipedia   🌀Caroline Shaw.com (listen to Entre’act, I’ve played it, so GOOD!) She won the Pulitzer Prize for Music in 2013, the youngest ever, at only 30.
Hannah Kendall (1984-present) from England & the Caribean 📚 Wikipedia  🌀Hannah Kendall.co.uk
Fjóla Evans from Iceland & Canada 📚Fjiola Evans.com  🎼 SoundCloud
Add any other women composers that you know of to this post!
#WomenInMusic  #WomenComposers
Nannerl Mozart (1751-1829)
WikipediaÂ
Sister of Wolfgang Amadeus Mozart
Liza Lehmann!! Pauline Viardot!!!! Amy Beach!!!
Elena Kats-Chernin!Â

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I was wondering, why is pre-rotation considered normal but underrotation after the jump affects so much the score? Or is pre-rotation counted as underotation too? I'm a bit confused :(
Some pre-rotation is normal, but excessive pre-rotation is frowned on and the ISU has a rule against it - it’s just not applied very often. From the ISU Technical Panel Handbook:
“A clear forward (backward for Axel type jump) take-off will be considered as a downgraded jump. The toe loop is the most commonly cheated on take-off jump. The TP may only watch the replay in regular speed to determine the cheat and downgrade on the take off (more often in combinations or sequences).”
So according to this, if a jump takes off 180 degrees or more from where it’s supposed to take off, it should be downgraded. However, it’s often hard to tell if a jump is excessively pre-rotated without slow-mo videos, and the technical panel cannot use slow-motion to check the rotation on takeoff. They can only use slow-mo to check for underrotations on landings. (There’s also a little bit of leeway for underrotations on landings - skaters can UR up to one quarter of a rotation before the technical panel slaps them with a UR call.)
We’re not sure exactly why the ISU is harsher on underrotations than pre-rotations, but it may have something to do with the murky nature of jump technique - there isn’t one “perfect” technique that everyone follows. Some coaches will insist on no pre-rotation, some are fine with a certain amount of it, different types of jumps have different “allowable” amounts of pre-rotation, etc. Until the ISU starts putting their foot down, or allowing the tech panel to look at pre-rotation in slow-motion, pre-rotation will remain a somewhat murky subject. The rule is there, but it’s not enforced.
Well, actually, it’s commonly enforced. These rules are written for beginners as well as elite skaters so it’s not uncommon to see downgrades for pre-rotation on skaters doing single jumps, especially with the toe-loop where this is pretty damned common, but I have also seen pre-rotation downgrades on loops. I recall an adult skater I used to skate with who had a nasty pre-rotation on his double toe-loop and was consistently downgraded for it. Generally though, most skaters get the pre-rotation beaten out of them (figuratively of course) by the time they get to double jumps.Â
The experience of fandom, especially in the age of the internet, is one of binge reading: most new fans, upon discovering fanfic, gobble it down. The first story you read is usually an eyebrow raiser; shocking, maybe a bit embarrassing. “What is this craziness? Do people really do this? I don’t think I like it. Are they all like this? Let me just look at one more …” And then the next thing you know, it’s four in the morning, it’s three days later, it’s ten years on. You are at your friend’s house, and the floor around you is covered with zines. You are on the internet, and you haven’t showered in days. Your browser history is a dreadful embarrassment. You’ve read roughly forty-five thousand stories, some of them amazing, many of them terrible, and you now have all sorts of opinions about tropes and genres. You have developed a particular taste in fanworks. You really like femslash, or hurt/comfort, or cavefic, or long, plotty gen. But I guarantee you this: no matter what you like, and no matter how much there is of it–there isn’t enough of it.Â
And so some readers (and some of you) will start to write. You’ll write the thing you want to read, because how hard can it be? You can do better than that story you read last night. And that other story you read was okay–except, you know what would have been really good? You know what would have been great? This. This is gonna be great.
– Francesca Coppa, The Fanfiction Reader: Folk Tales for the Digital Age (ix-x)
I can’t argue with this.
This was SO me. I'm impressed with how on the nose this is.Â
I’ve noticed a trend lately, in skating fandom, of people posting gifsets of “female athletes I’m gay for” or tagging especially hot photos with “I’m gay for her,” or whatever.
I am not telling you to stop doing this. You’re cute, fandom! Keep being cute. Also, Maia Shibutani keeps doing photoshoots:
Nonetheless, a humble suggestion.
Maybe you could be bi for them.
Or bi in general. Or heteroflexible, or questioning.Â
Again, this is not an attempt to police your language, or to tell you how to identify. It is an encouragement to post more pictures of female figure skaters that you find attractive, and to note that they look hot. Women in figure skating don’t have conventionally sexy bodies: they’re often very muscular, with small breasts, and powerful butts and thighs. They’re under a lot of pressure to look a certain way, and eating disorders are prevalent in the sport. So praising how figure skaters look - especially those with more athletic/muscular bodies, especially women of color in the sport - is good for their confidence, and good for our confidence as fans.
Bisexual visibility is important too.
And it’s kinder to bi folks in this fandom - as well as kinder to yourself, if you look at Vanessa James in a catsuit and suddenly need an ice bath - okay, let’s pause for that -
Ahem.
It’s kinder to bi folks in this fandom, and in general, to not make a joke of passing physical attraction to a gender you’re not usually attracted to. When you say “I’m gay for her,” what it sounds like is, “I’m straight. We’re all straight in this fandom. Actual gay people make me nervous. Tee hee!” When you say, “She gives me bi feelings,” it sounds like you’re planting your flag on that queer spectrum.
It’s fine if the place on that spectrum is “I mostly like boys, but Anna Pogorilaya in a bikini asdfsd;safkj!!!” It’s great, in fact. If more mostly-straight people talked that way about their sexuality, the world would be a more comfortable and welcoming place.
If the picture above is giving you the vapors, know that you are not the only queer girl/woman/femme in the skating community.Â
If not, then, 1) I’m sorry that biology has made you miss out on that joy of life, because damn and 2) remember that you’re supporting your fellow fans by skipping the no homo crap and just giving us a #HOT instead.
As a lesbian figure skating fan I say HELL YES to all the above (especially the part about Vanessa James in a catsuit).Â
can other sports, such as high jumps and long jumps, improve jumps?
The dynamics are quite different, seeing as high jumpers and long jumpers don’t have to rotate when they’re jumping, so I can’t imagine that they would be extremely helpful. If any skaters would like to chime in with exercises that help improve jumps, please feel free.
Actually, I was just reading that high jumpers, like figure skaters, train using plyometrics so it probably would be quite helpful. If you're looking for a nice outdoor sport to complement your training that's probably not a bad one.Â
Off season blues...
Around about this time of the year I really miss the skating season. Even the JGP seems too far away. So I like to go back an watch my favourite performances from the last season. Here's a list of what I watched in the order I watched them. There were more after these but listing takes time.Â
Marin Honda, 2017 Junior World Championships, Free Skate. The ladies podium at Junior Worlds was amazing, but Honda was electric. Watch the slowmo - there is expression in every body movement she makes. This is actually my favourite performance of the season:Â https://www.youtube.com/watch?v=7auua1fqb4k
Vanessa James and Morgan Cipres, 2017 European Championships Free Skate. Hasn’t it been great seeing these two kill it this year? Great program, great choreography, great skating! They went from also rans to olympic podium chances in the space of one season.  https://www.youtube.com/watch?v=u3v1dS5IOt8
Mirai Nagasu, 2017 Four Continents Championships, Free Skate. If you watch this video the commentators say it all: not a lot of transitions going on here but maybe that’s what’s needed to get the job done. And I love seeing Mirai do great technical elements. She’s so strong! That change foot combo spin is an absolute corker! And when she does go for interpretation in the choreo sequence, its exhilarating! https://www.youtube.com/watch?v=4qkf6SuWROo
Tessa Virtue and Scott Moir, 2017 World Championships Short Dance. About 15 seconds in the commentator says, “they’ve won it already...” Hell yes. That opening killed. I was at Worlds in Helsinki this year and I can tell you, the audience lost their shit over this program. We were all having a ball. Admittedly, I could probably watch Tessa Virtue walk down the street and lost my shit. Can she MOVE! https://www.youtube.com/watch?v=e8SXAdv2s2E
Jason Brown, 2017 World Championships, Short Program. What a pleasure it was to be in the audience when Jason Brown skated both his programs at Worlds. He’s so good to watch. To be honest, pretty much every year I re-watch Jason Brown’s skates. He’s one of those skaters that makes you believe in skating.  https://www.youtube.com/watch?v=FqAjagvexlk
Ashley Wagner, 2016 Skate America, Short Program. HOT DAMN, that was good. This is a great program that was never quite as good as it was at Skate America. Still, even later in the season when the program was flawed, she still stood out amongst a pretty average crowd. Also, I like this version because even the Russian commentator thought that was hot. https://www.youtube.com/watch?v=VYQIeZxS0Sw

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What would make the figure skating team event at the Olympics really worth watching, is if the entire team selected had to skate each event. Like, singles skaters would team up to do pairs and dance and pairs/ dance skaters would have to do a singles freeskate. Can you imagine Miyahara and Hanyu teaming up for an epic pairs event? Or Wagner and Rippon doing dance? PChiddy and Kaetlyn Osmond? Who doesn't want to see Tessa Virtue skate on her own? And what would Guillaume Cizeron do given free reign? We need to know! And Aljona Savchenko would finally be able to skate with someone as determined as she is!Â
American skater Michael Tongko-Burry won the Silver Men’s I Free Skating event of the 2017 International Adult Figure Skating Competition skating Yuri On Ice wearing Yuuri’s FS costume.
View his routine here: http://www.dailymotion.com/video/x5nojn0_silver-men-i-free-skating-2017-international-adult-figure-skating-competition-oberstdorf-germany_sport?start=647
Maru receiving his Guinness World Record Certificate for most viewed animal on youtube.
i’m so proud of him
End of an era in Japanese ladies now that Mao is retired. Is Marin Honda competing in senior next year?
Yes, Marin is turning senior next season.
Are pairs and ice dance couples not allowed to skate with anyone else beside their partner outside of competitions. I always wonder why Charlie doesn’t skate with Tanith even though they don’t compete anymore. Or even if Yu and Jin can skate together again someday, even if it’s a show.
They could, but it takes time and practice to create programs with someone you don’t regularly skate with. Yu/Jin actually did skate together in (an awkward) group program after they split last year…
Hi, wanted to ask - are jump combos ending in 3Lz a thing? I don’t think I’ve seen anyone jump that before ?? Or is it not possible to execute a combo ending in a lutz?
It’s not possible unless the skater is capable of jumping in both directions (most aren’t). The landing edge of one jump in a combo is the takeoff edge of the next jump, and jumps normally land on a backwards outside edge, so later jumps in combos are usually toeloops or loops, which take off from a backwards outside edge. Half loops/eulers land on a backwards inside edge and allow the skater to do a salchow or flip at the end of a combo. The only way a skater could do a lutz at the end of a combo is if, for example, they rotate counterclockwise for the first jump, land on a right back outside edge, then take off from that edge for a clockwise lutz and finally land on their left foot.
Hi! I was wondering if you can tell me what classifies spins as levels 1, 2, 3, and 4? Is it speed, rotation, or edges? I am guessing it is a combination of all three but like what are the limits of each level? Thank you!
See the Scale of Values and Level Guidelines
 If you really wanted to do a 3lz as a second jump, I recommend doing a clockwise axel followed by a counter-clockwise 3lz. Most seniors can jump a simple jump like the axel in both directions so it wouldn't even be that hard. In fact, my former coach had one of his senior skaters practicing this very combo (jump variations are good for coordination training). I can't see any points advantage to doing the combo that way but it sure would be interesting.Â

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For the anon who is wondering why triple axels seem to be harder than quads for many skaters: it is mainly because of the forward entry to the Axel that gives skaters problems, including me. It's just kind of an awkward way to enter a jump, especially after learning backwards entries for so long (axels are always the last single jump you learn). With axels you rely solely on your power to get up in the air but with other jumps you can use either edges or toe picks to help get up there
Thanks for your help!
I think it’s definitely a particular type of strength to lift of the left leg in the axel, but it’s also the first jump you learn, not the last. You learn to waltz jump first which is the same take-off as the axel (just without the revolution). Also, it’s a misconception about skating jumps that the axel is the only one that takes off forward. The salchow and the toe-loop are just waltz jumps (or axels) with a different entry. The salchow is a forward outside three turn followed by the right leg lifting up into the waltz jump (or axel). The toe loop is a three turn on the toe pick followed by the right leg lifting up forwards into the waltz jump (or axel). So similarly, the double sal is an axel off the three turn and the double toe is an axel off the toe pick. The quad sal is a triple axel off a three turn (watch Michal Brezina do a quad sal - he really emphasises the 3A off a three turn part) and the quad toe is a 3A off a toe pick. So it’s not so much that a quad sal and a quad toe are more difficult - and they are exactly the same amount of revolutions as the 3A (although they get called quads - it’s a bit of a misnomer) - they’re just different take offs and all skaters are wired differently. PChan once said that he just prefers toe pick jumps. Stephane Lambiel said something similar. They do have the advantage of vaulting you into the air.Â
These days coaches teach that all jumps are forward take offs. Even if the loop, flip and lutz, you lift the left knee (or right if you’re a clockwise skater) up forward into the jump. and the right left just goes down straight behind your left ankle (SO much easier said than done). If you watch the slowmo of Carolina Kostner’s short at worlds 2014 you can really see this.Â