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putrid air

rusya-pics

Dragon Age: Inquisition | The Vault Library

kaitlynefallon

Ceiling in the Courtyard at Casa Milà, Barcelona

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Trans punk graff in Charlottesville, Virginia

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New Zealand by pkjbo

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play-now-my-lord

this is the hardest any single image has ever gone

cryptotheism

gay sex as a method of meditation?

Literally yes

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Surround yourself with people who are open to change

#grief is golden #in the midst of loving the relearn of embracing ambiguity #mourning last years break up with a long term friend but appreciating the growth ive gained from doing it #its weird what comes up a year later #im not used to being glad for my sadness but it means im absorbing and processing a new part of my story

spaghettibastard

In the end, all lies within the flow of causality

requiem-on-water

“The jellyfish doesn’t actively move anywhere; it’s just moved with the tides.”

by Nikolay Kovalenko, Uriel Soberanes, Vino Li, Vania Medina, kaaaka liang

zegalba

Méret Oppenheim 1985 Gloves

vextape

in the golden hum of the ending day

return of the naked dress

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iiamart

vagoonabeach

it wasn't "some reason", it was 2D animators being unionized and 3D not being unionized. and the simple truth that capitalism kills art.

loubatas

I remember when 2D faded out, the reason studios kept giving was "it's because 2D is a lot more expensive to produce". I was a child back then so I didn't think too much about it, assuming it was about the process itself, but as I grew up and learned more about art as an artist, and gained friends who were professional 3D artists themselves, I started to question it. Because 3D is very different from 2D, but it's definitely not easier or faster to make. Also, both European and Asian studios kept producing 2D animated movies

The answer was unions. The answer wasn't "this kind of art is cheaper because it's easier to make", it was "this kind of art is cheaper because these artists can't force us to pay them correctly"

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