fightingfuries > sea-starved
tilly, thirties, tired they/them, she/her
askbox open AO3

Discoholic 🪩
Today's Document
Lint Roller? I Barely Know Her
noise dept.


if i look back, i am lost
Xuebing Du
h
Show & Tell
One Nice Bug Per Day
Stranger Things

gracie abrams
RMH
Cosmic Funnies
PUT YOUR BEARD IN MY MOUTH
𓃗

ellievsbear

#extradirty
Mike Driver
seen from Vietnam
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seen from United States
seen from Canada

seen from Germany

seen from India

seen from United States

seen from Malta
seen from United States

seen from Colombia
seen from Algeria
seen from Russia
seen from Kazakhstan

seen from Malaysia
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seen from India
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@sea-starved
fightingfuries > sea-starved
tilly, thirties, tired they/them, she/her
askbox open AO3

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remember real football is back next year
close-ups of butterfly and moth wing scales
the zendaya thing isnt even a new phenomenon by any means!! the article mentions margot robbie wearing the taj mahal diamond as well, and in addition to that i also want to remind people that diljit dosanjh's request to wear the patiala necklace for the 2025 met gala was denied by cartier because they said it was in a museum and could not be loaned. however they had no issues at all loaning it to emma chamberlain, a white woman, for the 2022 met gala, while they turned down the request of a punjabi man who wanted it to honor his heritage.
this behavior is nothing new. the global south and everything in it - the people, the culture, our heritage - is seen as nothing more than a decoration or commodity to colonizers. i don't even need to bring up the koh i noor or the entire british museum; these examples are recent and egregious enough on their own.
of course this is not to imply that any of the people involved here - zendaya, margot robbie, or emma chamberlain - had any sort of malicious intentions. but the ignorance is just as bad in my opinion. the ignorance is just as harmful, if not more. because it means we are not even an afterthought. it means that the real people and histories and heritages of the global south do not even register when these people are putting together looks for their movie premiers and met gala appearances. everything is just reduced down to a shiny piece of jewelry whose history they need not bother with. it's just a continued reminder of the way colonization affects us all even long after independence, of how barely-healed wounds keep being reopened even decades later. even now, we are being denied connections to our histories and heritages while they are freely being given out to those that have nothing to do with it and don't care for it. and i'm sick of it.
ph. Danko Maksimovic - Barcelona, Spain (2024)
Walden 7
Film: Kodak Ultramax 400

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Kingsley Sedem Dzade, Violin Pose, 2023
im nonbinary in a way that doesnt really matter
John Singer Sargent - Study for Judgment, c. 1903
Now that everyone is discussing Nolan's Odyssey movie, I feel like it's a good time to let non-Italians know that the production dumped plastic props into the Italian sea. Weirdly enough I could not find any article in English about it but it's a fucking problem nonetheless.
I might translate this article later today. This one was the most complete one, even in Italian news it's not talked about that much.
Non è la prima volta che la produzione solleva un vespaio in Sicilia. A Lipari una squadra di sub sarebbe però già impegnata a bonificare i
They dumped plastic skeletons in environmentally protected areas, against the literal contracts they had to sign to get the permits to film in environmentally protected areas. Like they not only did a bad ecological thing that freaked out some divers, they literally broke environmental protection laws and their contract with the Italian government
They also filmed in illegally occupied territories in western sahara
Sahrawi filmmakers criticise Christopher Nolan for complicity in Moroccan exploitation of Sahrawi land
Came across this art installation, Liza Lou's Kitchen, at the Whitney Museum of American Art, NYC. It's a kitchen made of tiny glass beads, that artist Liza Lou did, taking 5 yrs. to complete, from 1991 - 1996.
My favorite part is the sink.

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mary oliver, staying alive
don’t go where I can’t follow
What if I went insane for the new guest room bed. Like, completely off my rocker.
it's okay to block people for being mildly annoying unless of course it's me in that case you're just gonna have to suck it up sorry
Melissa Scott-Miller (British b.1959), Spring in Mount Street Gardens, 2026, Oil on canvas

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Last light, Mary Mattingly