Schwerpunkt

Martin Rev: I remember taking to students of Martha Graham after some big dance performance; the next day at 6am, they’re back at the wooden bar, in the dance studio. Next day, they’re back doing minimal stretches - starting again from nothing. A blank canvas so that they can go beyond the night before. It’s not the performance; it’s everything that you do in between. Once you get to the performance you’re already so close to what you do, but there is that unknown fact that is going to come out that you can never predict. Alan Vega: The next day is always something new. Those dancers were working on something new and you don’t know where it comes from and it’s always the next day that has a little bit of extra… god knows what. And that’s life - we start the next day and we go ‘holy shit - where does this come from’. And you never know.