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@schofieldshelmet

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Sorry guys I have to reschedule. Yeah I’m listening to The Night Window by Thomas Newman from the 1917 soundtrack on repeat. My schedule’s pretty booked I’m sorry. Yeah next week too. And the week after that. Sorry.
Sorry guys I have to reschedule. Yeah I’m listening to Les Arbres by Thomas Newman from the 1917 soundtrack on repeat. My schedule’s pretty booked I’m sorry. Yeah next week too. And the week after that. Sorry.
Sorry guys I have to reschedule. Yeah I’m listening to Come Back to Us by Thomas Newman from the 1917 soundtrack on repeat. My schedule’s pretty booked I’m sorry. Yeah next week too. And the week after that. Sorry.
Sorry guys I have to reschedule. Yeah I’m listening to A Scrap of Ribbon by Thomas Newman from the 1917 soundtrack on repeat. My schedule’s pretty booked I’m sorry. Yeah next week too. And the week after that. Sorry.
Sorry guys I have to reschedule. Yeah I’m listening to A Bit of Tin by Thomas Newman from the 1917 soundtrack on repeat. My schedule’s pretty booked I’m sorry. Yeah next week too. And the week after that. Sorry.
Sorry guys I have to reschedule. Yeah I’m listening to Gehenna by Thomas Newman from the 1917 soundtrack on repeat. My schedule’s pretty booked I’m sorry. Yeah next week too. And the week after that. Sorry.
april 6th, 1917
1917 (2019) ↳ dir. SAM MENDES
Papa Scho is something that makes my throat hurt so here’s some messy sketches of him with his wife, Winifred, and daughters Helen and Dorothy. (Names inspired from the real people behind the photos of his family in the film; I originally had different names for them but these ones fit perfectly so now I can’t see them as anything else :)

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Schofield being a girl dad is something that can actually be so personal
I specifically picked a moment where he looked like he was on the verge of tears for this
Returning to my roots (Schofield pfp for the first time in a few years because I am and always will be insane over him)
May I offer you a Scho in these trying times
Hot people rewatch the Jumblies scene from 1917 on repeat

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I made a 1917-inspired playlist the other day if anyone is interested 🌸
The Strength of The Tree; From Start To Finish
1917 (2019)
dir. Sam Mendes
My roman empire is william schofield. I think about that man everyday
I am once again thinking about the juxtaposition in intimacy in 1917 between Schofield and the baby vs Schofield and the German soldier he strangles (aka Bäumer)
The second Schofield sees the baby, he is offering all of his food, he’s giving away the milk he found earlier, he is gently, oh so gently, rubbing her arm with his thumb as he recites poetry to her (children’s poetry that he has memorized, no less). After everything he went through leading up to that point, this domesticity is startling. It’s sweet, it’s intimate, it lets the audience know that Schofield is not meant for the war, not truly.
But then, mere moments later, we have another startlingly intimate scene: Schofield is strangling the life out of Bäumer in a desperate attempt at survival. The other times Schofield killed in the film, he used his gun; he was removed from the actual act of killing. But in this moment? It is Schofield and Schofield alone who is doing the killing— there is no way to detach himself from it, which is what makes it intimate. There is something incredibly intimate in staring directly into the eyes of someone as you kill them, after all— they are just as afraid as you are.
It is SO heartbreaking that Schofield’s strangling of Bäumer follows directly after he interacts with the baby. He’s not meant for the war— he’s meant to be a father and to care for his children and family and be at home, but he has been shaped by the war into a man who is capable of doing horrible things. His hands, oh so gentle with the baby, are the very instrument of Bäumer’s demise. And isn’t that ironic?
Do you think he thinks about the way his hands wrapped around Bäumer’s neck so easily when he thinks of his hand dwarfing the baby’s in size?
Fortesa Latifi, “The Truth About Grief”

Anya is live and ready to show you everything. Watch her strip, dance, and perform exclusive shows just for you. Interact in real-time and make your fantasies come true.
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I loved this movie so much. I had to reimagine the poster. Thanks to everyone who hung out with me on stream! Watercolor, ink, and and acrylic on mounted paper, 18"×24".
‘1917’ (2019)
Directed by Sam Mendes